Issue #17 – The Quarry Journal

The Hosts, Selin Aydogar

Mask on, spray, wipe, repeat.

The television on the wall sits above me playing the News. It’s always the same old thing and I prefer not to watch it, but the customers always rather watch the news than some random movie.

‘Another fifteen people from Shadow Falls in Sydney taken to ‘The Island’ today. That makes a total of thirty-six hosts this week. Authorities at ‘The Island’ are still refusing to provide any information on this matter. In other news…’

Shaking my head, the itch in my nose makes me play with my mask. Fifteen people have gone to ‘The Island’. Every day it just keeps increasing— I wonder what those poor people are doing there. How are they surviving without any sort of communication? Shaking my head again, I continue wiping the excess water off the cups before I put them into the sterilising machine with my clear latex gloves. A customer leaves the table, her cash payment in a clear plastic sleeve, winking at me. I walk towards her seat, hospital grade disinfectant spray and wipe in hand, ready to sanitise the table and chair. Focusing on my task at hand, I make sure that everything is thoroughly cleaned for the next person. I take the cash back to the register and ring it up. Finally having a moment to myself, I take a sip of my water bottle and regard the customers. Plain black mask, plain white mask, floral pattern, skulls. There is something so familiar about the way these people behave. Everyone is acting the same yet adding their own version to it. The guy in the back cleans his AirPods with wipes before putting them in his ear, he puts his mask on a tissue before sanitising his hands and taking a sip of his coffee—which he insisted be placed in his reusable cup. An older woman behind him wipes the table first, sanitises and then puts the mask in her bag. My eyes stray from her and follow the sight of Leon, my co-worker as he takes the temperature of the people waiting at the door.

I spent a few days of the week here at the Café and some days at the Lab where I intern. My interest in science only grew as the pandemic continued and my working at the Lab only heightened my love for it. A few months back, I discovered a new organism which could potentially cure many diseases. It was a big breakthrough and my work was headlined. Tomorrow I had a meeting with my supervisor, and I was itching for it to come.

As I observe the café once more, the reality of our situation hits me again. It’s utterly disappointing and sad that we have to accept this as our new normal. I like to think that this is a big test from God. From Him to the world. Perhaps to treat each other better, perhaps to learn to be hygienic. Or maybe it’s to understand how much freedom we have compared to others. Because truly we don’t know the value of freedom until it is taken from us.

I remember the day that I found out. In all honesty, I didn’t think anything of it. In fact, I had made a joke about it. Lena, my cousin in Melbourne called me as I was walking into work to tell me. She was laughing, ‘They found a new disease, it’s on its way to Sydney.’

I had responded with giggles of my own, ‘I’m sure it’s fine.’

I feel like the world had personally jinxed me. I mean, I know that logically I wouldn’t have been the only one to underestimate it but sometimes logic flies away.

I have never seen anything as eerie as this. The streets were empty, with a stray person walking their dog here and there. The shops were filled with people in masks, rushing to buy their essentials before they rushed back home to change their clothes and disinfect their food. Toilet paper was gone as were any other perishables. We were in lockdown, barely allowed to leave our homes. Each suburb looked different, some civilians in certain areas were more cautious. Always with a mask and gloves on. In others, some were more laid back. No concept of social distancing or masks. The suicide rate was higher than ever. Some people had hope and others didn’t. It’s as if this big grey cloud has just been hovering over the earth. I could taste the sadness in the air. If I thought my anxiety was bad before the pandemic, then I don’t know what I was thinking at all. I was worse than ever. But it was nice having my family home.

Oh, how I missed the freedom to sit at a café with my mum without the fear of getting ill. Or even having the opportunity to reluctantly go to the gym. My family; aunties, uncles, cousins, grandparents… we didn’t see each other for about three months. I never thought I would miss the smell of my Grandma’s house or her yelling at me to stop being lazy and help cook. Things got better, and then they got worse. There were so many theories floating around the world. Was this a manmade virus?

Society started to change, the hope of going back to normal was long gone and we all had to accept our fate, that our world had been altered forever. There was no adequate vaccine so when things started to get really bad the authorities took the infected and placed them on an Island. Completely isolated from the world, with no way to communicate. The streets were filled with paraphernalia about ‘The Island’, a constant reminder of so many people’s fate. But I think the world started to relax, until they realised that it would be their family, their friends who would be there, with no way to see or talk to them. Soon, so many people were sent there that the world felt quiet. There was barely a hustle on the streets, some people liked the quiet and others didn’t. I didn’t really mind but there were some moments when I would be in the shopping centre and something as simple as a tranquil food court would make me upset.

