Whitewash – Elizabeth Hobart

                                             FADE IN:

  INT. PUBLIC INDOOR SWIMMING POOL. EARLY MORNING      1

The public pool is a harsh contrast of white and diluted blue. Three youths in their early 20s – ELLA, TEGAN and MAX – swim in the pool. Ella and Max race while Tegan breaststrokes alongside them.

                                              CUT TO:

  INT. PUBLIC BATHROOMS (FEMALE). EARLY MORNING        2

Pale blue light floods the public bathroom. A cubicle door slams. Jessie’s (17) fingers, wrinkled from pool water, fiddle with the lock. She breathes heavily before clasping her hand over her mouth. A skinny male, TRAVIS (22), enters with a black handgun dangling from his index finger. He wears only jeans and his hair is damp.

TRAVIS

Come on out now, Angel. This isn’t a joke.

Travis creeps over to the closed cubicle door and then bangs it with both hands. Jessie sits down on the toilet seat, scratching nervously at her knees.

TRAVIS

(laughing)

I’m not gonna hurt you,

I promise, I promise. Well maybe.

Travis jumps up attempting to grab hold of the top of the door. He fails at first but then manages to hoist himself up. Jessie trembles.

JESSIE

Stop it, Trav, I don’t want to play anymore!

Travis climbs further so that his arms hang over the top of the door. He smiles.

TRAVIS

Tough luck.

Jessie chokes up. Travis points his gun down at her. His finger strokes the trigger and pulls. Jessie’s face is squirted with water.

                                         FADE TO BLACK:      

TITLE: WHITEWASH            

INT. PUBLIC INDOOR SWIMMING POOL. EARLY MORNING       3

The white plastic furniture of the indoor pool area is gleaming under the ceiling lights. A plastic clock on the wall strikes 7:00 A.M. The cafe window still has its steel roller shutters down. The three youths from the pool sit around a table. A close up of Ella’s face shows the previous night lingering under her eyes. An unseen male, Max, can be heard talking with a husky voice while Ella stares straight ahead.

    MAX

You’re my best girl, you know what I mean?

It can now be seen that Max is speaking across the table not to Ella, but another girl. The other girl, Tegan, rolls her eyes and lights a cigarette. On a wall behind them is a faded ‘No Smoking’ sign. The sound of a harmonica echoes from the nearest hallway. Travis emerges from the hallway, harmonica in hand. He is now wearing a baggy Jumper with his board shorts. He walks over to the table.

TEGAN

(To Travis)

I thought you’d never left.

TRAVIS

I’m never leaving.

Travis grins and kisses both girls on their heads before taking a seat. Ella raises her hand up to Travis’ cheek.

ELLA

Been trying on lipstick, have you?

Ella rubs her thumb against Travis’ skin. He brushes her hand away.

TRAVIS

When does the tuck shop open?

Tegan glances over to the other side of the pool where a male CLEANER picks up leftover towels from the night before. He stuffs them all into a laundry basket.

TEGAN

(To Travis)

We’ve been coming here for ages… You honestly don’t know the answer to that?

Travis shakes his head and blows into his harmonica.

TEGAN

(To Travis, nodding at cleaner)

Not ’til this bloke is done.

                                                CUT TO:

EXT. PUBLIC SWIMMING POOL CAR PARK. EARLY MORNING     4

There are only two cars parked in the outdoor car park. A close up shows a decoration hanging in one of the cars, reading ‘JESSICA’.

                                                CUT TO:

INT. PUBLIC BATHROOMS (FEMALE). EARLY MORNING         5

The shower in the public bathroom drips repetitively.

                                                CUT TO:

INT. PUBLIC SWIMMING POOL (INDOOR). EARLY MORNING     6

The cleaner makes his way around to the other side of the pool where the youths sit. He continues to pick up leftover towels from the floor and seats.

MAX

Mor-ning!

The cleaner smiles shyly and accidentally drops a couple of towels from his basket. As he picks them back up, one towel appears to be wet with blood.

ELLA

Is that-

MAX

Jesus!

Tegan gags and Travis imitates her. She smacks his shoulder.

TEGAN

Stop, you know I’ve got a problem with-

She gags again and turns her chair around. Travis continues to mock her. The cleaner shrugs, picks up the towel and throws it back into the basket. A red smudge is left on the tiles where it had landed. The youths stare at it for some time.

   ELLA

 The shop is opening.

Everyone turns to see the cafe owner hoisting up the roller shutters.

   TRAVIS

 Thank the gracious gods.

   MAX

 Are you lot getting breakfast or just drinks?

TEGAN

I won’t be able to eat for a good hour.

TRAVIS

Suit yourself.

ELLA

Where’s Jessie? She took mum’s coin purse this morning.

They all pause in thought. Tegan takes another puff of her cigarette.

TEGAN

(Mumbling)

Well she just went to the bathroom, didn’t she?

They pause again.

ELLA

When was that?

Tegan shrugs. Max and Travis jump up and hurl themselves towards the cafe counter. Ella’s eyes land on the red smudge on the tiles. Tegan notices this as she exhales a cloud of smoke.

TEGAN

Don’t stress, people wander off sometimes.

Ella is quiet. Tegan rolls her eyes and puts out her cigarette on the table. Her chair squeaks as she stands up.

                                                CUT TO:

INT. POOL HALLWAY. EARLY MORNING                      7

Tegan trudges down the white hallway of the public pool. Her sneakers scuff against the tiles.

TEGAN

(Calls out)

Jessie? Jess?

Tegan pokes her head around the female bathroom entrance.

TEGAN

(Frustrated)

You in there, Jess?

                                                CUT TO:

INT. PUBLIC BATHROOMS. EARLY MORNING                  8

Tegan enters the female bathroom. All the cubicle doors stand open. One of the taps is dripping and Tegan twists it until it stops. She spots Travis’ water gun sitting between two sinks.

TEGAN

(Sighing)

Trav, you little shit.

Tegan leans over and picks up the water gun. She points it with both hands at her reflection in the mirror and shoots a few squirts of water. She smiles and puts the water gun down. She rubs her face and suddenly sees a smear of red down her cheek. There is blood on her hands.

TEGAN

(Gagging)

What the f-

She picks up the gun again and wipes blood off the handle with her thumb. Travis’ initials are scratched into the side. She gags again.

TEGAN

Fuck!

Glancing at Travis’ initials again, Tegan checks the empty cubicles. She hides the gun down beside a sanitary disposal bin.

                                                CUT TO:

INT. POOL HALLWAY. EARLY MORNING                      9

Tegan rushes back down the hallway but stops outside the steam room. She hears a noise and peaks inside the door, cringing at the heat inside.

TEGAN

Oi, anyone here? Jessie?

    

She receives no answer. She turns around and jumps in surprise at the cleaner standing behind her.

CLEANER

Hey, are you done?

 

TEGAN

Done with what?

CLEANER

Talking to nobody . . .

TEGAN

I was looking for –

Tegan glances down at the cleaner’s right hand. It is bandaged.

TEGAN

What happened there?

CLEANER

What’s it got to do with you? Get outta here.

The cleaner waves her away and she heads back towards the pool. She turns around to get another look at the cleaner’s hand.

                                                CUT TO:

INT. PUBLIC SWIMMING POOL (INDOOR). EARLY MORNING    10

The clock strikes 7.30 A.M. The other three youths are still around the tables as Tegan returns to them.

TRAVIS

Eh, there she is!

MAX

Bloody hell, you took your time.

Travis casts Tegan a suspicious look.

TEGAN

I wasn’t gone that long.

TRAVIS

(Sarcastically)

Did you get lost, Tegan? That’s one big hallway for a little girl like you.

ELLA

Oh, shut up Trav.

TRAVIS

You’re right, you’re right. It’s tiny.

ELLA

(To Tegan)

Did you find Jessie anywhere?

MAX

I didn’t even notice she was gone.

TRAVIS

(Sarcastically)                                   

Maybe she got lost too.  

ELLA

(To Tegan)    

Did you find her?

Tegan shakes her head. Max grins and reaches out to playfully punch Travis on the arm.

MAX     

(To Travis)

Shouldn’t you know where she is?

ELLA

Why would Travis know where she is?

MAX

(To Travis)

Isn’t she your girlfriend, mate?

ELLA

What?

MAX

That’s what I heard.

ELLA

That’s bullshit, she hasn’t even finished school for God’s sake.

TEGAN

Is it bullshit, Travie?

Travis and Tegan exchange scathing glances.

TRAVIS

(Grins)

My private business, isn’t it?

ELLA

(To Travis)

Not while she’s my little sister.

TRAVIS

(To Ella)

Like what?

ELLA

(To Travis)

About you and Jessie.

TRAVIS

(to Ella)

Chill out beautiful, I’m sorry.

They sit in silence.

TRAVIS

(to Ella)

There’s enough of me for you too-

Max bursts into a fit of laughter. Ella stands and hits Travis on the arm.

TRAVIS

Hey, ow!(looking at his arm) Ow.

ELLA

(Taking out her phone)

I’ll try calling her.

Travis moves over to Tegan and squeezes her shoulder.

TRAVIS

(To Tegan)

Can I drag you off for a minute?

TEGAN

(To Travis)

Why?

TRAVIS

(To Tegan)

Well, that would ruin the surprise, wouldn’t it?

                                                CUT TO:

INT. POOL HALLWAY. EARLY MORNING                     11

Travis holds Tegan’s arm and leads her into the hallway. He heads towards the female bathrooms.

TEGAN

We’re not going in there.

Travis stops and turns to face her.

TRAVIS

Why not?

TEGAN                                              

I think you might know why not. Your gun is in there with-

Travis cups his hand over Tegan’s mouth and firmly pushes her against the wall.

TRAVIS

It’s a fucking water pistol, Tegan. Don’t be saying that shit where people can hear you.

He takes his hand off her mouth and releases her slightly.

TEGAN

What went on in there?

TRAVIS

What the hell are you talking about?

TEGAN

The blood, Travis.

Travis stares at Tegan in confusion.

                                          SHARP CUT TO:         

EXT. PUBLIC SWIMMING POOL CAR PARK. EARLY MORNING    12

Jessie hurries through the car park with car keys in hand. She is flustered and wipes tears from her cheeks.

                                          SHARP CUT TO:

INT. POOL HALLWAY. EARLY MORNING                     13

Travis still holds Tegan against the wall.

TRAVIS

I don’t know what this is about.

TEGAN

(Hissing)

What do you mean?

TRAVIS

You can’t always protect Ella.

TEGAN

Yeah, well, her feelings about

you aren’t exactly the priority right now.

TRAVIS

(Distracted)

No, they’re definitely not…

TEGAN

(Beat)
What’s going on?

Travis rubs his brow.

                                           SHARP CUT TO:

INT. JESSIE’S CAR. EARLY MORNING                      14

Jessie drives her car up to an intersection with a stop light.

JESSIE

Fuck.

She lets her hands fall softly from the steering wheel to her stomach. She lifts her shirt and strokes the bare skin.

                                           SHARP CUT TO:

INT. POOL HALLWAY. EARLY MORNING                      15

Travis clenches his eyes shut for a few moments.

TEGAN

Tell me where she is.

TRAVIS

I don’t know where she is.

TEGAN

What do you mean you don’t know?

TRAVIS

I don’t! She must’ve left!

TEGAN

What did you do to her, Travis?

Travis pushes Tegan harder against the wall and brings his mouth up next to her ear.

TRAVIS

(Whispering)                                  

Igot her pregnant, Tegan. I got her pregnant.

Tegan is silent.

TRAVIS(CONT’D)

She’s got a kid in her belly and it’s going to grow like a seed,
Tegan.

Travis moves his head so that their eyes meet.

TEGAN

(Whispering)

She is a kid.

TRAVIS

But so am I, I didn’t-

TEGAN

Travis, is she hurt?

TRAVIS

I didn’t know-

TEGAN

Travis… Is she hurt?

TRAVIS

No! Why-

TEGAN

Then why is there blood on your gun?

TRAVIS

It’s a water pis- Wait, what?

TEGAN

Come with me.

Travis’ eyes are glassy as Tegan heads for the female bathrooms. He slaps his hand against the wall.

                                                CUT TO:

INT. JESSIE’S CAR. EARLY MORNING                     16

Jessie’s phone starts ringing on the seat beside her. She won’t look at it.

                                                CUT TO:

INT. PUBLIC SWIMMING POOL (INDOOR). EARLY MORNING    17

Max enters from outside.

MAX

Her car’s gone.

Ella presses the ‘End Call’ button on her phone.

ELLA

No answer.

MAX

(sighs)

Yeah, she never answers her phone.

ELLA

How would you know that?

MAX

(Hesitating)

Trav might’ve mentioned it.

 

Ella looks downwards. The cleaner enters the pool area again with a mop and bucket. He begins cleaning the tiled floor around the pool. Ella and Max stare at him for a few moments.

ELLA

Is he new?

MAX

(Mocking)

They’re always new.

Ella glares at Max. The cleaner gasps and releases the mop from his bandaged hand, cradling it. Ella looks up.

ELLA

(Calling out)

You’right?

The cleaner nods. He shakes the hand gently before returning to his work.

ELLA

What do you reckon happened there?

MAX

(looking around)

Where?

ELLA

To his hand, Max.

MAX

What’s wrong with his hand?

ELLA

It’s bandaged. Are you blind?

MAX

Hey, ease off. Why do you give a shit?

ELLA

Just looks pretty nasty.

Ella pauses. Her eyes widen as she studies the cleaner’s hand from a distance.

MAX

So, coffee?

                                               CUT TO:

INT. PUBLIC BATHROOMS. MORNING (8:30 A.M.)          18

Tegan bursts through the bathroom door, Travis following closely behind. Tegan rushes into one of the cubicles and retrieves the water gun from its hiding place. She dangles it in front of Travis’s face, resisting the urge again to be sick at the sight of blood.

TRAVIS

Look at that…

He snatches the water gun from Tegan’s fingers and begins rinsing it under a tap.

TEGAN

What the hell are you doing?!

Tegan jumps at Travis to stop him but does not succeed.

TRAVIS

It’s fine, Tegan. Forget about it.

TEGAN

Something really messed up is going on-

The bathroom door opens. A middle-aged FEMALE   SWIMMER enters. She looks the pair up and down.

FEMALE SWIMMER

What’s going on here?

(To Travis) You, out!

TRAVIS

All good, I’m leaving.

TEGAN

(To female swimmer)

He’ll leave in a minute.

The swimmer glares at them both before shutting herself inside a cubicle. Travis looks back at Tegan, almost apologetically.

TRAVIS

I’ve gotta go . . .

TEGAN

Not until you tell me what’s going on.

TRAVIS

Nothing’s going on.

Tegan glances around at the cubicles, then back at Travis.

TEGAN

What happened in here?

TRAVIS

I swear to God-

TEGAN

You don’t believe in-

TRAVIS

I swear on my life-

TEGAN

All right-

TRAVIS

Everything is going to be okay.

TEGAN

But-

FEMALE SWIMMER 

(Calls from cubicle)

Get that boy out of here or I’ll report you both!

Tegan turns to the cubicles again in disbelief. Travis shrugs at her. He pats her on the head before grabbing the water gun and exiting.

                                                CUT TO:

INT. JESSIE’S CAR. MORNING                           19

Jessie continues to clutch her stomach while she drives. Her eyes well up with tears. She pulls over to the side of the road and calls Ella.

ELLA

(On speaker)

Yes, hello?! Jessie?

JESSIE

(On phone, croaky voice)

Hey, Ell.

ELLA

(On speaker)

What the fuck happened to you? Where are you?

JESSIE

(On phone, croaky voice)

I’m fine, I’m fine.

ELLA

(On speaker)

Jesus. Where are you?

JESSIE

(On phone, croaky voice)

It doesn’t matter-

ELLA

(On speaker)

Where did you go-

JESSIE

(On phone, croaky voice)

It doesn’t matter, Ella. I’m coming back. I’m coming back.

Jessie hangs up the phone. She turns on the car and makes a sharp turn.

                                                CUT TO:

INT. PUBLIC SWIMMING POOL (INDOOR). MORNING          20

The plastic clock strikes 9 A.M. Ella’s gaze turns from her ended call with Jessie to Max sitting opposite her. He tilts his head to get the last of his coffee before meeting her eye.

MAX

What are you looking at?

ELLA

That was Jessie! 

MAX

Where?

ELLA

On the phone, fuck.

MAX

Oh, shit, where is she?

ELLA

I don’t know . . .

                                                CUT TO:

INT. POOL HALLWAY. EARLY MORNING                     21

Tegan follows Travis down the hallway, trying to catch up with him. The water gun sits in his board short pocket. Tegan tries to grab his side. He cringes. They reach the pool area.

                                                CUT TO:

INT. PUBLIC SWIMMING POOL (INDOOR). MORNING          22

Max spots Tegan and Travis emerging from the hallway. He nods and waves.

MAX

Hello there!

Ella turns swiftly to face them.

TEGAN

What did we miss?

ELLA

Jess just called back . . .

TEGAN

She did?! (Glancing at Travis) Where is she?

      ELLA 

Um . . .  

      MAX

She doesn’t know.

      TRAVIS

What do you mean she doesn’t know?

      ELLA

She hung up before I could get it out of her (pauses) But she’s on her way back . . .

Travis stares at Ella. Tegan stares at Travis. Max takes the lid off his coffee cup and inspects it for any leftover drops. Ella’s phone buzzes, catching everyone’s attention.

          ELLA

It’s a message from Jess – she’s parking.

          TRAVIS

I’m gonna go out there.

Travis begins heading towards the exit. Tegan follows after him. Ella follows them. Max sighs and runs after them.

                                                CUT TO:

EXT. PUBLIC SWIMMING POOL CAR PARK. MORNING          23 

The four youths exit the public swimming pool into the car park. They see Jessie’s car and head towards it.

                                                CUT TO:

INT. JESSIE’S CAR. MORNING                           24

Jessie sees her friends approaching. She digs a pocket knife from her shorts and looks at it for a few moments. It is clean, yet she wipes it again, as if to be sure. She stuffs the knife into the glove box and exits the car.

                                                CUT TO:

EXT. PUBLIC SWIMMING POOL CAR PARK. MORNING          25

The youths and Jessie reach each other. Ella runs up to Jessie and hugs her tightly.

ELLA

Don’t ever do that again!

JESSIE

Calm down, Ella! I just went for a drive.

TEGAN

She has a right to be worried,

Jess. We were all pretty freaked.

MAX

Not me.

TEGAN

Stop talking, Max.

MAX

If I must.

Jessie grins at Max before her eyes land on Travis. He is staring at her.

JESSIE

Hey, Trav.

Travis walks over to Jessie and wraps his arms around her. She does the same but her hand lands on something underneath his baggy jumper. While the others are distracted, she lifts the edge carefully to reveal a couple of thin pool towels tied around his torso. 

JESSIE

(To Travis, softly)

Did I do that?

Travis hushes her and holds her head against his chest. She drops the edge of the jumper back down.

                                              FADE OUT:

Give It Time – Renata Hercok

They stood in front of door number thirteen. From the hall they could hear the grunting and banging of the removalists in the stairwell as they lugged the side-of-the-road tartan couch up the three flights of stairs. Hugo held their two keys on the tip of his right index finger. With his left hand he squeezed Kara’s sweaty one.

Hugo’s eyes narrowed as he sized up the door. ‘That couch is not going to fit.’

Kara snorted, her hand moving to the handle. ‘That’s why we hired them.’ She jerked her head towards the grunting. ‘Come on, let’s go inside.’

‘Hey,’ Hugo’s hand tugged hers and she turned into him. He smiled, the boyish dimples settling deep into his flushed cheeks. ‘Do you love me?’

‘Of course not!’ Her lips stretched wide, a laugh echoing through the hall. His eyes crinkled at the edges when he smiled. His hand left hers and weaved into her hair, pulling her closer, her head coming to rest on his chest. Her eyelids met for a moment as she breathed in the musky scent of him that lived in the fibres of his shirt. He brushed his lips across her forehead as the key went into the lock with a metallic click.

His lips on her ear littered her smooth skin with goose bumps. “Welcome home.”

* * *

On Kara’s first day of kindergarten, the car window hosted raindrop races and the yellow plastic raincoat stuck to the skin of her leg. The school was surrounded by green paddocks filled with horses and cows and a main road bordered by flooring and home-wares stores. Beyond the cluster of moss stained classrooms, the rambling expanse of the school’s sporting fields and playground was visible, puddles of water flooding the grass. The leaf filled rainwater from the car-park ran in rivulets down the path to the kindergarten buildings and collected in a sock-soaking puddle at the bottom where the cracked bricks halted its progression.

Kara’s eyes prickled as she watched the swarming crowd of yellow rain-coated, brown-shoed children spilling off the path and onto the asphalt like a river breaking its banks. A sob finally escaped from deep in her chest as her mother wrangled the umbrella open above them and wrestled the schoolbag over Kara’s shoulders. Finally, her eyes spilled over like the gutters on the brown brick buildings of the school, leaving her cheeks stained with tear tracks.

‘Why are you crying?’

Kara turned to find a small boy and his tall mother standing under their own umbrella, hand in hand. The boy, Hugo, had blue eyes that reminded Kara of the colour of the dress on her favourite Barbie doll. Hugo blinked at her, his hat slipping down over his eyes every few seconds. He pushed it back up with the tips of his skinny fingers.

Finally, Kara sucked in a breath, scrubbing her sleeve across her face. ‘Because.’

He swallowed hard, his cheeks dimpling as his eyes flicked around their sockets, his teeth leaving indents in his bottom lip while their mothers chatted easily beside them. After another moment, he shook his hand free and splashed towards Kara, the brim of his hat spotting with fat raindrops. He paused in front of her, considering, before he threw his arms around her shoulders and turned to the mothers, taking Kara’s hand as he did.

‘Can we please go to school now?’

They nodded. Hugo turned on his heel and, his fingers folded around Kara’s, marched off towards the crowd of crying children, dragging Kara behind.

* * *

Her laptop dinged. She felt her face bloom red. Hugo Jameson has accepted your friend request. Write on Hugo’s wall.

The laptop dinged again and a flashing blue message box popped open at the bottom of the screen. ‘Hey!’ She sighed. What else would you say to someone you hadn’t seen in a decade?

She’d been slouched over her laptop staring at an eyeball disintegrating Word document filled with Modern History study notes for the last hour. Once her eyes had begun to bleed, she’d shifted to the relaxing blue and white of the facebook newsfeed. When his name popped up as a suggested friend, her mind had jumped to the days of throwing rocks at the school bell, missing and shattering the classroom window, doing bombs off the retaining wall into his swimming pool and pulling his labrador’s tail to make it play.

She’d nearly choked on her vegemite sandwich when she’d clicked on his name and saw his profile picture.

Ten years ago he’d been an eight year old with chubby, rosy cheeks and a smile full of gaps that made his eyes scrunch up into small slits that reminded her of the coin slot in a vending machine. His profile picture still showed the same toothy smile, but with a hard jawline and high cheekbones that tapered across to his pointed nose.

Kara stared at the single word in the message box and stole a glance over her shoulder. The bedroom door was firmly closed, the Blink 182 poster tacked to the back still projecting the fuck you visual message. She smiled at the memory of her mother’s puce coloured face after having caught a glimpse of the poster. Her eyes returned to the message window, her pen splattering blue ink over her knee as she tapped it against the skin there.

‘Alrighty,’ she muttered. Hi Hugo, long time no see … what have you been doing for the last decade?

He replied with a smiley face. Then: Well I could tell you here, but it would take forever to type because there’s a lot. How about lunch?

* * *

They’d pulled the dog’s tail too hard. She was sulking under the veranda, whimpering. Hugo’s mum had yelled. She’d locked them in the TV room with Beauty and the Beast. They sat on Hugo’s Batman beanbag together; legs sprawled out in front of them, Hugo’s sock half hanging off his foot.

‘Why do grownups do that?’ Hugo pointed at the screen where, newly transformed into Prince Charming, the Beast was kissing Belle.

Kara made a face, scrunching her nose. ‘I don’t know. Whenever my Mum kisses me, it’s always on the cheek and really slobbery and I have to wipe my face after.’

Hugo nodded vigorously, his hair tickling her cheek. ‘Maybe on the lips is better.’

Kara shrugged. ‘Maybe.’

‘Wanna try?’ He bounced out of the beanbag and was on his knees on the rug in front of her.

Kara glanced at the screen on the wall again. ‘Okay, but I think we have to hold hands. That’s what my mum and dad do.’

Hugo nodded, his brow furrowing. ‘Mine too. Okay.’ He took Kara’s hand like he had on their first day of school. ‘Do we have to close our eyes too?’

Kara nodded, the end of her ponytail flicking her chin. ‘That’s what all the grownups do.’ Hugo closed his eyes and leaned towards her on his knees, his pursed lips just resting on hers before he leaned back, his laugh escaping through the gaps in his smile where his teeth had fallen out.

A giggle escaped through Kara’s nose. ‘That was silly! I like holding hands though.’

 ‘Me too.’ His small hand still held hers. The credits began rolling on the screen. ‘What do you want to watch next?’

They turned to each other and nodded. ‘Toy Story!’

‘There’s a snake in my boot!’ Hugo exploded out of the beanbag, sprinted to the DVD cabinet, and returned with the navy blue disc case.

* * *

The sun stung their cheeks and made them squint. She reached a finger out and twisted the tip around one of his golden strands of hair. His hand lay lightly on her hip, his other twirling around the end of her ponytail. The grass scratched at the skin on their legs and his cockatoo observed them from the veranda and screeched, ‘What are you doing?’ over the humming of his neighbour’s mower.

His blue eyes transported her away from the pounding sun and the bubble of panic over university exams, immersing her in a cool world of azure that swallowed her and held her in a space where there was only room for her and him. His fingers tangled with hers; thumb tracing the back of her knuckles. His eyes came closer, the tip of his nose just touching hers. Softly her mouth rested on his. Then his lips parted and she breathed in the taste of strawberries and orange juice.

* * *

Hugo slammed the apartment door. Kara was already in their bedroom. Her mascara ran in parallel lines down her cheeks, the tears dropping from the tip of her chin, leaving black spots on her white blouse. She dragged the suitcase from the top of the wardrobe and snatched her clothes off hangers and out of drawers.

 ‘Kara, stop!’ Hugo’s hand crushed tight around her wrist. She wondered if it would bruise.

She shook her arm, glaring at him. ‘Let me go.’

‘No.’

‘I said let me go,’ she spat.

‘Kara, please.’

‘Fucking let me go Hugo or I swear to God-‘

His fingers lifted away. ‘What the fuck is your problem?’

She threw a skirt onto the pile in the bag. ‘Your parents just told us that I was a bad influence on you, that I was the one preventing you from doing something with your life. They basically just verbally abused the shit out of me and this relationship and you just sat there.’

‘Well you didn’t-‘

‘They aren’t my parents.’ Kara’s voice was like a training whistle for small dogs. She could feel the vein in her forehead beginning to throb. ‘Why don’t you ever stand up for this, for me? Is this what you want, Hugo?’ She waved her arms around the room, her wrist enveloped in a red handprint.

‘Of course-‘

‘Then why don’t you ever say it is?’ Kara’s hand slapped against her leg as she let it fall to her side.

His face filled with lines; eyes sunken among the dark bags beneath them. ‘I-‘

She waited. Nothing.

‘You can’t even answer me. Maybe your parents are right. Maybe this isn’t the right thing. You don’t know how you want to live your life. I’ve waited long enough. I can’t wait anymore.’ She threw her shoes in on top of the clothes.

He flung his arms out as if he were trying to keep the pieces of his life from severing completely. ‘So what, you’re leaving?’

‘Ooh, got it in one.’ He looked at her like she’d slapped him. ‘Sort your life out, Hugo. Figure out what you want.’

She stomped out of their bedroom. He watched her drag the bag through the living-room and past the kitchen. She dropped her key on the counter and struggled with the deadlock like she always did. She scrambled past the door, her suitcase denting the wall. The door slammed closed. He stared at the back of the door. She’d left her Blink 182 fuck you poster. He wondered if it was on purpose. He felt his knees give way and he dropped onto their bed.

Their bed. Theirs.

His.

* * *

They’d just received final judgment. Her client was howling in the street. In any other situation, it might have been funny: the awkward lawyer, the howling client, and the brooding, grey sky. It wasn’t funny. Kara’s stomach was roiling, bile beginning to rise in her throat. Once she was sure the client wasn’t going to walk in front of the next bus that rumbled along the street, she said goodbye.

It started to rain. Kara didn’t have an umbrella. She’d been on this earth for thirty years and for twenty of those, her mother had been telling her to put an umbrella in her bag, just in case.

‘Fucking hell,’ she muttered, lifting the client folder over her head to try and protect her hair as she made a run for the coffee shop on the next corner.

She dashed through the puddles on the asphalt footpath and half fell up the step into the shop where the smell of roasting coffee beans filled her lungs and made her shoulders sag in relief.

She ordered a large cap and fell into a booth near the barista machine. She dropped the rain spotted client file onto the table in front of her with a scowl and pulled out her phone. She had thirty unread emails from her colleagues offering their condolences. She wondered when the email notifying her of her sacking would arrive.

The coffee arrived in a take away cup and she stood up, shivering as the door to the café opened and blew a rainy breeze onto her legs. Her phone dinged; a meeting request with the managing partner.

‘Joey, small latte please.’

Kara stiffened, her thumb hovering over the accept button on the request. She turned on her heel, coffee shaking in hand.

His shoulders were wrapped in a charcoal suit. His blonde hair was short on the sides and longer on the top, fringe falling into his eyes. He held a black barrister’s file in one hand and dragged a suitcase in the other. He brushed his fringe away as he turned to put his folder on the table beside him. His eyes widened, locking with hers as he turned.

The only sound was the noise of grinding coffee beans for his latte. After a moment, his face split along his mouth like a fault line that transformed the landscape of his face; he had new lines around his smile and a softening to the hardness of his jawline. Her eyes moved to his ring finger. Not even a tan line. She prayed that there wasn’t some bimbo girlfriend out on the town with his Amex in her purse and a Tiffany’s ring on her finger. She imagined the taste of strawberries and orange juice.

‘You, ah … you left your poster on the door when you left.’ His hand ruffled the back of his hair.

He spread his arms a little; an involuntary out-turning of his hands, like a habit. It was like he’d been doing it every day for the last six years. Like no time had passed at all. The gesture folded around her like a blanket, warming her like it used to when she’d had a bad day at university, or when they’d signed the lease for their first apartment.

She moved across the café and stopped, the toes of her pointed shoes centimetres from his. ‘Have you still got that poster?’

He nodded, brow furrowed. ‘Framed and everything.’

She sighed. ‘Thank god. I love that poster.’

‘Me too. I’m not sure I’m willing to give it up.’

She shrugged, brushing droplets of water off the shoulder of his suit. His face fell into the smile that was just for her. ‘Maybe we can share.’

Becoming Bond – Kurt Gray

I was staring down the barrel of a .38. As a seven year old it’s not something you expect. It’s not something you know how to deal with. The man at the end of it was well groomed. He was dressed in a dinner suit with unusually large lapels and pants that flared out into bell-bottoms.

He didn’t make eye contact until the last second. His right hand brandished a Walther PPK handgun and discharged it in my direction. The gun shot left bloody-crimson spilling down the screen.

Compared to the rainbow coloured, gimp-suit wearing Power Rangers or the collection of super hippies with their rings of environmental power and fearless blue leader and his Brunswick-green mullet – Go Planet – a well-dressed man shooting the television dead was realistic.

Based on an early edition of Ian Fleming’s spy series, Roger Moore’s portrayal of Commander Bond in For Your Eyes Only would lay the foundations of my own self-discovery and my pursuit of adventure, which I would come back to emulate over a decade later.

Was it Moore’s quick wit and humour that appealed to me? Could it have been his romantic association with the stunning Melina Havelock that I was most drawn to? Probably not. I wasn’t that clever as a seven year old, or that much into girls. I didn’t understand the suggestive context in which most Bond movies are built on. Luckily for me such suggestiveness was fairly limited in this Roger Moore installment.

Bond: Don’t you ever come up for air?

Bibi: That’s why I’ll get the gold medal: breath control.

Bond: You can’t loose.

Dad had chuckled to himself, but cleared his throat to avoid answering the awkward question he thought my brother or I would ask. We didn’t ask. We grabbed our cap guns and tried to kill each other. As magic as the movie was, it wasn’t captivating enough for two hyperactive kids to watch it from start to finish. Watching Bond was only ever interrupted, in my defense, by Bond-related activities.

I searched through the corridors of my house carefully inspecting each room, looking under beds, behind doors and inside the inbuilt wardrobes. I tried to reenact as best I could what I had just seen on television. An erratic red-and-white Bell 206 Jet Ranger chopper had been droning towards the algae-plagued waters of the River Thames. A crippled madman vaguely resembling Dr Evil all the while had been sitting on the roof of an abandoned factory undertaking an overly elaborate plan to murder Bond. Bond had incredible success avoiding death. I wasn’t so lucky. I heard three shots from my brother’s gun and turned around to see the smug smile on his face.

‘Killed ya’.

I’m not sure if the success of Bond is directly related to the suit-wearing, scotch-swilling, martini-sipping, womanizing 1950s ideal gentleman who Ian Fleming may or may not have based loosely on himself. The success of the franchise could have been bolstered by the unique attributes the cinematic Bond actors interjected into the role from their own personality. The different Bonds, between Connery, Moore and Craig, allowed me to pick and choose attributes from each that I wanted to embody. But the basic outliers of Fleming’s Bond were what I most thought to identify the ‘gentleman’.

I don’t discredit the Pierce Brosnan era. He did justice to an aging cold war spy, with the corny one-liners and some poor acting in part. To me it seemed like the franchise was trying to rehash the best parts of Connery with the gadgetry power of Moore’s Bond. Daniel Craig’s portrayal is so refreshing, as agreed upon by his predecessors, because the franchise didn’t try to do what it did with the Brosnan Bond. It was Moore’s comment about Craig that to me displayed an honesty of Moore’s own character and highlighted a truth behind Craig’s portrayal.

‘To me, he looks like a killer. He looks as though he knows what he’s doing. I look as though I might cheat at backgammon.’

I never wanted to look like a killer myself. I just wanted some adventure and to occasionally experience the finer things in life.

‘Hey dickhead, are you ready?’

We were halfway down the black run when we noticed the majority of skiers and snowboarders had slowed down, cautiously approaching the final steep descent. I peeked over to see the almost vertical 300-metre slope. Memories of my skiing accident popped in my head, a tingle in my back reminding me of the dangers that crap skiers and living slabs of timber possess. I sized up the pine and birch trees that bordered the run.

Could it happen again?

I wasn’t in the ideal position of being a professional skier. This was my second time skiing in eight years, but standing still was doing me no good. Millions of tiny flakes floated through the sky, their unique patterns easily identifiable by the naked eye. It was verging on two minutes and the cold was pushing me to jump. Icicles formed on my eyelashes and moustache and the tips of my ears and nose were becoming solid.

‘Fuck it’s freezing.’

I glanced at Sammy. The rosy glow of his cheeks were all that was visible underneath that wool blend balaclava and goggles.

I’m not sure why it popped into my head. Maybe it was the hypothermia setting in, but suddenly I remembered the ski scene in For Your Eyes Only.  The energetic disco-themed score, similar to the Rocky music, followed Bond down the slopes of the Cortina d’Ampezzo. Unlike Bond I didn’t have to worry about black clad, henchmen on Yamaha XT 500 motorcycles, with metal snow spikes and rotating machine guns, while weaving in and out of bush land and over picnic tables. I was actually the one doing the chasing because my friends were already halfway down the mountain.

By nighttime the mid-January temperature dropped to minus-thirty. The wind had picked up and I was waiting for the bus to the airport. I was due in Stockholm by mid-afternoon the next day. I had the option then of either saving my money and finding an empty bench in the departure lounge, spooning my backpack, while the smaller one watched, or finding a hotel.