The virus mutated, impacting people in different ways. First the signs were minor: fever and a cough. But this virus evolved into something scarier— more distinctive. The biggest impact of the virus then became physical appearance. Faces would become distorted with features morphing into one another, hair would fall out. Some people died and some didn’t. Most didn’t, but they were changed forever anyway. Things started to go awry, it became more than just about a virus. The authorities believed that we should live in a ‘clean society’. Meaning; aesthetic. They didn’t want the ‘deformed’ around us, claiming that it will cause mass hysteria and panic. So they sent them away. Unfortunately, most of civilisation also supported this idea. Their minds and souls were still working the same; they were merely a host. The virus would come and spread its wings around us like some sort of dark fairy and sprinkle us with its dust. The world felt eerie in its presence.

The world changed, for the better or worse I’m not sure. That answer will depend on the person. The virus didn’t care for status; the rich and the powerful were also sent to the Island. I remember reading somewhere that this was a whole scheme to start a new civilisation. A new world, with new concepts blooming from fresh soil. Thousands of people went to the Island first as volunteers, with the intention of not coming back. This was the first bad sign to me. Would thousands of people really leave everything behind for the sake of society? From what the authorities told us, those people didn’t receive any rewards either.

Interesting.

‘Hera!’ I come out of my stupor and look at Leon.

‘Sorry! I was just day dreaming.’ I give him a small smile as I place my bottle back down on the bench.

‘No worries. But I think your shift is over.’ I look outside after his words and notice it’s nightfall. The dark sky is bare, only with a few glittering stars and moonlight to illuminate us.

‘It is too. Today went by so fast,’ I say to Leon as I untie my apron and hang it up on the hook. After bidding farewell, I grab my bag, sanitise my hands and leave the café. Just as I’m fixing my bag on my shoulder and grabbing my keys, I hear soft footsteps behind me.

‘Hera.’ I turn around and see Leila, an old friend of mine. A friend who the last time I spoke to was being sent off to the Island because she was a host. She didn’t look much different than before. Only a slight difference in her nose and lips. If anything, it just looked like she’d had bad plastic surgery.

‘Leila… What are you doing here? Weren’t you on the Island?’ I take a step back from shock. My heart pounds as I try to register exactly what I’m seeing. Her hair is the same light brown and her eyes the same dark brown. Seeing her in front of me for the first time in years brings back all the memories we had together. Leila and I were always close but in the last year before the virus hit, things were quite tense between us and we were just never as close as we had been before. She reached out to me when she got infected, saying she was leaving for the Island as soon as possible. I knew that we had both changed and our friendship would never be the same as it once was, but I would have never wished that on her. The thought of not seeing her really upset me and I mourned for her. I mourned for her family. But there was just nothing I could do. Now, seeing her across from me is something I wasn’t expecting. In fact, it’s illegal.

‘Hera, I escaped.’ She walks towards me. ‘There is so much I need to tell you.’

I look up to the night sky for some clarity and the stars wink at me mockingly.

‘I’m not sick, don’t worry. But we need to talk right now.’

‘Um, okay okay. Get in the car.’ I shuffle nervously towards my old Wrangler, my scruffy black and white converses squeezing my feet after my long day at work.

I drive to the lookout my friends and I always used to go and on occasion for a breath of fresh air I would go alone. Opening the door, I stretch my legs and face forward. I’m not sure I want to hear what she has to say.

‘What are you doing here?’ I fiddle with my evil eye necklace as I wait for her to speak up.

‘I escaped. Hera, life there is different. They’re starting things from scratch. All the powerful people came together to build something new.’ She rushes out.

‘Wait, what? I don’t really understand what you’re saying.’ I continue to fiddle with my necklace.

‘Okay, okay. Look, when I got there, things were peaceful. It wasn’t some place where there were doctors everywhere. Everyone was friendly, acting like they weren’t infected. There were restaurants and fields, farms and animals. Isn’t that weird for some place that was meant to be an isolated, deserted island? Because that’s what they told us, that it was an isolated, deserted place. It was the start of a civilisation and the Island was rich too. All these big, powerful people bought their money and built. Hera, they built. There are buildings, businesses, currency, everything is there.’