By this time the whole Bond thing was at the back of my mind so it came down to choosing comfort and class over cost. It just so happened that the Hilton Hotel was a five-minute walk from my gate.

Standing at the lobby desk I felt out of place, surrounded by the formal-suit- and dress-wearing business people that made up the hotel’s clientele. I was that lost person who had managed to Bear Grylls his way to civilisation.

The ladies at the desk didn’t bat an eyelid. They even upgraded me to include the full buffet breakfast, sensing that I hadn’t had a substantial meal since beginning my travels.

‘Oh, I am going to enjoy this.’

I had been travelling alone for a month, and when among people in between my destinations it wasn’t unusual that I would voice my thoughts for my own benefit. This generally got weird looks and cautious approaches to the elevators I was using from the people who saw me and possibly listened.

I slid that electronic key card in the door lock … Luxury.

‘Fuck yeah’

Staring at the King-size bed in front of a 37-inch LCD flat screen TV, I was greeted with that clean hotel smell, as if sterility and homeliness were mixed in an aerosol can and emptied into the room.

My bathroom was bigger than some of the hostels I had stayed in earlier that month. Sitting next to the complementary soaps and lotions were towels. Not one towel. Towels. It was a full 42 degrees warmer inside, which emphasised the pleasant watching of the snow falling around the airport with a glass of wine in my Hilton slippers.

Luxury really agrees with me, it’s one of the main reasons outside danger and adventure that makes the Bond lifestyle so appealing. The only other times I got a glimpse of this sort of extravagance was getting to ride in an Aston Martin Vantage V12 and playing black jack at the Grand Casino in Monte Carlo.

 * * *

Eight chandeliers hung overhead, perfectly symmetrical of the La Salle Europe, the artwork…

‘Monsieur?’

I glanced up at the Monegasque dressed in a custom tailored dinner suit, then back at my cards. I was too busy admiring the building’s interior and architectural design, not to mention a little thrown by the ten thousand euro chips sitting thirty centimeters from my right hand.

‘Oh, I’m sorry’

He gestured his hand towards my cards awaiting my decision.

I tapped the soft green velvet of the table, indicating my intentions. He looked puzzled. I looked to my right at the expressions of those around the table.

‘Êtes-vous sûr?’

‘Pardon?’

My knowledge of French was minor and a little shaky. Plus with my Australian accent he still wouldn’t have been able to understand.

‘Sir, seventeen is a good hand?’

I sensed he was taking pity on me, probably thinking I was an idiot. At a stretch I would say he wasn’t too far off. Gambling wasn’t really my scene. I’d only ever seen this game played in movies and I didn’t have the cash or skill to back myself up. I relied on dumb luck.

‘Monsieur?’

Deciding against advice I tapped twice for the card. The little nod of confidence may have had people believing I was a seasoned player, but we were about to see how that belief would pan out.

I sipped on my cucumber-infused Hendricks gin and tonic watching the dealer draw another card from the deck. The other players remained on 19 and 16 respectively.

‘Four of diamonds, congratulations Sir’

The dealer’s stern face and monotone accent hinted of insincerity but I didn’t care. I asked him to send over the waitress for a congratulatory drink. I may have only won been fifty Euros, but a win was a win.

‘Sir what would you like?’

‘Do you have Belvedere vodka?

‘Yes of course’

‘Can I grab a martini, please?’

I was still a world away from mastering the confident ordering skills of a 00.

Parked on the edge of the runway, the Cessna Grand Caravan was dwarfed by The Remarkables ranges only a few kilometers away. The single turbo-propeller purred patiently as the crew finished the last-minute safety checks. Wearing my white leather diving cap, my glasses and gloves tucked under my right arm, I swaggered out of the hangar towards the plane. I felt like Tom Cruise as Danger Zone played over in my head. The lush green airfield with all of its minor imperfections provided the bouncy takeoff that scrambled my delicate insides into a nervous knot of uncertainty.

My heart started beating faster. The roller door slid up. The wind blasted through the tightly packed cabin. Not enough to destroy the plane but enough to send a chill through my body. I watched the photographer step outside, gripping the small rail mounted on the Cessna’s exterior.

I looked over. Five years ago that was me, without the injured instructor. I had been the first to jump, fear-filled with no idea of what to expect.

And I moved down the cabin, getting ready for the jump. The forty second lead up had passed and before I knew it my brother had disappeared. I could hear the faint sound of the other jumpers yelling something at me, but between the wind and propeller noise I couldn’t understand.

Ready to go, we moved into position. I hung outside the plane, legs tucked under and leaning inside slightly. My hands were across my chest gripping opposite shoulders while my back was slightly arched. I got the signal. I threw myself forward, flipping out of the plane and into open sky. I caught a faint glimpse of the plane flying overhead.

That initial feeling of ‘what the fuck am I doing this for?’ was soon replaced by a smack of adrenalin. Suddenly I was hurtling back to earth at two-hundred kilometres per hour with only the little drogue chute keeping me from spinning out of control. The wind pummelled my face into all sorts of ugliness. My cheeks flapped in the breeze, with a drop of drool just hanging there like a St Bernard.

After forty-five seconds and seven thousand feet the harness had constricted my breathing. My lungs were almost completely drained of oxygen. The straps were loosened to allow me to breathe as I sailed through the cloud cover. I was viewing paradise as if from an airborne deckchair.

 * * *

It’s weird reflecting back on how a fictional character has had an impact on the last seventeen years of my life. As I get older, the lewdness, extravagance and action have become more appealing than the reality that most people my age have embraced. The change from Fleming’s Bond (Connery is thought to be the closest) to Craig’s portrayal has given me the chance to develop my own individuality in amongst the joys of getting older.

I’m yet to go full Bond, still wanting to master certain characteristics and experience new adventures, but at the same time I don’t want to become the world’s greatest secret agent. The idea of Bond served me as a reminder that in amongst the complexities of life there is always more than one approach to dealing with problems. I now try to avoid the seriousness of an issue by taking a step back to enjoy the lighter side. I guess

‘It comes from not growing up at all’.

Never Validly Married – Kyra Geddes

Peace at last. Katharine sat down with a cup of tea in hand and sorted through the mail. The children were playing dodgeball in the backyard: squeals of laughter; an unwelcome thud as a ball hit the glass doors; frequent shouts of victory or – more likely – of outrage. Still, Katharine might have been lucky. She might have just had enough time to enjoy the tea while it was hot. Tossing the junk and laying the bills and bank statements on Julian’s place at the table, Katharine came to the letter she had just collected from the Post Office. It was their Marriage Certificate. Katharine and Julian had recently celebrated twelve years of marriage but only ever had the decorative certificate to acknowledge their communion. Recently however, applying for the children’s Spanish passports, the Consulate insisted on the official version. Katharine glanced at the document, ready to put it aside until later, when she noticed something odd.

Katharine Camila Martín. Conjugal Status. Never Validly Married.

Shaking her head, she skimmed down to her husband’s name.

Julian Ryan Farrell. Conjugal Status. Never Validly Married.

Julian’s part made sense. He had never been married before they met. Yet Katharine had, and this was the Marriage Certificate that was meant to document their details at the time she and Julian entered into marriage.

Katharine moved to the study and sat down at the computer, double-clicking on the website for the Office of Births, Deaths and Marriages.

If you have not been previously married or your marriage was annulled your conjugal status is ‘Never validly married’.

If you have been previously married and divorced your conjugal status is ‘Divorced’.

Clearly, her conjugal status should have been ‘Divorced’. And yet …‘Never validly married.’ What was happening here?

Katharine scanned the webpage again, honing in on the word ‘annulled’.  Annulment was something Catholics asked for. Richard was Catholic. That was one of the few things her mother had liked about him.

Katharine would never forget the sight of her mother that day in the church as she walked up the aisle on her father’s arm. Once tall and athletic, her mother’s shrunken form was huddled into the wheelchair that day as tears streamed down her cheeks. The thin tubes of the nasal cannula which looped over her ears formed an exaggerated smile on her face. This was matched only by her actual expression of joy.

Katharine turned back to the computer screen wondering if Richard had somehow managed to have their marriage annulled. Katharine sat back in the chair, reeling, as thoughts continued to flood into her mind. Richard was a lawyer. Could he really have done this without her knowledge? Katharine heard herself breathing, each intake rapid and deep, as her head began to pulse. How could he still affect her like this?

Then Katharine heard glass shatter. Running towards the rear of the house, she saw one of the stained glass windows in the kitchen had been struck full force in its centre. Splinters of coloured glass held fast to their leaden surrounds, while a few jewelled shards lay hapless on the floor. The glass doors in the adjacent living area burst open then slammed shut as the children pushed past each other in the race to reach their mother.

‘Nicolas did it,’ Amelia accused. Older and more agile, she usually succeeded in getting there first.

‘No, Mum, I didn’t! It was her fault.’ Nicolas was already crying.

Katharine’s legs still felt weak. She forced her breathing to slow down and steadied her voice.

‘That window was precious. It was part of the original house. I’ve told you so many times …’ She looked from the broken window to the children and back again, clenching her hands to stop the tingling. ‘Amelia, do your piano. Nicolas, go to the shower. Now.’ As the children continued to protest their innocence, tears spilled over her eyes. ‘Vamonos!’ she cried. ‘Go, now! And keep away from that glass.’

Later that evening, once the children were asleep, Katharine showed her husband the Marriage Certificate.

Julian shrugged, smiling as he turned back to the broken window, which he had been carefully taping up. ‘It’s better than the opposite.’

‘What do you mean?’

‘It looks like they’ve botched the paperwork and lost record of your first marriage, but … they could have just lost the records for your divorce and then I’d be married to a bigamist.’ Julian laughed. ‘Actually, maybe that would be kind of sexy. Come here, Catarina,’ he cooed.

Katharine allowed him to kiss her neck but her thoughts were elsewhere.

‘It is strange,’ Katharine’s oldest friend, Penelope, conceded in the café the next morning, ‘but I don’t understand why you’re so upset. Richard was a controlling bastard from the very beginning. I only wish I’d known at the time what he was doing to you.’ She put her hand on Katharine’s arm. ‘Anyway, Kat,’ she added, ‘you made a lucky escape. Now you’re free of him for good. Even on paper.’

Katharine smiled but inwardly grimaced as she recalled how Richard had belittled her best friend for years, privately referring to her as ‘Penny the pig’ and her husband as ‘Farmer John’.

 ‘Exactly,’ said her friend, Susan. ‘Thank God you didn’t have children together. You should just forget it ever happened.’

But it did happen, Katharine thought. However painful it may have been, she did not want this history, her history, simply erased from record.

Withdrawing from the rest of the conversation, Katharine reflected on Susan’s comment about children. Just months after they had started dating, back in first-year university, Richard had made her promise she would never teach their children Spanish. ‘You’d be able to turn them against me, Kitty Kat,’ he had protested, stroking her cheek. His demand seemed absurd now, but at the time all she could think about was that Richard had just declared his intention to spend the rest of his life with her.

An hour later, kissing her friends goodbye in the car park, Katharine found a parking ticket under her windscreen wiper. Julian was going to enjoy this. Since they had been together he’d managed to get some kind of ticket at least once a year, while this would be her first. Not her first ticket ever though – that had occurred many years earlier, not long after she and Richard were married. Driving down a hill, on her way to work, she had been pulled up for speeding. By the time she had reached the office Katharine was racked with anxiety.

‘I don’t know what I’m going to tell my husband,’ she had said to a colleague, anticipating Richard’s fury.

Lynne had looked at her, puzzled. ‘Just tell him you must have been driving a little too fast. It’s not like you meant to do it.’

The older woman’s straightforward response had made Katharine stop, forcing her to contemplate a question she had been evading: why was it that at work she felt confident and intelligent while at home she felt helpless and stupid? Later, she came to realise that that was all part of Richard’s way.

He was on a graduate salary when he was with Katharine, while Katharine’s career was continuing uninterrupted and even advancing. That was unacceptable to him. He needed a way to face it every day. He used to laugh at Katharine whenever she achieved a rise in pay or received a bonus. That was his way. ‘You don’t think you’re really worth that, do you?’ he would challenge. ‘You wouldn’t get that in the real world. Working for a marketing agency is nothing like a career in the law.’

Thinking of it now, Katharine could not comprehend why she had let him speak to her like that, or how she had simply pushed her conflicted feelings down and out of sight.

Back home, avoiding the study, where the Marriage Certificate lay on the desk, Katharine busied herself with housework before the promise of sunshine drew her outside. She raked the fallen leaves then turned her attention to weeding the well-tended garden beds. As she breathed in the fresh, earthy smell, waiting for the usual sense of calm to follow, she remembered the unmarked seed packet that Nicolas had brought home from school. Taking her gloves and gardening tools, Katharine cleared a small area where the tomatoes had been in the summer and planted the seeds.

The next day, unable to distract herself any longer, Katharine picked up the certificate and sat down at the computer. Making her way through multiple layers of bureaucracy, through websites and automated telephone response systems, she finally reached an actual person.

‘That is a bit unusual,’ said the young woman. ‘And you say you have the original Marriage Certificate for your first marriage and the Decree Nisi issued by the Family Law Court?’

‘That’s right,’ Katharine said. ‘My ex-husband was a lawyer and he handled all the paperwork. Could he have forged documents, or had the marriage annulled without my knowledge?’

‘I don’t think so. I can’t see how. But if you would like the records to be amended we will have to investigate the enquiry formally. It takes eight to twelve weeks and you will need to surrender all your documentation. If you’re ready to proceed, I can direct you to the right form.’

Katharine posted the thick envelope that afternoon.

As the weeks passed and autumn merged into winter Katharine waited for an official response to her enquiry. Outside, the few remaining leaves continued to change colour, deepening in hue and intensity before letting go. In the end, all that remained of their former splendour were the dull, brittle skeletons that lay unswept on the ground. Watching this change of seasons, Katharine too imagined letting go and setting herself adrift.

Amelia was the first to notice her absence. ‘Are you sad, Mum?’ her daughter asked one evening as Katharine kissed her goodnight. ‘Are you missing your Mamá?’ She wrapped her slender arms around Katharine’s neck, pulling her down to the bed. ‘I wish I could have met Abuela.’

‘I wish you could have met her too, Mija. She would have loved you very much. You and Nicolas, and your father too.’

Her daughter’s tenderness brought back memories of her mother’s death; two years after she and Richard were married. Despite years of illness, the end when it came had been mercifully swift, leaving Katharine bereft and shocked. After weeks of intense grieving, Richard had demanded she stop crying. ‘It’s not normal,’ he had accused. ‘Where is your loyalty? This is your family now.’

Stunned by Richard’s callous accusation Katharine had gone to visit her father the following day. Sitting together at the round kitchen table, they had pored over old family photos; images of her mother yielding smiles and tears in equal measure.

‘Do you remember,’ her father had asked, ‘how stubborn you were as a child?’

‘Really?’ Katharine’s tone had been skeptical.

‘Of course,’ her father had insisted. ‘You were so stubborn. ‘Tan terco!’ your mother would complain, although she was no different. I remember one time, sitting here. You must have been about seven. Your mother had cooked your favourite dinner – omelette with potatoes – but you refused to eat it. And no matter what I said, no matter what punishment I threatened, you would not even taste it.’

‘Oh, Papá, I’m sorry,’ she had laughed. ‘I can’t even imagine it now.’

 ‘Do you know that in the end,’ he had continued, ‘I was holding onto your earlobe, twisting it, trying to make you give in? I think it hurt me more than it hurt you. But no, you would not be beaten. Tan terco!’

Later that same evening, in that liminal moment before sleep, Katharine had tried to reclaim this memory of herself as a child. She had found herself recalling the last time she visited her parents before her mother’s admission to the hospice. Her mother had asked Katharine to pick up milk on the way, but Richard had refused. ‘Why should we get the milk? She can send your father,’ he had sneered. ‘And we’re not staying long. One hour max.’

Thus, after being there for an hour, Katharine had dutifully stood up with grave apologies.

‘You have to go already? You just got here.’ Her father had been crestfallen.

‘Yes, Katharine,’ Richard had chimed in, ‘why do we have to go so soon?’

It wasn’t right, she had suddenly thought, lying there in bed. It was normal to bring milk. It was normal to grieve your mother’s death. It was Richard who was not normal. Having finally opened her eyes to all she had been denying, Katharine had scarcely been able to close them that night. Conscious of Richard’s presence beside her she had slept fitfully, disturbed by an insistent voice that asked, over and over, ‘where is that girl now?’ – but in the morning, her mind was surprisingly clear. She dropped Richard off in the city, as always, but instead of driving on to her own workplace she returned home. Filling her car with clothes and other belongings, weeping uncontrollably all the while, she drove to her father’s house, finally revealing what she had kept hidden from her family and herself all this time. From that day, she never saw or spoke to her first husband again.

One cold, grey afternoon, just before it was time to get the children from school, Katharine picked up the watering can and saw that the seeds had germinated. Instead of flowers or even vegetables, as Katharine expected to see, the emerging plants looked like weeds, all khaki-coloured stems and ugly ridged leaves. Katharine eyed them suspiciously and continued on her way to the car.

Finally the day came when a letter arrived from the Office of Births, Deaths and Marriages. Katharine tore open the envelope, unfolding the typewritten letter. They acknowledged the validity of her first marriage. They acknowledged the validity of her divorce. They claimed that, either, she had not provided details of her first marriage to the celebrant when she had married Julian or the celebrant had failed to pass on this information. Irrespective her second marriage was legal and they had therefore corrected their records as requested and were issuing a new Marriage Certificate.

Katharine showed her husband the response letter that evening.

‘Have you been waiting all this time to find out?’ Julian asked, incredulous. ‘Did you try to hide your shady past from the celebrant?’ he teased. Then, noticing her expression, he became serious. ‘Sweetheart, it was just a mistake. Don’t take it to heart.’

She looked away.

‘You do accept the explanation, don’t you?’

‘I’m not sure,’ she muttered.

‘What else could it be? Whatever happened, it’s not important now.’

Katharine met his eyes, trying to draw strength from his confidence.

Later that week Katharine’s father returned home from his annual three-month holiday in Spain. Driving from the airport, she told him of the Marriage Certificate and apparent clerical error.

‘I wouldn’t put it past Richard to have fiddled the paperwork somehow,’ her father agreed. ‘Julian is right, though. It doesn’t matter now. That jerk may have been able to control you once, but it was a long time ago. You’re not the same person you were then.’

 She turned to her father. ‘Do you really think so? Have I changed?’

Absolutamente,’ her father affirmed, chuckling. ‘Now you’re back to being that stubborn little girl I always knew. I only hope you give in to Julian every now and then. It’s not good for a man’s self esteem to always be beaten by a woman. I should know!’

That night, watching television together, Katharine asked her husband whether he liked Penelope.

‘Sure,’ Julian nodded. ‘She’s your best friend. Why wouldn’t I?’

‘And what do you think of me speaking Spanish with the kids?’

‘It’s good. The kids are lucky.’ He paused the remote control. ‘Why?’

‘No reason,’ she mumbled.

 ‘Anyway, how was your Dad’s trip?’ he asked, turning back to the television. ‘We should get him over here for dinner.’

The following morning, after contemplating the kitchen window for some time, Katharine went to the computer to search for leadlight repairers. Much to her relief the man on the phone said the window could most definitely be repaired.

‘I wasn’t sure anything could be done,’ she said.

‘Oh no, love, that’s the beauty of stained glass. It might look fragile but it’s stronger than you’d think,’ he reassured her. ‘Your window has plenty of life in it yet. I’ll see you on Monday.’

That weekend marked the beginning of spring. After weeks of waking early, Katharine had finally managed to sleep in. She woke feeling refreshed and content to a quiet house. Julian must have taken the kids somewhere. Leaving the bedroom after a long and luxurious shower Katharine heard the children outside. Her son’s excited face appeared at the back door.

‘We’ve bought some flower seeds, Mum. Strawberries too. Come help us plant them. Come on Mum, please,’ Nicolas coaxed.

Katharine went outside, taking in the blue skies and radiant warmth of the sun.

‘Have a nice sleep?’ Julian beamed at her. ‘Look,’ he pointed, ‘I’ve ripped out all those weedy looking plants already. And the kids have started preparing the garden bed. We just thought you’d enjoy helping with the planting.’

Grasping the trowel from her husband’s outstretched arm, Katharine crouched down in the newly turned soil with the children beside her. ‘I’d love to,’ she said. ‘Lets get started.’

Love Again – Karina Ferrone

Some people say the best way to get over someone is to get under someone else. For me, I found that to be quite true. The thing that fascinates me is that moment when you’re at the mercy of another human being, and you feel a new attraction that is so blissful it aches. From the first moment you notice him your body tenses up until you’re able to touch him. Then finally, his body and face are so close to yours that you can smell his sweet breath entering your mouth, and all of a sudden, you’re fucking lost. The feeling is so powerful that it sways the unrelenting pain from your heart. During that time the pain is sent out into the wind, so far away, out of reach. And there he lies, right inside the void, filling it completely, filling it to the point that it’s almost stretching it, overwhelming you with infatuation. Like a black hole in your gut, a tear you haven’t let heal on its own, a tear that he has stitched back up.

At first you can’t imagine another man ever being enough to fill it like the last. But soon enough, the Universe pulls him from somewhere you never thought possible to exist, and throws him right in front of you. Then it happens, every inch of you crumbles with pleasure and relief, and your mind and heart don’t spare a thought or feeling for the last man; he is forgotten.

You’re standing there, he’s standing there, you look at each other and you both know that you will exchange everything to fill this void – Glances, smiles, stares, breaths, kisses, laughs, bodily fluids, touch, affection. Hearts.

April 25 2012

Natasha looked at herself in the mirror, her hair dry and straggly. Her skin was pale with dark circles under her eyes. She looked down at her left upper arm, a puddle shaped, green bruise covered the top half. Her eyes met her own for a second then looked away. She pulled her doona to the side and slid into bed, pulling extra pillows to either side of her waist. She reached over to her bedside table and grabbed her iPhone. On her screensaver was a photo of Dave holding her, his big arms wrapped around her, supporting her. She unlocked her phone and started flicking through photos – him kissing her head, carrying her over his shoulder, her piggy backing him, sitting her on his lap, both of them laughing at something, a candid shot of them looking at each other in love, and another of them kissing. Her chest began to feel tight and a tear streamed down her face. Her heart rate started to pick up speed and her breathing got faster, she quickly fumbled through her phone and searched for his number and dialled, it rang, she burst into tears while breathing short breaths. She got his message bank. She stopped crying and looked at the phone.

‘He’s not there.’ She said. Then hung up. She let her hand fall to the side of the bed, the phone dropped from her hand onto the floor.

May 15, 2012

‘The bus came by, and I got on, that’s when it all began’ (Grateful Dead, 1968)

She ran down Columbus Street with her huge backpack strapped to her shoulders. The chilly summer air in San Francisco was sharp on her skin. She looked at her phone, 9:00pm.

‘Shit,’ She picked up the pace and ran faster, in the distance she could see the bus, it was bright green with ‘Green Tortoise’ written across it. She looked around the bus, no one was there, she started sprinting. As she approached the bus a guy with short blonde hair, blue eyes and tanned skin stepped out holding a clipboard, he watched her run.

‘Hey! I’m so sorry I’m late, thank God you’re still here.’ She took a long breath. He looked down at his clipboard.

‘Natasha?’ he looked up at her with raised eyebrows. She smiled with closed lips and nodded.

‘No problem, grab what you need for tonight’s sleep.’ He looked at his watch. ‘Quickly if you can, we’ll be in Oregon around 8:00am if we leave now.’ She grabbed her pyjamas and sleeping bag out of her backpack, and she could feel his eyes burning on her. She zipped it shut and gave him the bag. He grabbed it with haste and put it in the bus compartment.

The only seat left on the bus was right at the front behind the driver’s seat. Charlie walked in and sat down. A waft of sweet cologne and man sweat blew past her, she inhaled silently and closed her eyes. She moved her body closer to the driver’s seat.

‘So Natasha, have you ever been to the fair before?’ He looked at her in the rear-view mirror.

‘No, never. I’m meeting my friend up there, otherwise I wouldn’t have thought to go.’ She talked to the back of his head, then realised she could see him in the mirror.

‘I’ve also never been before, so we’re both first timers!’ He reached his hand back so she could high five him. She awkwardly lifted her hand and gave him a weak high five, almost missing his hand. She laughed, and burned red.

‘Well, I think it only makes sense that first timers go exploring together.’ He smiled at the road this time, then took a quick glance up at her. Her whole body felt like it was overheating. She looked out the window.

‘I think that’s a good idea.’ She glanced up at the rear view mirror and flashed him a huge smile.

May 16th, 2012. 10pm.

Natasha swayed to the band at the main stage of the Oregon country fair grounds while sipping her tequila sunrise. She wore a blue beaded necklace and light green leaf-shaped earrings. Attached to her long brown hair were purple and burnt orange feathers. It was dark, the night festival had started. Glowing colourful objects hanging in trees and lit up candles were the only things that lit the way through the maze like forest. Hippies floated around with their smiles and their guitars singing songs, hugging people and kissing cheeks. Drum circles were booming from three different corners. Natasha saw a bunch of people dancing around a drum circle to her left. A huge umbrella was lit up, resembling a jellyfish, and its bright blue and white lights sparkled from a distance. Natasha’s eyes lit up. Without hesitation she ran over to the bright jellyfish and joined hands with the people dancing. Minutes later, Charlie came up behind her and gently pulled her out. Natasha saw him and closed her eyes, letting her head fall back with a smile on her face as he pulled her toward him.

‘Tash, what are you doing? You keep running away from me, you could get lost and I. . .’ She continued to smile, straightening her head. When she opened her eyes he was looking at her, concerned.

‘I told you to wait right there for me.’ He pointed to a patch of dirt. Natasha couldn’t get the smile off her face. Her caramel eyes glowed a warm glint, reflecting of the candle beside her.

‘It’s so beautiful here, I’m so happy, I’m so happy you’re here with me.’ She leant in and slid her hands over his body and buried her face into his neck, pulling him in for a hug. Charlie stood still.

Natasha felt his body remaining stiff, she slowly released her grip, but then he lifted his hands and slid them against her back holding her close. He moved both of their bodies slowly to the music, gently pressing his cheek against hers. She felt herself sink into him. She lifted her head, breathing in peacefully through her nose with her eyes closed. She opened them, blinking slowly, and he laughed at her drunkenness, then tucked her hair behind her ear. ‘Blue diamonds’ by Rusted Root came on and stole her gaze from Charlie.

‘I love this song!’ She grabbed Charlie’s hand and pulled him closer to the stage. Together they stood arm in arm swaying side to side.

On this hour of the night, we’ll make it love, we’ll make it love

Natasha turned to Charlie and smiled. His eyes caught hers, and she felt him stare hard into her. They stopped dancing. All of a sudden she couldn’t feel, see or hear anything but him. He leaned in and pressed his lips against hers, sending electricity running through her body as her lips curved perfectly onto his. She opened her mouth and felt his warm tongue against hers while breathing in his hot breath. She slid her arms around his back and grabbed the back of his head as she wrapped her right leg around him. He pulled back for a second to look close into her eyes and laugh at her eagerness, then he leant in and kissed her again, pulling her in closer.

‘Cause I found you now, and forever I won’t waste this breath

 May 17. 1am.

‘Where are you going?’ He whispered as she lifted her body off the mattress.

‘I have to pee.’ She threw on her damp jumper that had been sitting by her feet in the tent and shivered. He sat up and ran his hands through her hair, then pulled her close and held her.

‘Ow, your sweater’s all dewy and cold.’ He muffled out a laugh and kissed her on the cheek.

‘I know, I’m so freezing. But I’m fucking busting.’ She said through chattering teeth.

‘Okay, don’t be too long, I need you to warm me up.’ He lay back down and covered himself with the sleeping bag. She unzipped the tent door and stepped out. She tripped over empty bottles of Budweiser as she tried to walk forward, her head starting to spin. A 700ml bottle of Jose Cuervo Tequila was on its side, empty. Chewed up lime wedges and cigarette butts were sprawled across the grass.

She jogged toward the campfire, accidentally kicking empty Tecate cans on the way.

The fire’s embers still glowed. She pulled her underwear down and squatted by the fire ring and peed. She jogged back to Charlie’s tent and dived in, pulling her clothes off and sliding under his sleeping bag.

He slightly opened his eyes and smiled, pulling her close toward him. His warmth hit her cold skin, and she shivered and nestled into him. He lifted his head and kissed her on the cheek, then plonked it back on his pillow. Her teeth chattered for a minute, and he rubbed her back until they stopped. She stared at him as he slept. His mouth slightly parted, looking so peaceful.

‘I don’t want tomorrow to come, Charlie.’ She whispered, with sadness in her eyes. She moved closer to him, her lips almost touching his, she closed her eyes and breathed him in.

‘Me either, I hate tomorrow.’ She opened her eyes. He was looking into hers with sorrow. He pressed his lips onto hers and they hungrily kissed. He ran his hands down her body, roughly grabbing every inch of her. He moved her onto her back and buried his face into her breasts. Gentle moans escaped her lips as he kissed his way up to her mouth and slowly kissed her face, her lips, her cheeks, her eye lids. She grabbed his hair and looked at him desperately. He entered her, staring into her eyes, tasting her breath with each thrust.

May 17. 3pm.

Natasha sat on the grass by the bus, watching Charlie pack up to leave. With each item he packed her heart sunk a little deeper.

She lay down on her back and let the sun bathe her, breathing in deeply, then breathing out. Tears welled in her eyes.

She felt his heavy body slowly squish on top of her, and then he blew raspberries on her neck.

‘Hahaha, Charlie get off, I can’t breathe!’ She pushed him off her, but he managed to pull her on top of him, where she leant up, placing her elbows on his chest. He brushed her hair away from her face and stared deep into her eyes with a small smile. His expression turned sad.

‘I have to leave now. I don’t want to go, and I wish you could come back to San Fran with me. I’ll be your King and you’ll be my Queen, and we’ll get our slaves to make us a massive, human sized mud cake and we’ll wrestle in it!’ Natasha belted out a laugh.

‘Do you really have to go to Portland tomorrow?’ He gave her a frown. She smiled at him, but her eyes started to water, and a tear fell down her cheek. She wiped the tear away and nodded.

‘I have to. My flight leaves tomorrow night. I want to stay, but I can’t.’ Tears streamed down her face. Charlie sat them both up and wrapped her legs around him. He wiped the tears from her eyes and kissed her face.

‘I’ll miss you.’ She said leaning her head on his shoulder. They stood up and held each other.

‘I won’t miss you at all.’ She laughed while wiping her tears. He leaned in and gave her a long kiss, making her knees feel weak. She grabbed onto him and tasted him for the last time. He kissed the tip of her nose and gently slapped her ass.

‘Bye.’ He walked away.

‘Bye.’ Natasha watched Charlie get on the bus. He waved at her for too long and nearly crashed into a pole. They both laughed, then the bus disappeared off the road.

June 1st. 2pm. Sydney.

Natasha stepped out of the cab with and grabbed her heavy backpack. She walked toward her front door and searched for her keys. As she approached her door she saw a bunch of red roses with a card attached to it. She opened it.

Tash,

I’m so sorry for everything.

I should have never left.

I love you, I miss you.

I’m lost without you.

Please come home.

Dave xx

She looked at the card for a few seconds then laughed. She picked up the bunch of roses and threw them in the bush, then ripped up the card and tossed it onto the sidewalk. She laughed under her breath and shook her head. She unlocked her door and entered her house dumping her backpack on the ground.

 June 1st. 5pm.

Natasha got out of the shower, her clothes from traveling were all over the floor. She sat on the floor and started sorting them. She reached over to her laptop to play some music. As she opened it she heard a song coming from the front door. A familiar song.

Now don’t you wait, I feel it in my head

Oh my lady you’re the woman I search

To roam my heart, roam my heart this way.

She got up, still in her towel and ran to her front door, looking out the peephole. She couldn’t see anything, so she opened the door. On the floor was an iPod playing her song very loud.

We go out on the world tonight

With our blue diamonds

That were once our fears pressin’ down on the town

We got out my love.

She leant down and picked up the iPod and looked at it, bemused, then she looked up at her gate entrance and there he was – so tall, big and beautiful. Charlie. He smiled his dreamy smile, which always made her melt, and she ran up to him and wrapped her arms around him. He held her and looked into her face, his smile turned into a pained expression.

‘God I missed you,’ She stared into his eyes with the same expression and shook her head.

‘Charlie, you have no idea,’ She leant in and kissed him, and he picked her up and carried her into her house.

Cause I found you now

and forever I won’t waste this breath

Black and White – Rachel Farnham

‘No matter how flat you make a pancake, it’s still got two sides.’

My lawyer, Maurits Rollins, didn’t acknowledge I’d spoken. His face remained expressionless and his fingers busy, rifling through a leather briefcase. I could feel wetness gather on my palms and hairline. I glanced at the chair next to me, bolted to the floor, and wished Jane was sitting on it. I imagined how she’d stroke my hand with her thumb, her brow would furrow at Rollins’ rudeness before swinging her blonde hair to look at me, smiling so I could see the dimples that kissed the sides of her lips which would mouth, it’s going to be all right.

And I’d believe her.

Rollins laid some papers on the metal table that separated us and met my gaze.

‘There are always two sides, Mr Jardine, I would be unemployed if that weren’t the case. The problem is that the justice system cares more about certain sides than others.’

‘Juries aren’t allowed to be biased.’ I felt my heart beating, could hear blood pulsing in my ears. If I didn’t get a fair trial I could spent the rest of my life in this concrete hell where privacy is tying your bed sheet to the metal bars that contain you. Even then, it’s collective inmate knowledge that the sheets come up for two reasons; you’re taking a shit or screwing your cell mate.

‘Certain charges can influence jury opinion before they’ve entered the court.’ Rollins must have seen my panic because he began to speak faster. ‘It’s my job to worry about the jury and convince them of your innocence. I have a great success rate and I assume this is why your wife hired me.’ He adjusted his glasses whose lenses were as shiny as the top of his head before continuing. ‘As it stands you’re being charged with grievous bodily harm against a minor so I need you to provide me with full disclosure. I can’t protect you should you decide to conceal any facts or events in your story.’ Rollins looked at me over the top of his glasses and I felt as though he was surveying me, like a headmaster would a child.

‘It’s not a story; I didn’t mean to hurt Kyra. What I’ve done… I didn’t think it was possible to hate a man like I hate myself.’ I took a breath to control the quiver that was edging into my voice. ‘But it was an accident, I swear.’ Rollins’s eyes searched for a lined pad hidden amongst the papers before him and selected an engraved silver pen. I think Dad was written down its length in elegant script.

‘I believe you,’ he replied. Whether it was my innocence or depth of self-loathing I’d convinced him of I couldn’t be sure. ‘Just let me get my facts straight before we commence. You were denied bail after your arrest and have been held here at Bandyup prison where you will remain until the trial?’ I nodded. ‘You were arrested while visiting the victim at Princess Margaret Children’s Hospital on the fifth of July?’ I nodded again, remembering that day.

I was walking back from the hospital café. I had Jane’s tea in one hand and my coffee in the other. The heat of our drinks through the Styrofoam cups was beginning to burn when I felt a tap on my left shoulder.

‘Mr Jardine?’ The female cop was rotund, her face flushed with the red of rosacea.

‘Can I help you?’ I asked, wondering how this woman knew my name. It wasn’t until the cool metal cuffs bound my wrists together that I had the foresight to call out for Jane. I’d attracted a mild audience by the time she was running down the hall towards me. I wanted to shout at them, wipe the look of curiosity off their dumb faces; I wanted to hide my shame. ‘What are you doing? What the hell are you doing, where are you taking my husband? Patrick, what’s going on?’ I could see wetness on Jane’s cheeks as I was escorted into the elevator, and just before the doors closed I saw the fear written on her face. I could imagine her thoughts at that moment; don’t leave me.

‘Patrick?’ Rollins’s voice brought me back to the present. I stared at the cracks and fissures along the cement floor and faked a cough to dry my face. If Rollins was perplexed he did not give himself away;

‘Your relationship with the victim, Kyra Jardine, is biological daughter?’