I stare at her, unable to form words. It’s one thing to see someone who I never thought I’d see again, and it’s another to hear what she’s saying. I guess what I read about is true. But I still have questions. What is she doing here? How did she get here? I feel a small sting on my palm and look down. Blood trickles down my hand, caressing my skin maliciously. I watch it fall— as if in slow motion— down my finger and onto my shoes. In my hand lay pieces of my necklace. The royal blue stones winking at me, the silver stones tainted by my blood. I didn’t realise I was putting that much pressure on the pendant. Leila knows me well enough to realise I’m too stunned to speak. So, she continues talking. I wish she hadn’t.

‘I met someone there. He’s the son of one of the powerful men. He told me everything. Hera, there is a cure to this virus on the Island but they’re keeping it to themselves until the time is right, they’re going to sell it but there is no virus left. They’re cutting off communication with the world. This is like a selection. After most people died, they made a list of all the next people to depart. One or two from every family that’s left. Mainly people with important skills or jobs, but random people as well. Our physical effects are something else. Somehow, they’ve given us something to change our appearance, I’m not sure how and Titus doesn’t know either. But they’re saying that we’re positive, that we’re hosts when we’re not. Titus has connections here, that’s how I was able to come back. I left illegally.’

‘Leila, why are you here? Why are you telling me this and not the rest of the world?’ I place my hand with the broken pendant on my heart, trying to stop myself from hyperventilating.

‘Titus has been helping me keep track of my family. No one is left. I have no one but you. H-Hera,’ she stutters, her eyes a brutal mix of emotion and fierceness. ‘I saw the list. They saw the news about your new discovery in the Labs. They want you and you’re next.’ She blinks at me, ‘this is your warning call.’

Download PDF

Touched, Kimberley Carter

When was the last time you dreamed in any colour other than gold? You wish there was a dial or perhaps a valve that you could use to drain the world of that particular metallic hue. Maybe then, the world would return to the way it was before.

You find the memories from the time before especially difficult to keep straight. Memories are strange. They are never straight forward. They are like quantum particles that when observed, change direction. One afternoon, after a bland and tasteless lunch, you sit your children down in the dining room and do your best to explain to them the beginning and the before. You fumble a lot, lose your place and ramble. Your voice is muffled through your mask and your hands are sweaty beneath your gloves. You find there is no real place to start, no way to explain these things clearly to children who only know the after. Somehow, this seems important though. These are things they can only experience if you tell them.

You try and begin with a simpler time. You describe in vivid detail crowded concert halls where your head gets jammed in a rockers damp, un-pruned armpit. You tell them about hugging friends in greeting and kissing strangers, and travelling. Travelling! To them, it’s a foreign concept. Communities are now so small. They are closed off, locked and barred. The only good stranger now is a familiar one. The children make faces at you. They are still young.

Somewhere along the way, you tell them about a girl. You think her name was Amelia. Or maybe it was Emma. It is hard to know. You only met her once. You were a pharmacy assistant at the time. Young, fresh and roped into doing the job that no one wanted. You don’t remember the house being anything special. The weeds were stretching tall in their stolen beds and the grass was high as a wheat field. So high it almost obscured the hastily erected sign out front. It read, ‘Caution: Quarantine Zone. PPE must be worn at all times.’ Already, even then, that sign was familiar.

You knocked on the door and when there was no response, you knocked again. You must not be knocking loud enough, you thought. You call out instead.

‘I’m from the pharmacy,’ you say, ‘I’m delivering your medication.’

You don’t forget what she looks like when she opens the door. You describe her to your children as hunched and small. Her pyjamas are old and filthy. Her hair is matted and oily, she is like an underfed lion hiding in the wheat field waiting to pounce. Her eye bags are like new moons, carving circles into her cheekbones. Your children ask what was wrong with her. ‘This is what loneliness looks like,’ you answer.

She slides the cash under the fly-screen and tells you to keep the change. You think you see her in your newsfeed, months later. Or maybe you didn’t.

Your children ask you ‘What is cash?’. You take them to a dusty unused corner of the house and pull out an old box hidden among the shelves. Inside, carefully filed, named and catalogued, are notes and coins. You make them sanitise before and after touching them. After all, cash is now a dirty collectable.

You are glad they are showing interest. You are glad they are asking questions. Questions are good. Questions are better than blank stares and obvious fidgets. You decide to tell them how it started. That the first spark was a man in the media; a shaky video that most people discounted as fake. But a fake virus does not multiply the way this one did.

You are losing their interest. You can see it but you cannot stop. Some stories need to be told simply for the sanity of the speaker. This is what you tell them, you say: Imagine your senses being flooded every hour, every day with news of this new virus. Look at all the pictures of brightly coloured microorganisms spiked like maces. Listen to the ever-growing list of people posting videos about how they feel, what they’ve been through. Read what the government has to say. That it’s contained. That it’s non-threatening. That it’s a naturally caused mutation of a pre-existing virus strand. No one believes it, not even you. How could you? The statistics were bleak. You thought perhaps you were seeing the end. After all, what kind of virus could possible exist that turned people into gold?