‘Kyra’s my daughter, yes.’

‘It was the hospital staff that contacted DoCS concerning how Kyra received her injuries?’

‘Yes, Jane and I had to explain what happened and DoCS said their visit was just a routine inquiry because it concerned an injured minor. We told them what happened and they spoke to the doctor treating Kyra. Four days later I was arrested.’

‘Okay, Patrick we have a month until the trial so start from the beginning and tell me exactly what happened.’

So I told him every god damn detail and an hour later my shame and regret was written in neat dot points on a yellow tinged legal pad. I didn’t tell Rollins that a moment of rage doesn’t reflect the father I was up until that moment. I also didn’t tell him that everyone has a breaking point and maybe if he was in my shoes he would’ve done exactly as I did.

* * *

Before I became Jane Jardine, I was Jane Butler, who grew up in suburbia where the only thing whiter than the houses were the people who lived in them. I was a young girl when my father gave me a china doll. She had blonde ringlets and wore an emerald dress for which she was named. Before long her skin was tinged the colour of old book pages, her porcelain face cracked and one glassy blue eye disappeared. A week after Emerald was given to me I was pushing her in a dolls pram to the supermarket, trailing the hem of my mother’s skirt gibbering away about Emerald’s displeasure of mushy peas and bath time. When we came home my father was gone along with his possessions. The only thing he left behind was guesses. Yet I decided I loved Emerald even when I realised she was disguised as a goodbye.

There wasn’t a time when I decided I wanted to be a mother; I was always going to be one. As my coffee ring runs the newspaper ink which condemns my husband as a monster and unfit father I realise that darkness had permeated the kitchen. I must have been sitting at the dining room table for some time but I don’t know when the warmth of the sun left my back or when my coffee became cold.

Our kitchen is a composition of lasagne, pasta dishes and chocolate cake. There are notes accompanying each glad-wrapped good; hand written condolences from neighbours I don’t know by name. I can imagine them sitting on their floral armchairs with matching printed curtains discussing the family on the other side of them. It wouldn’t occur to them that one mistake doesn’t define the beautiful, compassionate acts that preceded it. Patrick is the kindest man I know.

He has ruined our lives.

The breath is knocked from my body and I’m left sitting in my kitchen feeling pain so profound I’m certain it will destroy me.

* * *

I could feel the metal frame of the bed dig in to the small of my back and across my shoulders. The mattress was thin, worn down by the weight of guilty consciences. Jane had visited me seven hours earlier with my ironed suit and the face of a much older woman. We weren’t allowed to touch so she twisted her wedding ring and bit her cracked lower lip instead. I listened while Jane updated me on Kyra’s condition; the swelling on her brain hadn’t alleviated. Jane’s words tumbled over one another as if it would be less painful the faster she spoke.

‘It’s uh, it’s not looking good, Patrick,’ she said, while brushing her hand through the blonde of her fringe to meet my gaze. ‘The doctors are trying everything they can but it’s a brain injury, so…’  Jane’s voice trailed off and we shared the silence. The tip of my tongue held an apology, words wanting to be spoken with paralysed lips. But an apology can’t right my wrongs.

‘This isn’t your fault, Patrick.’ Jane spoke the words so quietly I almost missed them. Her hand searched for mine and grasped it under the table, a quick squeeze and the warmth on my palm left before we were caught.

That night my bed sheet was hung across the metal bars while I wept in private.

* * *

I sat in the witness stand. My suit still smelled like washing powder and vaguely of Jane’s orange blossom hand lotion. I could feel perspiration gather on my top lip and swell in my palms, though the court room was not warm. In total there were twelve members of the jury, some glanced furtively at me, others openly as if to say; hope you enjoy prison, asshole.

This was the second day of my trial. Hours ago I’d sat silently, listening to the testimony of hospital staff and DoCS painting a black and white picture of what the nature of Kyra’s injuries suggested.

Abuse. My nails left half-moon shapes on my palms while I forced myself not to cry out in protest.

Silence hummed in the court room as the prosecution, a waif of a man who paced like an agitated stick insect, rose to begin his half of my cross-examination. A wave of nausea churned my stomach and hot spit flooded my mouth which I swallowed back.

‘Patrick,’ he began, ‘we’ve heard the evidence against you. Several hospital staff claim that Kyra’s injuries are most-likely the result of physical abuse, opposed to the accident you claim it to be.’ I didn’t know how to respond so I remained silent, pressing my lips together. ‘The defence made it clear that you’re a successful landscaper with strong ties to the community, a man of high moral standard.’ I felt dread proliferate from my stomach, this guy was going to undo any good opinion that Rollins managed to create. ‘Yet you have a history of abuse against your daughter, Kyra.’ It wasn’t a question.

‘Of course not. I’ve never laid a hand on Kyra.’

‘So on the twenty-third of October last year you weren’t visited by DoCS after Kyra’s teacher reported suspicious bruising along her arms?’

‘That was a misunderstanding. They were from karate classes,’ I spluttered. ‘We hoped they’d alleviate Kyra’s anger issues.’

‘Oh, to help manage her ‘episodes’ as you call them?’ I cleared my throat. I knew I had to tread carefully. One wrong sentence and the little trust that remained amongst the jury would disappear like a breeze in a hurricane. The jury’s eyes were hot on my face so I focused on Jane’s. I knew it was her by the pink, woollen jumper that hugged her body. Kyra and I had bought it for her only a few months earlier on mother’s day.

‘Since early childhood Kyra has experienced what Jane and I call episodes where she loses the ability to rationalise or calm herself down. She’ll throw things, scream, yell, harm herself or lash out until what set her off has been rectified. Uh, for example it can be as simple as a disruption in routine; one time we were out of porridge, which is what Kyra eats in the mornings, and it triggered a rage.’ Rollins gave an almost imperceptible nod of his head.

‘You said these episodes can be intermittent or as regular as several times per week?’

‘That’s right.’

‘Sounds exhausting,’  I wanted to tell him that he had no fucking clue what it’s like being in a constant state of anxiety. Wondering if you’ll get to work on time or suffer verbal abuse at the hands of the person you’d sacrifice the world for because you used the last of the hot water. I said nothing though, sensing that I’d fuel his next trap. ‘On the night of the first of July you said, and I quote; “It was dinner time, around seven pm. I remember because I smelled lasagne when I stepped out of the shower. I was getting dressed when I heard Kyra’s voice. It wasn’t a yell, but it was raised so I hurried to the kitchen to help Jane. I entered the doorway and saw Kyra spit on Jane’s face. I didn’t think, I just grabbed Kyra’s upper arm and pulled her towards me to separate her from Jane. When I let go Kyra stumbled backwards and didn’t regain her footing. She fell headfirst on the corner of the dining room table.”’  I tried not to think of the blood that stained Kyra’s hair or her limp body that rested in my lap. It was these images that kept me awake at night, they were all I saw when I closed my eyes.

‘That’s what happened,’ I replied. Wondering why I was being made to re-live that night again.

‘You consider these events an accident?’

‘Yes.’ I took a sip of water which stood to my right. It left a ring on the oak surface and did nothing to calm my nerves.

‘Are you aware of the Glasgow Coma Scale?’

‘I am,’ I replied.

‘Then you know that it’s based between the numbers three and fifteen, anything less than an eight is considered to be a severe brain injury.’

I nodded.

‘Kyra placed a seven.’

‘I know.’ I god damn know. I bit my lip until the taste of rust and salt flooded my mouth.

‘Yet the doctors won’t know the extent of Kyra’s injuries until, and if, she wakes from her coma.’ The prick wasn’t telling me anything I didn’t already know. My eyes searched for Jane again and for the first time I wished she hadn’t come. Seeing her daughter covered in tubes and bandages was enough, she didn’t need to hear Kyra’s injuries spoken about like facts from the ABS as well. I could see her arms wrapped around her stomach as though she was literally holding herself together and I loathed myself completely in that moment for hurting her.

‘Yes.’

‘Caused by your excessive use of strength against a sixteen year old girl?’

‘I didn’t mean to hurt her.’

‘But you did. When your daughter is learning to talk again, is that what you’ll tell her, that you didn’t mean to hurt her? When your wife has to take her thirty year old daughter to the bathroom will that be a consolation? Intent or not, Mr Jardine you should be held accountable for your actions.’ He gave me a look that said, ‘tell me I’m wrong.’

I couldn’t.

* * *

I took Kyra’s hand and placed it in my own so I could paint her nails the colour of blood. For a moment the smell of nail polish replaced the scent of sterility and I could almost pretend that we weren’t in the children’s hospital. The bedside table is littered with yellowing, dog eared books, stained by hot chocolate drips with damaged spines. We’re halfway through Pride and Prejudice, I read to Kyra for half an hour each night before the nurses part the privacy curtains and delicately tell me visiting hours are over. I arrive at seven am every following day with a charged music player so Kyra can listen to Billy Joel and Pink Floyd, like she would if that night had never happened. Some people say comatose patients can hear when you talk to them. The expression of pity worn by the nurses tells me their opinion, but I hold strong that they’re wrong. When Kyra wakes, whatever state she’s in, she’ll recognise my voice and know that everything will be okay.

I’m applying the second coat of polish when my phone rings. It’s Rollins.

‘The juries back,’ he says.

Shoots of Jim and the Night Sky – JW N Douglas

Most nights Jim finds it hard to sleep for more than a couple of hours at a stretch—he’s seventy. He’d bargain that slippery sleep’s an old man’s lot. Adding to tonight’s fun, arthritis wrings his neck. Also, Jim’s slippers have gone off by themselves to guard the gloom beneath a better man’s bed.

Jim (as always) watched the six o’clock news this evening. ISIL is culling Kurdish rebels and decapitating Christians. Abbott wants Australian boots in Iraq. Jim’s boots aside, he’d prefer if the Prime Minister were to post Jim’s slippers in defence of Australian soil. Jim’s a poet. Slippers on the whole are a species meant to die at home in service of a poet’s feet.

Before bed he’d spent all day writing a poem, a piece about Morocco. The Barbary Coast was the first place Jim ever found himself without a lady friend. Lying in bed, residual verses play across his mental airspace. And above the poem, a woman from his past haunts his head. He feels as if a witch were scribing on his mind’s sky with the exhaust of a broom-stick.

Streetlight from Boxer’s Creek Road bleeds through the gauze of his bedroom window. A sound curdles behind the window pane. Jim stiffens. The noise dies in the distance that joins his thoughts to the road. His face flops to the pillow, and his mind sways to the woman again.

She had a thing for animals, a thing for Jim too. He remembers her touches in the kitchen, her ginger tomcat sizzling at him in the sun of the bay window. He recalls the sex. Her nipples—two kittens’ tongues lapping moonlight. He’s best to stop thinking of her.

The poem scrapes in his skull again. He strokes his brow and listens, succumbing to what he hopes is his head’s final poetry recital for the night:

Sand Shadows

The mustard of whiskey and beer have cut him to make the man he is today—

he’s not too keen on a cup of tea, but the camel-driver nods.

‘It is Moroccan tea,’ says Allam, ‘you will want it.’

Pouring from a jug, he throws a streamer the colour of chartreuse.

The ribbon unfurls with every timeline of palm-shade and delirium

flooding the travelling man’s tea glass with green and oasis.

The tourist snorts a fire fuming from the cup.

He drinks. The glass kisses him.

His lips spark.

His forehead rains.

Then, swivelling his wrist

he sucks the steam with his nose.

And bows his lips to lick again from the pool of peppermint

and brimstone.

‘You take another please, my friend.’

Allam watches the traveller’s pleasure and pours the Aussie another cup.

The tourist puts a piece of fruit in his mouth and squashes.

He slurps and his tongue swims—

mint and mandarin spear him between strokes.

From the skin of his teeth, time and sunlight surrender.

A parasol of fronds shiver.

An eddy of sand sugar-dusts the liquorice of his boots.

The sanity of sand, he thinks.

Sand is sensible.

In whichever sandpit I bury my skinny arse,

sand is sane.

And I am lost.

If a bloke in a fez glugs tea to a cup,

someone in sandals twirls fire at Terrigal,

or a riot of Cronullans smash some Lebs—

sand is the same.

I am not.

 

The night stills. Jim fastens his mind to the silence and wilts into sleep for a few hours.

He wakes and slips his fingertips down the cord of the bed-lamp to find the switch. Jim gives the bedroom light. There’s a black Bakelite job waving all three of its hands at him from the nightstand—five o’clock in the morning. The clock was a birthday gift from a woman called Suki.

Jim kicks the covers, stands and stumbles in the dishwater of the lamp’s light, following the florets on the wallpaper to the en suite toot. The bathroom tiles chill his bare feet and for what feels like five minutes, he leaks like a brumby. Too many cups of tea after dinner, he reckons.

On his way back to bed Jim stops at the bedroom door. The door’s shut. He likes to leave it a bit ajar of a night to create an air current with the window. Jim thinks a draft must have closed it while he was asleep. A shift of the air swings it open across the hall, and a hall-bench and a hatstand slant shadows down the walls of the hallway—if I were to walk down there now, I’d see the silhouettes of all the men I have been, Jim thinks. He shuts the door.

Back in bed, every other second, the flannelette sheet chews a chunk from his bum. Bed bugs like old buggers. He sighs, and supposes his bed bugs are an exercise in the literary-man’s prerogative for a whinge. He keeps his bed clean. But Jim hasn’t always washed his sheets of the fortnight. His lovers had trained him—hung him with their weather beside their bras and panties. He feels a tiny buck in pyjama pants, but his urge melts before he can touch it.

When he was young, Jim worked his way through a lolly jar of women. Most notably, there’d been Suki. Poor pretty pisshead. And Helen. A birthmark smudged Helen across her tummy. The splodge was the colour of fairy-floss and the shape of a Clydesdale’s hoof-print. After her fling with Jim, Helen married a circus Strong-man.

He comes back to Suki. Once she took him for a drive in her Mini to The Mulwaree River in Goulburn. Suki wanted Jim to listen to the water birds with her.

They stood on the foreshore. The reeds whipped Jim’s legs and buzzed him with their bulrushes. The tide soaked his socks through the holes in his shoes.

When the wind lulled for a second, Suki asked, ‘Can you hear the sound of water gurgling in the ducks?’

Jim smiled at her and sniffed. He cupped his hand to his ear. ‘Not yet,’ he said, ‘but I’ll stick with you and try a bit harder, I guess.’ I can’t deal with this madness, he thought, and started to shiver.

‘You’re cold,’ Suki said, ‘I’ll take you home.’

Walking back to the car, Suki stopped. ‘Sweetheart. James,’ she said, ‘I’ve decided that I want to be a poet with you. We’ll take the journeys poets need. I think it’s good for poets to travel, and I’m going to share my money with you.’

‘Righto Suki,’ Jim said.

Jim cracks his neck and relaxes into the pillow. A memory of champagne tingles his palette. He recalls their suite in the Pavillon de la Reine, the slip of silk beneath the glint in their glasses. He proposed to her beside the mini-bar cabinet.

On the first day of their engagement, Suki wired five hundred thousand Francs to Jim’s bank account. ‘It’s your engagement gift,’ Suki said.

Jim’s eyes widened like a pair of dream catchers stretched across his knees.

‘We’ll be equal partners in this marriage, and I want to share the freedom I have to travel alone,’ Suki said. ‘There are times that we need to be selfish to do our work…And also I’d like you to buy me an engagement ring,’ she said, and smoothed a spray of his hair.

‘That’s nice of you,’ Jim said, and thought it might be good to hug her.

A week later they sat on a bench in the Parc de Bercy. Suki cooed, nursing a pigeon in the skirt-folds between her thighs. Feathers moulted and dangled from the bird’s skin. The pigeon’s breaths filled and emptied its breast, and the pores of its chest reminded Jim of his scrotum.

Suki kissed it. ‘Poor darling,’ she said.

Jim felt sick.

The bird gasped at her, and its breaths stopped. Suki stared down the funnel of its throat, ‘We’ll dig you a grave,’ she said to the void in the pigeon’s beak.

It’s half past five in the morning. Jim scratches his stomach and stares into the ceiling rosette above his bed. The flower seems to be wilting—it senses the sun, he thinks, wallflowers wilt without moonlight. Jim recalls a sunflower.

 

It was the night of the pigeon’s death.

They’d buried the bird beneath a plum tree.

Suki clutched a sunflower she’d bought from a vendor.

She’d laid the stem’s partner above the bird in the ground.

But for her betrothed she bobbled another bloom.

Jim stopped her inside the glow of a Gaslamp.

‘I want to end this with you,’ he said, and stroked his goatee.

‘I’ll give you back your money. It’s only right.’

She froze at him then lashed her shoulder with the blossom.

The flower fell from its stalk and Catherine-wheeled on cobblestones.

She followed its flight.

The acrobatics and the flagstones stayed her.

Some petals played on a moonlit step.

Then by the gutter she saw his reflection in the rain-sheen

and removed her mind.

‘Do you think that I’m crazy because I’m kind?’ she asked.

With the jewel of her engagement ring, she gave his chin a diamond.

‘Goodbye then, Jim. Pay me with poetry…

Write it to yourself you selfish prick,’ she said.

And spat at the stars and walked away.

 

Jim reckons he might be a bit of a fuckwit sometimes. He might as well get up. After a morning’s writing, he’ll give that stack of scribbly gum in the back shed a good seeing-too. He’s a Goulburn boy. Goulburn Men (even old fuckwits) chop wood for the winter. He leaves his bed. His back complains to Suki’s clock about the time.

Jim settles himself at the desk of his study and continues his ‘Moroccan poem’.

A frond shadow-puppets a sickle each to the men’s throats.

Across from the palm clump, a camel hunches beneath a woven shelter.

She stands in the sand, smiles and shimmies from the sunset.

Nudging her rider with her nose, she closes her eyes.

Allam strokes her eyelids, letting his fingers smudge the ink of her lashes.

‘We go home now, Chef my friend,’ he says to his prize,

‘Before the sand shreds us to strips.’

*

By late afternoon Jim has a bouncing baby poem and a few extra ideas in his notebook. Scanning the screen of his laptop, the poem’s sounds and images taste sweet in his mouth. The other day, a case of indigestion had gutted him for an hour or two. He’d Googled the anatomy of the stomach. Based on the research, his mind had settled on a metaphor for the body’s digestion of poetry. He reckons it’s good to suck on a poem for a while. The tongue can taste a word’s simple sugars in less than a second, but to be digested the starch in a collection of words needs to be swallowed and churned with the voices in a poet’s stomach.

He prints the poem and reads it once more before filing the sheets in a folio he keeps in the first drawer of his hardwood desk. Jim took about sixty years, but he’s learnt the importance of being an organised poet.

A poem grants parole only on completion of a poet’s first draft. He’s by the shed. He’d wanted to chop the pile in the morning before this evening’s chill, but redrafting his work had shackled him to his desk all day.

Jim feels free. He swings his blade through a chunk of wood and takes a chop of chest-pain. The blow radiates to his elbows. Just heartburn, he reckons. From the branches of blue gum, a butcherbird waits to peck the eyes of a dead man.

End.
Six months ago Suki felt an echo from her insides, her vital organs rehearsing the first notes of her swan song.

She’s always loved the Madeline books and because of these stories she likes French nuns. All her travels had reduced her inheritance to dregs. So she’d released the relics of her finances to a charity hospice in The 18TH District of Paris, a centre for the half-dead run by Catholic nuns. Upon Suki’s donation, the Matron admitted Suki immediately. The hospice is called The Grotto of Saint Julian the Hospitaller.

Suki is a lifelong poet. Poetry is her vocation. One of a poet’s gifts is the ability to transcribe everything prosaic to the meters of poetry. She guesses it’s with a similar sense to hers that a composer of music turns the clucks of a wooden wind chime into the chords of chorus.

Suki’s illness confines her mostly to bed. Her cot’s so old that she wouldn’t be surprised if the sisters nicked it from Joan of Arc when the saint was having confession. To take her mind for a walk, Suki sometimes lapses into a state of poetic rambling. She transcribes the prose of her hospital surroundings into poetry…though on the topic of my death, Suki thinks, I’ve hit a grey area. Does death need transcription? Will I write my death with a poem or will I use prose? Suki wonders. She supposes her genre will be a bastard, and a bit of both.

Whatever death is, Suki tries to let it let it blow over her without it ruffling her with any more of its meaning. She’ll have the pleasure of a visitor tomorrow, and Suki wants her friend to be free from any ruffles. Her companion gets scatty at times.

There’s a knock and a nurse enters with an enamel basin. Suki hears the swash of water.

The Sister is African and speaks into Suki’s eyes.

Be still, ma cherie, I do not wish to wrench your cannula

She swabs a warm splash to one of Suki’s breasts

Jolted by her jaundice, Suki gazes inside herself

To brighten her mind-space, she imagines her boobs

are a pair of plastic plates

her nipples are yellow jelly beans

And from the holes of Sister’s sponge spills coloured water

Suki stretches her head to the nurse’s digits—

The fingers spread from hand-shaped squirts of chocolate sauce

as if she were catering for a child’s birthday party

serving Suki’s death between courses of sweets,

cordial and Rainbow-cake

My darling, Sister Sissy says,

are you prepared for your dialysis in an hour?

No Sister, Suki says, but I will let it drink my blood one more time—

to buy myself tomorrow

Tomorrow is Tuesday. Clarice visits me Tuesdays

Ah, your guineapig amie, Sissy says

I have some raisins for her, Suki says

she is the only thing kind enough to smudge her face between my breasts

I feel as if she were listening

What do you suppose she hears inside me?

I’m thirsty. Can I have a little drink?

Suki could swoon in a swig of French chardonnay

Murder a drop of Alsace Riesling

I will need to check your Fluid Chart first, Suki, Sister says

Suki likes the way Sister Sissy says her name

Through the angles of the nun’s accent

Suki’s sound is two chimes of an orchestral triangle

Sissy snatches Suki’s Obs Chart from the cradle at the foot of her bed

gleams from it, returns it, and says, No, ma cherie

I can allow you only un petite spoonful of ice

Something to chill your tongue

but you mustn’t swallow. Spit

Sissy leaves Suki

There’s an ice-machine in the Nurse’s Station

She comes back with a polystyrene cup

Suki spits

 

Suki lets herself dream. She’s at home in Goulburn, she knows this by the bird trills in the sky. She stands on the roots of a blue gum. A butcherbird decorates the branches above its nest with someone’s eye and the diamond of Suki’s engagement ring.

 

She stirs from sleep. Five litres of herself swish beside her

The sound is as though she were driving

Window-wipers swiping rain from her windscreen

Suki sneezes and a tendril of hair wilts from her bun

She brushes the lost coil from her cheek and her ring tweaks her nose

Seeing into the diamond, the cut and precision of its memories

stare her down…

Jim hasn’t got the balls to hold an umbrella between my hair and red rain

but Clarice does

 

The Beginning – Nicola Donovan

The hallucinations began after the car crash, on the day I should have died. I’ve done stupid stuff while being on the piss in the past, but what happened that night caused my world to come to a complete halt. I was driving my wife Annie and I home from a night out at our local pub. I insisted I was fine to drive.

‘Typical Dave’, Annie said, giggling drunkenly as she handed me the keys. Those words became like a catchphrase to her when talking about me, and you can be sure they always followed something bad.

‘You still haven’t taken out the trash? Typical Dave,’ Or,

‘I can’t believe you forgot to get milk. That’s so typical Dave.’

She tripped over her feet as we stumbled towards the car.

‘Oops!’ she chuckled to herself, her laugh sounding like a cute, fuzzy cartoon character.

Annie sang along to the radio as the rain continued to fall and blur my already limited vision. I pushed the button for cruise control, allowing the car to continue driving at 90kms.

‘Dave! Look out!’

Glass shattered as our heads sprang forward before being punched backwards by airbags. The car’s bonnet crumpled from the impact of the tree. I turned to see my wife balanced half way out of the smashed windshield, blood trickling from her nose. Staring from a car opposite us was a person. Through the beaming headlights, and the concoction of water and blood that was now pooling on the remainder of the front window, I vaguely saw a face- the face of a woman.

She will help us. She will help Annie.

Instead I watched as she reversed her car. Screeeeech! The smell of burning rubber wafted up my nostrils. I watched her turn her wheel and accelerate towards the road; the road she had just caused us to drive off in order to avoid crashing into her.

* * *

I’ve had trouble sleeping ever since the crash. I am now a prisoner of guilt.

‘Dave! Look out!’

I jolt up right at the sound of Annie’s screaming. She screams like that in my mind all the time. The doctor suggested I’m having a post-traumatic reaction to the stress of the accident. It makes sense but it doesn’t feel right. I know Annie is purposely haunting me, and that I deserve it. The alarm clock glares at me, my eyes trying to focus on the numbers that are at this moment a blurred, ball of light – 5:37. Before the crash I had always been an alarm guy- 6:30 AM, usually. But ever since the crash I had become a man of uneven risings – 4:58, 6:12 and now 5:37.

I walk to the kitchen, focusing on coffee to convince myself I want it more than a scotch. Annie’s miniature garden sits on the windowsill, now only full of soil and death. It had been like a project of hers, but I failed to take care of it. Typical Dave. I don’t have the heart to get rid of it. I rub my bloodshot eyes as I recall what day it is. Tuesday.

Today is doomsday, as I have taken to calling it. The day my transformation begins, I think, as if trying to reassure myself that change is possible. Annie had been hassling me for months to give up drinking. You’re doing this for her, I remind myself. One year after the crash I finally signed up to the local AA meetings. It’s funny how it takes losing the most important thing in your life to realise what a fuck-up you well and truly are. But the thought of losing alcohol seems almost as painful as losing Annie. Not being able to feel the cool sting of a spirit hit my lips, or the warm taste of beer bubbles slipping down my throat ever again makes me feel sick. You’re doing this for her. You’re not going to be ‘typical Dave’ anymore.

 * * *

Later that afternoon I walk into the local church. I haven’t visited this place in years, yet the brick building with its stained-glass windows and overgrown garden hasn’t changed a bit. I walk through the wooden door of the church and over to the only room, where a middle-aged man wearing a grey suit greets me.

‘Welcome, are you here for the meeting?’

He grips my hand and I feel like it is being crushed by an eagle’s claw.

‘It will begin shortly. Please help yourself to any coffee or biscuits.’

He reminds me of the Wall Street, rich-boy type: the tailored suit and firm handshake. The kind of guy that carries himself like he went to an Ivy League school and knows that he is better than you.

‘Go on in, sweetie, you’ve already made it this far.’

I am used to Annie whispering words of advice to me now. I realise that she is not really there, but the hallucinations of her, her silvery voice and her flowery scent, still linger. I walk straight over to an empty, plastic chair, before becoming aware of one face in particular that keeps looking over at me. She has an interesting face. That’s not to say it’s unattractive, quite the opposite, she just has noteworthy features: the elongated shape, the ski-slope nose and bright, green eyes that take up more room on her face than any other feature. She is quite slender and sits slouched as she twists a lock of brunette hair around her finger.

Bang!

The doors to the tiny, isolated room slam shut, separating us from the rest of the world.

‘Welcome guys,’ says the guy that greeted me earlier, ‘my name is Greg and I’m here to help you. You’re all here because you’re battling your addiction to alcohol.’

The douche really does think that he is better than us, as though he is some god-like figure sent here to ‘save’ us. Asshole.

‘It’s a safe space and I welcome you all to share your stories,’ he continues.

‘Lisa, would you like to start?’

The girl I noticed earlier stands up.

‘Hi, my name is Lisa and I’m an alcoholic.’

‘Hi Lisa,’ the rest of the people murmur.

I watch her talk as she says her piece. Her tongue rolls over her lips every couple of words, as if she is thirsty for a drink then and there. It makes me thirsty, too. A few more people get up, give their story and sit back down before everyone looks toward me, indicating that it is my turn. Annie caresses my hand while sitting in the seat next to me.

‘It’s okay, Dave. Don’t be afraid.’

‘Pass,’ I mumble.

 * * *

At the end of the hour Greg thanks us and once again invites everyone to have coffee and biscuits.

‘I wouldn’t try the coffee if I were you,’ a singsong voice says. The woman I spotted earlier is suddenly beside me. She comes across confident, as though she can have any man she wants and she knows it.

‘Seriously,’ she continues, ‘it’s horrible. I’ll show you a café on the next block that does decent coffee instead. I’m Lisa by the way, if you didn’t catch it earlier.’

Yes, she’s definitely confident. She’s probably slept around a lot, too. My hands grow clammy as I feel a shimmer of sweat spread across my forehead. How would Annie feel about this? Would it be disrespectful? What if Lisa tries to kiss me? Would I let her? I wonder what she tastes like. I battle with my thoughts internally, contemplating her offer.

‘Go for it Dave, heaven knows you need some company,’ Annie whispers.

I tug at my earlobe like I’m ringing a bell, a nervous habit I have developed over the years.

‘Dave,’ I reply, ‘and sure, I guess a coffee would be fine.’

Alarmingly I catch myself smiling at her. Since when did I start smiling again? She is just so . . . gorgeous. Distractingly gorgeous, the type of looks that lead even the most loyal of men astray and make even the most secure women jealous. I feel guilty just looking at her.

 * * *

The bell above the glass door tingles as Lisa pushes it open with her fragile arm. The trinkets on the bracelet wrapped around her petite wrists jingle at the movement.

‘How do you take your coffee?’ she asks. ‘I’ll go order if you go grab one of those window seats.’

‘Black, two sugars please.’

I go to give her some money before she slaps my hand away.

‘Don’t be silly. I dragged you here, it’s my shout.’

Annie would have never paid for coffee. She would have insisted that I be a gentleman and not give in so easily.

‘Letting the woman buy your coffee. That’s typical of you, Dave,’ she would say.

Lisa places the two steaming mugs on the table before taking the seat opposite me.

 * * *

Each week that month I return to the local church. Lisa has started greeting me at the entrance. Today she is dressed in a flowing, teal maxi skirt with a plain white singlet, her long, wavy hair covering her shoulder, collarbone and breast. Various coloured beads dangle around her neck and the trinkets on her bracelet jingle as she waves at me. When I reach her we hug, electrifying my whole body. Since having coffee that first week, I can’t get her out of my mind. It is so great having someone to talk to who knows exactly what I am going through. She understands me, she can relate. When I’m around her, I’m not the monster of a drunk my guilt makes me out to be. Tuesday evenings have become something that I now look forward to. I make the effort to get dressed up. I have even started wearing cologne. I’ve been attending the meetings for over two months now, and I’ve been talking to Lisa and seeing her more and more each week, both in and outside of the meetings. The coffee place down from the church has become like a routine of ours. Her hand fits perfectly in mine. Annie has been talking to me a lot less frequently. There’s still some guilt, but the pull Lisa has on me is just too strong.

Walking into the church on this particular Tuesday, however, feels different for some reason. But I can’t put my finger on why.

‘Hey Dave!’ Lisa calls, waving me over.

 * * *

‘Ok guys, this week we are going to talk about something different,’ Greg begins. ‘Today we are going to each share what caused us to come to these meetings, what was the tipping point that made you want to seek help? Lisa, would you like to start?’

She grabs my hand, her cherry red nail polish contrasts against my pale skin. Her eyes stay fixated on the floor as she sighs heavily.

‘I made the decision to drive home from a bar one night,’ she starts. ‘I hadn’t had my regular amount to drink, so I thought I would be okay. On the way home I . . . oh god . . . I drifted onto the wrong lane of the local highway and there was a car there, and I, I caused it to swerve off the road.’

Her grip tightens around my hand as our palms pool with sweat.

‘I pulled over and watched the car hit a tree. I knew that I had to get out of there before the ambulance arrived, so I did. I fucked up. I fucked up and that’s when I knew I needed help.’

She shakes her head as if trying to rid it of the bad thoughts. My hand releases hers as she looks up at me, confusion showing through her tears. I tug at my earlobe vigorously. It has to be a coincidence. It has to be. It could have been a completely different accident, right? Fuck. What the fuck!

The contents of my stomach threaten to escape as I get up and leave the room.

 * * *

Bzzzz Bzzzz Bzzzz! My phone buzzes with excitement as Lisa’s name illuminates the screen for the ninth time that night. I still need time to think.

‘Hi Dave, just me again. I’m really, really worried about you. Please call me back.’

I listen to Lisa’s voice on her latest voicemail. I did want to call her back. I did want to tell her what happened, but what would I say? Instead I sit on my couch, drinking straight from the bottle of vodka I got after leaving the AA meeting that evening.

 * * *

At 6.30 PM, four nights later, I pull up out the front of Lisa’s. I sit in my black Toyota; the exact make and model as the one I crashed. After I was released from hospital I had to watch Annie lay in the intensive care unit. Various tubes and devices were attached to her, making her look like an alien octopus. I ran to the car dealership that day and told them the exact car I needed, the exact car that I had written off. It had to be the same. If it were the same it would be like nothing ever happened. And then Annie would recover, and everything would go back to normal, or so I thought. I debate whether or not to go inside. Lisa practically begged to see me. I want to see her too, that’s why I’m here, but I feel so god damn guilty doing it.

‘What are you going to do, Dave? You’re not actually going to go inside, are you?’ Annie whispers from the passenger seat.

‘Oh Annie,’ I say, ‘it’s been so long. It’s the way she smiles at me, Annie, like she knows exactly what will happen between us but doesn’t dare say it. It’s the small of her back, Annie, and the way my hand fits perfectly when holding it. It’s her lips, Annie, they’re always begging to be kissed, she tastes so sweet.’

I exit the car as the chunky door swings open. Walking up the driveway I can feel Annie’s presence. Waiting. Watching. Wondering. But it doesn’t have the same effect on me as it usually does.

I ring the doorbell.

The door opens and all too quickly Lisa is in my arms, embracing me, consoling me. I hold her close, inhaling the smell of her freshly washed hair. In this moment nothing else matters. But I still feel guilty. She pulls back, carefully studying my face, searching for some indication of what might have been wrong. But she knows better than to ask questions. Instead she leads me through her door.

We sit apart, watching the television. You can feel the tension, especially when Lisa goes to cuddle up to my arm and my whole body stiffens. I sigh.

‘I need to say something, Lisa. If I don’t it’s just going to keep eating away at me.’

I take another deep breath, reaching for my earlobe.

‘Last night when you told me about that accident you caused, it sounded really similar to the accident that I was involved in . . . when my wife died.’

I see the tears immediately spring to her eyes as her hands jump to cover her mouth.

‘I’ve been thinking about it a lot,’ I continue, ‘and I don’t want to know any more of the details, I don’t want to dig too deep into this. We don’t know for sure it was the same accident, and even if it was, I want you to know that I forgive you.’

‘Dave . . . you, you can’t-’ she starts before I cut her off.

‘The fact that I was drinking that night makes it just as much my fault as anyone else’s. I forgive you, and I forgive myself. Just like you need to do.’

The tears are now streaming heavily down our faces. I pull her in and hold her trembling body tightly. There are no more words to be said.

 * * *

That night my hallucinations of Annie stop, the hallucinations of her silvery voice and her flowery scent. The next day, as I walk past the miniature garden on the windowsill of the kitchen, I notice the most peculiar thing. Where once only soil sat, a joyful, green stem has begun to peek through.

Becoming A Tree – Domenic Cuda

                                               FADE IN:

TITLE:”Becoming a Tree”

  INT. CLASSROOM, COMMUNITY COLLEGE. NIGHT.      1

A group of 10-15 men sit in a classroom making shy, small talk with one another. Most of these men either have the appearance of an average Joe or a stereotypical dork. They all seem to be nervous or unsure about what they are expecting within the next hour. Two friends, Liam [24] and Sam [25] sit at the back quietly talking to one another.

LIAM

Hey. Um, thanks for coming with me to this.

SAM

Don’t worry ’bout it. I had nothing to do tonight anyways. So what
is this? Some kind of class.

LIAM

Even better, just watch.