The different stages of the virus became predicable once you got used to it. And you did get used to it. Humanity adapts surprisingly quickly to world changing events. You have started sympathising with world war two survivors, you don’t remember when. You picture yourself on par with them, sitting down in the rubble of a train station, listening to the bombs above and saying to one another, ‘How was your day today? Anything exciting happen?’

Your children chime in. They say ‘We know! We know!’ in feigned boredom. Of course they know. There are signs everywhere. In every classroom, in the libraries, in the halls. There’s even a magnet on your fridge written in large red letters ‘Know the symptoms of the Midas Touch. Protect yourself and others.’ Your children may know this but knowing is different to understanding.

You explain anyway. You have to now. You cannot stop. You are winding up the toy, racing towards the punch line. Why is this so hard? The first stage of the virus is the slight yellowy shimmer in the whites of the eyes. Next, the Touched person’s veins change colour, from a deep blue to a rich gold. The worst symptoms, you say, are the invisible ones. The loss of taste, and the stiff limbs that feel like running through water. It’s like the gold has been heated in a furnace than poured into your body shaped mould and left to cool.

You tell them about the great debates over where it came from, whether it was purely spread by touch, about how long it could survive on surfaces and whether the virus was small enough to become airborne. The last stage of course is the golden hue the skin takes. That’s what people will remember, not that most died from their hearts giving in or their lungs collapsing. You were too young to remember SARS or measles. You hope that your children will not remember the Touch but you know you are wrong.

You are afraid you have bored the children. They will no longer sit still. They see the sun glinting through the window and beg for the chance to play. It is already getting late. You are running out of time. You look into their eyes and you find yourself unable to say no. You haven’t told it yet, the most important part. You convince yourself it can wait till tomorrow. You retreat into the half-light of your office. Your mind is full of the things not said.

There is one image that sticks most clearly in your head. This, you do not share with your children. This, you file away like a postcard and every now and then it comes knocking on your skull.

You remember seeing an elderly couple on a park bench, their skin stiff and covered with a golden sheen. They were the first Touched you saw in person. Over the years, you have questioned and wondered and imagined how they died. Who were they? How did they get there? What was the last thoughts running through their gold-riddled minds? You remember it like this:

They are two statues; mannequins dressed in their nicest clothes. The woman is wearing a loose-fitting dress covered in sunflowers. The man is dressed in some stretchy slacks and a blue checkered shirt. In the small space between them their hands are clasped together. They are smiling into each other’s eyes. Those facts never change.

You think maybe one night, the woman notices the dull distant look in her husband’s eyes. Maybe she sees the golden veins creeping up his throat and says to him, ‘let’s go for a walk’. Then she helps him dress. She grabs his cane, his hat and his glasses. She leaves the masks and gloves at home. When she opens the door, she helps him through the threshold. And when he stumbles on the way up the hill, she supports his arm in hers and tells him ‘Your cane! Use your cane!’. They make it to the park that’s little more than a grassy hill. She sits him down to wait for the sunrise. Or is it sunset? No, you are sure it must be sunrise. There is nothing more fitting. The mist coils around their shoes and the dew on the bench seeps through their clothes. She talks to him about anything and everything and always she holds his hand. You imagine the comfort that would have bought the old man. The comfort of physical touch that fades so quickly from memory. The comfort of knowing that someone was there with you, and they weren’t going to let go. You miss the feeling; it nags at you like an ache in your chest or a pressure behind your eyes.

The night then starts to lighten. The mist seems to raise from the ground, briefly bringing the world to life in a glow of pure white. Then the sun starts peeking through. You’ve always thought that sunrise is best; more special. You hope they were watching the sunrise. You hope they managed to see it. You can picture them, sitting on that little bench holding hands as they are bathed in the warmth of a new day.

Did she look into his eyes as he died? Did she cry tears speckled with golden flakes that glittered in the dawn? Did she simply decide not to let go? Did she decide to hold his hand as it stiffened, and wait? Would it have been a relief when her own skin hardened and took on that golden hue; when she lost the ability to move and her thoughts dulled and slowed. Whether it was her heart or her lungs that gave first doesn’t matter to you. Neither does it matter if it was the man or the woman who died first, or the sunrise or the sunset that they watched. The truth lives in their smiles as they stare into each other’s eyes and the clasp of their hands on the bench between them.