While the small talk continues, another man wearing ostentatious clothing – Ed Hardy T-shirt,leather vest, tilted fedora – walks in with his chest stuck out; body language representing that he is the Alpha male of the room. The chit-chat stops as each of the men stare him. He takes out a pen and writes on the white board ‘BECOMING A TREE 2 BECOME A MAN — 4DANNY ‘NOVAX’ WILLIS’. He turns
to the class.

NOVAX

Pretty interesting, am I right?

Once again silence amongst the classroom of men, a few of them nodding their heads.

SAM

[Quietly]

Who the hell is that?

LIAM

[Quietly]

I think that’s the guy. The one that teaches this class.

SAM

[Quietly]

Why does he look like Criss Angel?

NOVAX

Glad to see that this many people came out here. Not the biggest class but it’s pretty impressive. First off, let me introduce myself. My name is Danny Willis or as most people like to call me, ’Novax’. Seeing as we’re all strangers at the moment you may call me that: Mr Novax or Professor Novax and nothing else. However, Like any good teacher-student relationship, as time progresses you may call me whatever you want. Now before I begin getting into what you guys came here for, let me ask you all one simple question. Why the fuck are you here?

The class member looks confused. Is this a test? Is it an Ice breaker? Is he baiting us?

NOVAX

Huh? Come on you guys, why are you here? Why did you guys leave
your houses or apartments on a Tuesday night to come to this shitty little classroom
and hear someone like me speak?

The class is still reluctant to speak, scared of Novax’s reaction. One shy young man puts up his hand. Novax snaps his fingers and points at him.

NOVAX

Yes, you!

YOUNG MAN #1

[Quietly]

Um. To get confident with women.

NOVAX

[Taunting]

What was that? It’s a big class sweetheart, you have to speak up.

YOUNG MAN #1

To get confident with women.

NOVAX

[Shouting]

Exactly! To get confident with women. Dames. Birds! You men are here because you feel that there is something missing in your life; something that seems so far out of your reach. But what you don’t know, is that it’s always been right in front of you, only none of you have the balls to go out and take it.

The classroom is taken back with Novax. He has attitude and aggression that puts each of them out of their comfort zone.

SAM

Dude this guy is pretty intense.

LIAM

I know righ? Dedication to the craft.

SAM

[Confused and annoyed]

The craft of wha-

NOVAX

[Speaking loudly]

Now, I am sure you have all seen this flyer, am I right?

Novax holds up a flyer which reads in big block letters ‘HAVING TROUBLE WITH WOMEN? WANT TO KNOW HOW TO SEDUCE THE LADY OF YOUR DREAMS? COME TO A FREE INTRODUCTORY CLASS AND LEARN HOW TO GO FROM DUD 2 STUD’, accompanied by an address and shots of various bikini models.

CLASSROOM

[In unison]

Yeah.

Novax slowly starts to walk around the classroom, asserting his dominance. Confidently looking in the eyes of each young man as he passes by.

NOVAX

And each one of you saw this as a sign that now – Right now, is the time to change your life. By looking around the room, I can tell that you guys need it now . . . [sniff] more than ever.

The classroom still sit in silence, including Liam. Sam has a look of insult on his face. While most people in class seem to find this interesting, they are unsure whether or not Novax is just pulling strings and messing around, or actually insulting them.

NOVAX [CONT’D]

What, you think I’m making fun of you? You think I’m gonna make fun of a bunch of people I’ve never met before? See what you don’t know is that I used to be just like you: Plain button up shirts, casual jeans, tennis shoes. Hell I could have been a fucking extra in Revenge of the Nerds.

Novax walks back to the front of the class, Sam puts his hand up.

SAM

Umm….excuse me? ‘You were one of us’? What does that even mea-

Novax turns to the man and interrupts him. He then turns to class and addresses them as if he is Martin Luther King Jr on the steps of the Lincoln Memorial.

NOVAX

Sure. You see us men. We were all born the same. Each of us started off as dirt with an opportunity to grow up and be something great. But some men, like most of you here today get buried under tonnes and tonnes of horse shit. Whether it be 8th grade girls refusing to hook up with you at the school dance, jocks & bullies making you feel insecure or people just generally not respecting you, your life is defined by being buried in horse shit. And we all know what happens to dirt under horse shit. It becomes grass.

YOUNG MAN #2

Umm doesn’t it need water to become gra-

NOVAX slams his hand on the table.

NOVAX

It becomes grass! You know who likes grass; who finds it
interesting? Fucking no one. And right now, guess what. You’re all grass. You’re all boring, you’re all uninteresting and you all have no use or purpose. Right now you’re either going to stay in the background growing longer or you’ll eventually die, and no woman with an ounce of confidence is going to be willing to fuck you. You’re grass. Just like I was.

NOVAX [CONT’D]

But you see the difference between you and me, is that I became aware of the fact that I was grass. So I went out and bought a shovel. I dug it up and ripped it all out, horse shit included. You know what happened next?

The classroom of young men now all lean in to hear Novax as he starts to speak very quietly, building up for dramatic effect and motivation. Liam and Sam both look at each other, trying to figure out what is going on; Sam mouthing the words “What The Fuck?”

NOVAX

I discovered a seed. And I planted it in the dirt. Over time I took care of that seed. I watered and nurtured it, watered and nurtured it, watered and nurtured it. After weeks and months, taking care of this seed over and over again, do you know what happened?

As the classroom waits in anticipation, Novax slaps his hands together, scaring his audience.

NOVAX

I became a fucking tree! When I walk into a room, people notice who the fuck I am! When I see a pretty little thing at the club with her friends, I don’t sip on my $3 beer and hope she comes over and talks to me. I seize the opportunity, look my fears in the eye and choke it to death!

As he is pantomiming choking someone, the classroom stays quiet, unsure how to feel. Should they be scared, or is this guy a joke?

NOVAX

Oh. You don’t believe me? Then do you believe in this?

Novax turns on a projector which shows his high school. It’s himself covered in acne, wearing braces and a shirt that says “Spock 4 President”. The classroom looks amused.

NOVAX

See that guy? That was me back when I didn’t care. I couldn’t care
about how I looked or how people perceived me. When people would point to me and call me nerd or geek or fag I would just hide in the background but after years of intensive training in the art of seduction – as well as the art of re-invention –  I went from that hunk of shit, or should I say hunk of grass, to this!

The projector now shows a screen shot of his Facebook page – Novax out at night clubs and pool party’s surrounded by women who, for lack of a better word, look like coke-whores.

NOVAX

Don’t worry fellas, most of them are legal.[Chuckles to himself].
See that’s why I’m here today. You boys should consider me your fucking saviour, because rather than just living my life as a master in the art of porn persuasion, I have decided to impart my knowledge onto you; to teach my ways, my methods in order to let you know that each of have the potential to re-plant the seed [pause] and become a tree. And for just a small payment of $220 a fortnight–

SAM

Um. I thought this was a free class.

Novax slowly turns back to the young man and politely snaps at him.

NOVAX

The introduction is free. This is just a sample. In order to
become true masters in the art of seduction, it’s going to cost a bit of pocket change, but you know what? For an opportunity to change your life, $220 a fortnight over 8 weeks [speaking quickly under his breath] cash payments only, no refunds [returns to normal slow speech] it’s practically a bargain.

Once again, the class looks slightly sceptical about Novax’s offer; $185 Seems a bit too much for wolf tickets.

NOVAX

O.K. how about this? You pay for a $65 trial lesson, tomorrow night, and then after that we can meet in my office and talk about future payments. Seriously, what do you have to lose? I mean you guys could leave here right now, go home make yourself some Easy Mac, play video games and cry yourselves to sleep.

All eyes are on Novax now; he has them in his clutches. While these young men may not like the person who they are seeing, they seem to be interested in the promise of changing their lives, but are reluctant to see what he has planned. It may or may not be a waste of money, but it’s an experience they will never forget. Novax reaches out his arms and has a smirk on his face. He has their trust now. All but one.

NOVAX

So gentlemen; shall we begin?

LIAM

It’s a bargain man.

SAM

We’ll talk about this.

 INT. BAR NEXT TO COMMUNITY COLLEGE. NIGHT.      2

 Liam and Sam are sitting at a bar, watching a game and drinking beers. Sam has a look of concern on  his face.

LIAM

So what do you think? The guy is great, right?

SAM

Umm no. This guy does not seem O.K.

LIAM

What are you talking about?

SAM

It’s bullshit man. The mantra, the shtick; it’s all crap. I mean, please tell me your smarter than that?

LIAM

Well, O.K. so maybe the guy is a little bit eccentric.

SAM

Little bit?I think it’s safe to say that the guy is a total hypomaniac and narcissist. I mean who the fuck does he think he is telling people they’re losers? He had a leather vest and wore a fedora indoors, like some kind of gay Indiana Jones nightmare.

LIAM

OK, fine he is very, very eccentric. But you know what? Maybe that’s the key to his success; his ability to show the world that he’s not afraid.

SAM

What? Dude, that doesn’t make any sense. First off, dressing like that doesn’t make you look confident. It makes you look like a tool. And secondly, who the hell has he had success with?

LIAM

You know, when he showed us before? His transformation photos.

SAM

You’re basing his success off of that? Off of photos of him with women who obviously have serious daddy issues?

LIAM

No, dude. It isn’t about the women. It’s about the ability to change your life. I mean, look at us. We’re in our mid 20’s and we have zero confidence when it comes to this sort of stuff.

Liam notices a couple of young ladies also enjoying casual drinks. He points them out to Sam.

LIAM

I mean look at those girls over there. Why are we sitting here like a couple of schlubs not interacting with them?

SAM

Because we’re over here.

LIAM

Yeah but why aren’t we over there trying to take advantage of an opportunity?

SAM

Who gives a shit? We didn’t come to this bar for the sole purpose of hooking up. We came to drink beer, watch the game and talk. You know, guy crap. I mean, if you want to go talk to them then go for it. There’s nothing stopping you.

LIAM

Yes there is. It’s the process that we haven’t been taught yet. The idea that in order to truly talk to those women, or any other women, we have to start replanting the seed and ‘becoming a tree’.

Sam stops drinking his beer. Now his attitude has gone from mild annoyance to disgust.

SAM

No. No, no, no. Tell me that you don’t believe in that new-age magical bullshit.

LIAM

Who said anything about magic? It’s not magic. Its motivation.

SAM

No dude. Just stop right there O.K.? I will not be a part of this rebuilding yourself, motivational crap. You don’t need some coke-head at a community college to teach you that.

LIAM

How do you know that was coke? It could have been a cold.

SAM

It’s March, Liam. Summer ended four days ago, and by the way, if this guy was such a success and so powerful, then why isn’t he teaching this in like a massive hall in front of hundreds of people instead of a shitty little community college?

LIAM

Who cares where it is?

Awkward silence across the bar. Liam and Sam look at each other.

SAM

You know what? Fine. Go ahead. Waste your money. Do whatever the fuck you want but just do me this one favour. Tonight when you get back home: go online, look up Tony Robbins, look up Ross Jeffries, look up everything you can on hard selling and cold reading. Educate yourself at least, before you decide to ‘become a tree’.

LIAM

Fine. I will and on top of that I’ll let you know how well my progress is going. While you continue to spend countless nights trying to jerk off to lesbian porn without crying, I’ll be enjoying this new life changing experience.

Sam finishes his beer, steps out from his chair and puts his jacket on. 

SAM

Fine.

Sam leaves Liam at the bar alone, as Liam orders himself another beer and looks over at the two women from before.

 EXT. OUTSIDE BAR, NIGHT      3

Sam starts walking outside to find public transport. As he walks down the street, he comes across a small building with a red light out the front of it and sees Novax coming out the door. Both catch each others attention. 

NOVAX  

Hey, even Tiger Woods needs to practice his swing. Am I right?  

Novax points and winks at Sam as if to say to him ‘please don’t tell anyone you saw me here’. Sam nods his head and walks off.

NOVAX  

[Yelling out to Sam] 

So I’ll see you in class tomorrow night bro.

SAM

[Quietly to himself] 

Unbelievable.  

 INT. CLASSROOM. COMMUNITY COLLEGE. AFTERNOON    4

Once again the classroom is full of young men awaiting Novax’s arrival. Each of them have notepads and laptops out, ready to take notes. Liam walks in late to class and tries to find a seat. He has a look of slight skepticism on his face. The men around him yesterday had no ambition, no gusto, no nothing. Now their eyes are filled with excitement at the possibility of realizing their potential as men. Although why now? Novax walks in; eyeballs bloodshot, hair messy and looking like crap.

NOVAX

So[coughing and sniffing], how is everyone doing today?

CLASSOOM

[In unison]

Great.

NOVAX

So let me ask you gentlemen something. Who here is ready to do some muthafucking landscaping? Am I right? Who here has a shovel? Who here has a bucket and pale? Who here has a book on horticulture, because now is the time we plant the tree!

Everyone in the classroom jumps up from their chairs and starts screaming. The classroom is now a   zoo. Liam reluctantly gets up and tries to join the fun. However he just isn’t feeling anything. He feels lost in a group of men who he doesn’t understand; being run by a man who’s identity is so far from reality that Liam is starting to question himself. The classroom lunacy stops as people start to sit down and Novax takes centre stage.

NOVAX

Finally. You know what? Congratulations gents. Every class I teach, I always wonder who actually wants to be a successful man and who just wants to appear to be a success. And I’m proud to say that tonight I have my answer. You see, tonight gentlemen, we start planting the seed and –

LIAM

Excuse me? Didn’t you say the first thing we need to do is remove grass or something?

NOVAX

No. Well yes but – um. The grass has already been lifted out just by you coming here tonight.

LIAM

– But we don’t know anything yet. Like, aren’t you supposed to offer us some motivational advice or something? I mean surely we can’t just all of a sudden learn this stuff now? Right?

NOVAX

Sorry what did you say your name was?

LIAM

Um, I’m Liam.

Novax starts to draw his attention to Liam instead of the classroom as a whole.

NOVAX

You see gentlemen, Liam here is trying to learn the soft way. The light-hearted, sensitive flower way. Liam is still holding onto the belief that in order to change yourself, you need to treat life as if it was a marathon. We’ll I’ve got news for you my friend. Life ain’t a marathon; It’s a sprint!

LIAM

I’m sorry that doesn’t make any sense.

NOVAX

It doesn’t make any sense to you now but it will. Anyway fella’s, this is actually a three step process that we will be working on over the next few wee-

LIAM

Um, sorry but if the process of completely re-inventing ourselves is just three steps then why can’t we just learn this stuff on our own?

NOVAX

O.K. Lachlan, buddy –

LIAM

It’s Liam actually.

NOVAX

Whatever, look, have you spent the last several years mastering the art of seduction and then developing it into a simple three step plan so you can help your fellow man? Well? Have you?

LIAM

No but – 

NOVAX

So how about this? You let the teacher [pointing at himself], do the teaching, O.K.? This shit’s not supposed to make sense now ’cause you’re the rookie and I’m the pro.

Novax returns his attention back to the class as Liam starts to straighten up his posture.

NOVAX

Now. Like I was saying, in order to achieve success you must learn and implement these three steps into your life. Step 1: Dress to impress. Step 2: the mantra money shot. Step 3: ain’t no time for pussies.

Novax pulls up his projector screen and opens up a powerpoint presentation; the first slide containing a picture of a peacock surrounded by animals in the wild.

NOVAX

Now let me introduce you gentlemen to step 1, and the beauty behind the concept of peacocking.

Novax then changes to the next slide which features the same photo of the peacock next to a photo of himself dressed in ostentatious clothing.

NOVAX

You see what I’m wearing people? What do you think it says about me?

YOUNG MAN #1

That you might be rich.

NOVAX

Incorrect. You see a fella’s, money is not the statement I’m trying to make by dressing the way I want. The statement I am trying to make is: ‘Hey, I don’t give a fuck what you think about what I’m wearing.’ See all of that up there? The shirt, the vest, the bling? This is known as the art of peacocking; designed to get attention in any busy, distraction filled environment. Just like a peacock.

YOUNG MAN #2

Um, how do we know that will work?

NOVAX

How do you know? Well [sniffing] let’s say you’re at a night club. You and your friend walk in. One of you is wearing a suit and tie, while the other is wearing a studded t-shirt, cowboy hat and glitter jeans. Who do you think women are going to notice more?

LIAM

Probably the second one, but that doesn’t mean its a go-

NOVAX

Exactly! The second one and you know why? Because he has the balls to stick out; because he doesn’t care what he looks like or how other people perceive him. He has the power to look social pressure in the face and say ’Fuck You!’ By doing that he becomes the alpha male of the room. You have to remember something fella’s. The modern day woman is a very hormonal creature. She is attracted to bright and colourful things, just like a peacock.

LIAM

Hmmm. Um, excuse me.

NOVAX

[Annoyed]

Yes Lucas, what is it?

LIAM

Once again, its Liam.

NOVAX

Liam, Lenny, Lester, it doesn’t matter. What. Is. Your. Question?

LIAM

Can’t anyone just buy these clothes? Like, it doesn’t really change anything.

NOVAX

Didn’t you just hear what I said? The clothes change people’s perception of you, thereby changing your attitude.

LIAM

Right but how? Like, it’s clothes. It’s material. People won’t understa-

Novax quickly snaps his attention back towards the classroom, while he is interrupting Liam.

NOVAX

Anyway, back to the task at hand!

Liam now looks more annoyed. The bullshit is starting to unravel but he still wants to see where this goes. Novax changes to the next slide which reads ’STEP 2: THE MANTRA MONEY SHOT’. It is accompanied with two photos: one of new age guru to the stars, Deepak Chopra shaking hands with Oprah Winfrey, and the other actor/rapper Jaden Smith looking of into the distance as if he just said something profound.

NOVAX

So, now that we have attracted the female species with our outward appearance, it is time to hit them with what’s on the inside. Now those two men, up there on the big-screen. Deepak Chopra and Jaden Smith. Two of the most prolific motherfuckers the 21st century has ever seen.

Novax changes the slide to reveal inspirational quotes from Chopra, and tweets from Jaden Smith. Each line reads along the lines of: ‘Understanding is the healing of purpose, and of us’, ‘School is the tool to brainwash the youth’, ‘Green, White & Blue make dreams come true’ and ‘Love can only   blossom with a return to innocence.’ Novax turns back to the classroom.

NOVAX

Women. Eat. This. Shit. Up. It’s literally amazing what you can say to a girl, in order for her to believe that you’re the mystical man she has been searching for all her  life. The best part is there is tones and tones of this crap being produced every day. I personally use the last before I go in for the first kiss. So in order for you to become one with this mantra. Find these guys online, print out a few quotes onto flash cards, revise them till your eyes bleed, and guess what? Oh My God, someone just became the ultimate source of enlightenment in the eyes of anything with a pussy. Now onto the third and final ste-

LIAM

Excuse me.

Classroom moans and groans, Novax once again acts annoyed.

NOVAX

O.K. I know we’ve been through this before…but I still don’t know your name, so just say what your gonna say and once again for the millionth fucking time, I’ll respond.

LIAM

This mantra stuff. It isn’t sincere at all. Your just repeating a bunch of words that don’t make any sense, they just sound impressive. Isn’t that misleading?

NOVAX

Well duh. I mean, what do you think? A woman is gonna fall head over heels for sincerity? How’s that been working out, huh?

Panning shot of the classroom, as some of the interest in the room starts to change. Novax changes   to the slide which says “AIN’T NO TIME FOR PUSSIES”.

NOVAX

Now, for the third and final step. In order to fully understand this concept, you need to understand how to use your manliness to control a woman’s view on sexuality. You see gentlemen; the world is constantly changing its social standards of what is considered acceptable. What may be looked at as fine one day, may be deemed as sexist the next.

Novax continues to walk around the room, as each class member looks at each other uncomfortably.

NOVAX

See I have no problem with all this equal pay, civil rights bullshit. That, I can get down with but it’s this idea that a woman should have control over who she dates and sleeps with; using her lady bits & this feminist ’my body is a temple’ ideology as a sexual strategy. So for us men, we need to change our sexual strategy to become more aggressive in the eyes of women and let them know who’s boss. Let us make the decision to determine who we sleep with and under what circumstances. The best way to do that is with these three rules: Put them in their place so they know their position, show her how the physical laws of gender work, and don’t take no for an answer.

Cut to a close up shot of Liam’s face as his jaw drops. There’s an awkward silence throughout the room.

NOVAX

That gentlemen completes the process of becoming a tree. Now for the next class I would like everyone to go –

Liam stands up out of his seat.

LIAM

Dude. Did you just promote rape?

NOVAX

What? No. That’s ridiculous.

LIAM

You totally told us to go out and rape.

NOVAX

Hey class, did I say anything about rape?

Once again the classroom sits in awkward silence.

LIAM

You said put them in place. Act physical and don’t take no for an answer. Am I crazy or does that sound like rape?

NOVAX

Well when you say it like that, of course it’s gonna sound like rape. But the point is to go out and take what’s yours, hence the strategy title ‘Ain’t no time for pussies’.

Liam starts walking towards the door. He doesn’t want any part of this.

LIAM

I don’t think this class is for me. I mean, I thought this would help me out, turn me into a better man: the clothes, the philosophies, the bullshit strategies. I just can’t become this. You have ruined any faith I had left in becoming an alpha-male. You guys can have this gimmicky shit. I’m out of here.

Liam walks out of the door. Novax yells out after him.

NOVAX

You know what? Fine. Go ahead, quit. Conform to your old ways, be a pussy, remain grass for all I care! The rest of us are gonna be fucking trees! Am I right guys?

Novax turns back to the classroom, each young man silent and judging him with their eyes.

NOVAX

Right?

                             SUPERIMPOSE: 3 MONTHS LATER

 EXT. ALLEY-WAY BEHIND NIGHT CLUB. NIGHT      5

Three big burly bouncers throw Novax [now skinnier, dressed more ostentatiously] head over heels near trash cans. Novax gets up and tries to defend himself.

NOVAX

You guys don’t get it, she said that alligator skin looked nice on me. So what if I accidentally followed her into the bathroom and showed her my johnson – she seemed into that! Don’t your morons know anything about women?

BOUNCER #1

Whatever you say sweetheart.

Bouncers move in to deal out justice. Novax cowers in fear.

NOVAX

No! Not my face. I can’t seduce without my face. That’s the only thing I’ve got going for me, man. Noooooooo!

We zoom out, and see a silhouette of Novax getting beaten in the foreground. In the street, Liam and a young lady are holding hands and walking side by side.

LIAM

So there is this 6 week horticulture course coming up. I’m thinking of taking it.

YOUNG LADY

Horticulture? That seems unusual for a guy. Why that?

LIAM

I kind of have this weird relationship with nature. I wouldn’t mind understanding the beauty of it again. You interested at all?

YOUNG LADY

Sure. Wign me up.

                                    SUPERIMPOSE: THE END

                                              FADE OUT:

Out of the Rabbit Hole – Maddison Colgate

Celine Dion’s My Heart Will Go On plays in the back of my mind as I stand at the bow. My hair flies back as the ferry sweeps around Cremorne Point past the lighthouse. Despite no dreamy DiCaprio caressing my waist and whispering in my ear, ‘Do you trust me?’, I pretend I’m Kate Winslet and close my eyes. For a moment I feel lighter and freer. The sensation I imagine a dog has when he hangs his head out a car window. I know I’m near home when the ferry shudders and reduces its speed, sliding alongside Musgrave Street Wharf. I open my eyes and return to the bright red bench. Groups of sailing boats, with names like Flying Brandy, When the Fat Lady Sings and Escapade are moored along the bay’s rocky edges. The hulls and masts of the boats rock and ring in a domino effect as the ferry snakes through to the next wharf, my wharf: Old Cremorne.

I gaze along the Cremorne Foreshore Walkway and spot my house with its large arches, burgundy balcony and terracotta chimney pots. My house seems to be the only thing that has remained constant in the past 21 years. From losing childhood friends, to gaining new hormones, to the death of my ‘first love’ – my pet rabbit Marshmallow – to my brother moving out and replacing me with his girlfriend; it appears I am always being left behind.

I think about the real estate agents that came to value the house. They’re all the same: stiff posture, grey suits with showy ties, fast-talking and holding iPads. I hear Dad give them a detailed tour of the house, his voice confident, before the men take down some measurements. Mum and Dad say the valuations are just out of interest but I know there’s something more. Dad’s been sick for a while and it keeps coming back. In a few weeks I’m graduating from university and hope to do an internship overseas. Is the house now leaving me? Will it still be here when I get back?

 * * *

I’m fifteen years old, gawky and wearing a blue uniform two sizes too big. I’m sitting outside on the ferry on my way home from school. I’m wondering why my neighbour, Olly Churcher, always looks away when he sees me. He is sitting four rows in front and wearing a Newington College uniform with a black and white tie and high grey socks. As the ferry leaves Circular Quay, Olly puts on some chunky, black headphones and I imagine what his iPod shuffles to: Zeppelin, Hendrix, Metallica, Rolling Stones, Doors, Guns N’ Roses, Black Sabbath.

Why won’t he talk to me? What’s changed to make him so shy?

I think of the baby photo in my living room; of Olly and me with Santa Claus beards in a bubble bath. The Churchers were our closest neighbours growing up: sharing babysitters, handymen and lawn mowers, taking turns hosting Boxing Day lunch to share Christmas leftovers and acting as our 24-hour personal vet. My brother would hang out with the Churchers’ two daughters, whom he would never admit to having massive crushes on. Yet I’d catch him admiring them sunbaking in their bright, floral bikinis. Olly was born only a few months after me. In my earliest memories of him, we’d venture down to our nearest ferry wharf, Old Cremorne, and imagine a cluster of dangling tree branches near the water were ladders and ropes on a pirate ship. We’d shoot at the ferry with water guns and sword fight with long cardboard tubes from Mum’s fashion workshop.

Our friendship largely revolved around my trampoline. We’d beg my brother to lift the trampoline up from underneath and shake it. Olly and I would lay on our stomachs, holding tightly onto the metal frame and competing to see who could stay on the longest. In summer, we’d place the sprinkler under the trampoline, causing a small fountain to erupt through the netting. We’d play ‘crack the egg’ and jump from my veranda onto the trampoline when our parents’ heads were turned. Other times, we used the trampoline for stargazing and as bar in forty-four homes when we had play dates.

When we hit high school, Olly replaced outdoor games with video games and I never saw him. His bedroom was a mysterious lair where a light shone until 2:00 AM. I pictured him venturing out only for food or school. Music seemed to be his main contact with the outside world. I’d hear him strumming away on Guitar Hero, and later on an electric guitar. I imagined his room; an unmade bed with black satin sheets, piles of Rolling Stone magazines chucked on the floor and band posters covering the walls.

I asked Olly to my Year 10 formal, despite hardly speaking to him throughout high school. He arrived at my door with his mum, Ione, and a bouquet of white flowers. He looked like a suited-up version of Anthony Kiedis, the lead singer of Red Hot Chili Peppers. A strong jaw line, messy, sandy blonde hair and dark brown eyes. He wore an untucked, white cotton shirt with a black jacket and brown shoes. Olly slung an arm around me when Ione insisted on taking a photo. Mum chuckled at the few centimetres of height I had on him. At the formal he was polite and softly-spoken. I remember grabbing his hand to avoid losing him as we pushed through the crowd on the dance floor. His hand squirmed and pulled away fast.

I thought the formal would change things but afterwards Olly continued his clamping on of headphones and turn of the head whenever I was on the ferry.

I’d ask my brother, ‘Why are guys so shy with me?’

‘You’re too pretty Maddy. Young blokes are scared of getting rejected,’ he’d say.

I’d roll my eyes.

 * * *

Warringah Mall – shopping Mecca for the Northern Beaches – 2001. I’m eight, fidgety and obsessed with rabbits. He is the size of a Gold Lindt Bunny, with blue eyes, upright ears and disproportionately long whiskers. I call him Marshmallow ‘because he’s fluffy, white and springy,’ I say. In summer, he lies stretched out on the cool tiles of the hearth, with his head propped up as if to say, ‘I’m handsome and I know it’. Then he leaps onto the sofa next to me and rests his front paws and chin on my thigh.

Every afternoon after school I’d skip up from Old Cremorne Wharf. I’d wave to Gigi, my neighbour two doors down, who would be reading on her red balcony with Rufus her ginger cat. I’d detour through the Churchers’ house and past Ione knitting and watching the news; past the sound of Olly playing ‘Stairway to Heaven’ in his room. After chucking some Chicken Crimpy Shapes and celery sticks in a plastic bag and changing into my Mr. Bean T-shirt and footy shorts, I’d collect Marshmallow for a walk. His hutch reminded me of the White Rabbit’s ‘neat little house’ in Alice in Wonderland. Intended as a safe house for chickens the wooden hutch had two floors with a steep ramp, peaked roof and a nesting area on the top level used as Marshmallow’s bed.

I was like Alice running after the White Rabbit across the field and down the hole under the hedge. Marshmallow would lead me to the back of the house, where the popping sound of frogs echoed from our fish pond and hop through the rainforest of tree ferns, palms and enormous bird’s nest ferns. In summer, blooming gardenias, jasmine and red and white roses would together create a wonderful scent under the canopy. Too much pollen would cause Marshmallow to stand up on his hind legs, lick his front paws and use them to clean his whiskers and ears.

Marshmallow would then leap up some large steps and jump into the Churchers’ backyard. He’d hop around the fish pond with its camouflage of water lilies, before stopping to nibble on blades of grass and blossoms fallen from a pink crepe myrtle. We’d often find Ione here in her maroon Mambo T-shirt trimming her box hedges. She had shoulder-length brown hair and freckles, loved animals and cooking and adored Marshmallow. Her husband Richard, a local vet with a silver Porsche, would often clip Marshmallow’s claws despite his speciality being dogs and cats, ‘not rodents’.

One afternoon, Marshy and I were playing in the front yard when I heard Ione yell, ‘Dog! Dog!’ In a flash there’s a greyhound track around my house. Marshmallow runs for his life with the kelpie in close pursuit: down the side, through the backyard, downstairs to the front lawn, under the trampoline and around the left side again.

The dog’s owner comes rushing from the Cremorne pathway, screaming ‘Benjie, Benjie come here!’ She’s a middle-aged woman with blonde highlights and black, Lycra leggings with a pink stripe down the side. I’m visualising the coyote hunting the hare in the National Geographic documentary when I hear the thump of Marshmallow’s back foot. He whips through the back door of the house and scampers under the claw-foot bath. The dog follows, his long legs slipping on the marble tiles. My brother erupts from the living room. He grabs the dog by his studded, leather collar and yanks him as though he’s a piece of meat. He kicks him hard and the dog whimpers, running out of the house.

‘Get the fuck off our property and get a lead!’ my brother shouts at the woman. It took forty-five minutes to calm Marshmallow down and stop him trembling.

After munching on the Churchers’ lawn, Marshmallow would dash to Gigi and Michael’s; a modernist house perched on the side of a cliff, reminiscent of a tree house. Gigi and Michael were former professors of demography. I used to picture the inside of their house: a library and rolling ladder, bottle-green Chesterfield and things – old and new – collected from all over the world; antique maps, old silver and African masks. Marshmallow and I liked to play a game of cat and mouse across their wide garden. I’d run and pat my hand on my right thigh and he’d chase me. Then we’d follow the stepping stones that meander like Hansel and Gretel bread crumbs, past a tall lemon-scented gum and up stone steps to a grass patch where Marshmallow liked to graze; rainbow lorikeets congregating around the rim of the bird bath.

‘Hello, Maddy, how’re you?’ I’d hear from the balcony above where Gigi would be writing; an ashtray, a glass of wine and Rufus by her side.

As Marshmallow’s life petered out and he gradually shrank in size – his head slumping as if he had a widow’s hump – the marks showing my height climbed the frame of the kitchen door. When Marshmallow died, I felt like Alice when she drinks the tiny bottle and grows too big for the White Rabbit’s house.

 * * *

I’m sitting on top of what used to be my brother Harry’s big bed. The room has a set of wooden shelves with stacks of CDs, a white cupboard with old clothes he couldn’t part with and a private door where he occasionally sneaked visitors in at night, unbeknownst to our parents. I’m sitting in the same position as when I was six years old watching Harry, twelve years old, have a diabetic seizure. Dad placing a drop of honey on his lip while Mum injects the glucagon needle into his thigh. I’d sit calmly until he woke up. Then we’d snuggle on the sofa with our ‘Where’s Wally’ doona, watching reruns of the Simpsons and Buffy the Vampire Slayer, sipping on apple poppers. Mum says she often heard me tiptoe down in the middle of the night from my bedroom to check on him, the wooden floor boards creaking on the stairs.

The room looks over the balcony to the front yard where Harry hosted monthly house parties. The front garden would turn into a Mad Hatter’s Tea Party with bottles of wine, salad bowls, sausages and prawns being passed around a trestle table. A dribbling Saint Bernard called Reginald, owned by one of Harry’s mates, would be tied to the trampoline. We’d all cheer when Harry returned from the barbecue with his signature monk fish; stuffed with garlic, ginger and shallots. One afternoon, the trampoline nearly pulled the table over. Reggie had decided to go for a wander.

Harry has the face of Heath Ledger with blonde ringlets and porcelain skin. He’s always been a snappy dresser, wearing suit jackets, skinny leg jeans, army boots, belt buckles in the shape of eagle wings and rings on every finger. As I look at the industrial sewing machine in the corner of the room, I think of the leather jacket he made me. Jimmy Hendrix printed in metallic gold on the back. Harry, following in Mum’s footsteps, studied costume and dress design at East Sydney TAFE. Crammed with paint buckets and dyes, the balcony became Harry’s screen printing station where he’d design fabrics and garments to sell at the Glebe Markets. I still have the navy jacket he gave me on my eighteenth birthday, with its dollops of splashed paint and eyelets at the back laced with orange cord like a corset. At Halloween and fancy dress parties, I’d be the envy of all my friends in his creations: nineteenth century gowns, the Black Swan styled tutu and Cirque du Soleil jester costume.

Harry was responsible for most of my music knowledge. We’d stay up late watching ‘Rage’. We’d collect band posters from Red Eye Records and use family car trips as opportunities to analyse the lyrics in CD booklets. In the spring of 2010, Harry took me to my first heavy metal gig, Metallica’s ‘Death Magnetic’ concert. I wore a pair of patent, hot pink Doc Martens Harry had bought me, with deliberately torn, skinny leg jeans, black nail polish and a band T-shirt. It had Metallica written in bloody red above a zombie hand holding a skull, with metal nails drilled through it. I remember feeling Harry’s stinky breath against the back of my neck in the mosh pit as he shielded me from the death pits that formed around us, like miniature fight clubs.

I was nineteen and in my first year of university when Harry left home and moved in with his girlfriend, Laura. He didn’t move far; only to Waverton a few suburbs away. Yet I knew things would be different. Spending time with each other became difficult to organise. I no longer had an advisor on fashion, music, relationships, small bars or my career constantly at hand. As I look around the bare room: leftover Blu-Tack stuck on the walls from torn down band posters, empty shoe racks and dusty sport trophies, I am upset that Harry’s den has been downgraded to a spare bedroom.

 * * *

The windows of the ferry shudder as it slides next to Old Cremorne Wharf. I follow the afternoon commuters onto the pathway and turn right to head home. The trampoline still sits in the front yard. These days with its missing springs, padding and rusty legs, it carries an imaginary sign saying ‘Not Suitable for Children’. As I walk to my back door I hear Olly strumming away in his room to Beatles songs. He still doesn’t talk much, but he sneaks me shots of Jameson whenever I visit the small bar in Oxford Street where he works.

When Marshmallow died, an important part of my childhood was over. Yet sometimes when Dad is gardening in the front yard, passers-by on the footpath ask him about the white rabbit and the girl with the long, blonde hair.

‘You’re turning into Harry!’ Mum tells me. I host house parties on the balcony, dress in leather jackets, army boots and band T-shirts, and bring boys back late at night. Now when I enter what was Harry’s room, it hits me that I too will move out one day, whether the house leaves me or I leave it.

I may be emerging from the rabbit hole, but it wasn’t a dream.