You secretly hope no one touched them, that they were given dignity. You hope no one took their clothes or broke their arms off. You wanted them to sit together on that bench overlooking the little grassy park, a frozen moment in time. A tribute. They faced the Touch together and for that they are immortalised, if only in your mind.

The postcard image would come knocking often, especially in the first few months of the pandemic and always while you were at work. Even through the protective barriers, the gloves and the masks, you still saw something of the world. You remember a little girl, maybe around eight. She was wearing tiny pink gloves and a mask with flowers on it. They were a matching set. You saw her wandering the store, not touching a thing. Instead, she amused herself by jumping on the X’s. Every two metres, a bright blue X has been ironed onto the floor. Later, a more permanent solution would replace them. The little girl in pink was too small to jump from one X to the next, so she jumped and shuffled, jumped and shuffled. It occurred to you as you watched her, that this was her normal. Jumping on the X’s will be a part of childhood. Already children were making songs and games to play together using the X’s, and their masks, and the sanitiser their parents drenched them with.

Outside, you can hear your children playing, they pull your mind back to the present. You will not allow them to go further than the yard. The games they play are different to what you had grown up with. Their laughter settles like a heavy sadness in your bones.

You wonder at the changing world. You wonder when you last touched somebody, or saw a stranger’s face, embracing them without paranoia or fear. You wonder when it started feeling wrong to have someone standing behind you in a queue. You wonder when money started feeling dirty and why you didn’t notice it disappearing.

Your head drops to your desk. What is it you are trying to teach them? What is the point about chattering on about the past? You know the answer. But you are afraid. You do not want the past to be forgotten. The air in your office feels stuffy, your throat is tight and dry from talking and your shoulders are slumped. Tomorrow. You will tell them the rest tomorrow. You will say goodbye properly then. You will tell them how much you love them and how much you wish you could hold them.

You decide to go for a walk; a long one, even when you know you shouldn’t. You are surprised at how normal everything looks. At how the wind rustles the trees and sends the grass shivering. At how dogs are unafraid to approach you. You see a man flying a kite that is harnessed to his waist. You watch him for a long while, see how the kite bends and twists, dancing in the air and how the man pulls and strains and desperately spins to keep it airborne. As you walk, the sun begins to set. The sky turns gold. You lie down on the highest hill, ignoring the quiet complaining of your joints. You are so tired. As you lie there, you forget for a moment whether it is sunrise or sunset; whether there is a tomorrow or a yesterday. You thought you would hate the colour gold. Detest it. Despise it. But in this moment with your limbs heavy with liquid gold, the grass vainly pricking your skin and the wind stroking your hair, all you can think is that it’s warm.

Download PDF

Breathe, Christine Zielinski

Breathe the earth
moss soft on bark
radiant.
Breathe the water
running fast
over rock
smoothed to sand.
The tang of salt
lingering
on your tongue,
on your skin,
as it bakes brown
beside the waves.

Download PDF

The End as We Thought It, Briana Symons

My name is Bri. I’ve been sitting at my desk, looking at a blank page for ten minutes as I listen to my neighbour struggle to pull out of the driveway. Every scrape of tyre against pebble resonates in my chest. My neighbour always takes ages to get out of the driveway, but it feels different now. Everything outside feels different now. It feels as if I have to appreciate the little things.

Sometimes it is the little things that matter. Stop to smell the roses and all that. Stop to hear the tyres scrape. Stop to feel your chest inflate. My chest has felt tight for months.

I’m lucky, I know. All tests negative, all scares thankfully false alarms, all my loved ones still alive and well. Not everyone is so lucky. Not everyone is so unlucky. That makes me sound ungrateful. I am grateful, but since that day in late March when Peter Overton told us over dinner that the coronavirus outbreak was at a peak in Australia and yet increasing, I’ve felt unlucky. After we heard the news, my mum turned to me and told me firmly:

‘You cannot get sick, Bri. If you get sick, it is going to be very, very bad. We won’t take any risks.’ In that moment, I felt a different Bri emerge.

When I was a kid, I loved apocalyptic books and watching end-of-the-world movies. I wanted to be the heroine who would fight off hordes of zombies single-handedly, scavenge supplies for my family in harsh conditions, maybe even be the one to find the all-important Cure, and protect everyone. It was sort of a morbid desire of mine to die in a heroic and sacrificial manner. Perhaps that’s not the most normal aspiration to have, but I was a weird kid.

One of my favourite apocalypse series was the ‘The Last Survivors’, by Susan Pfeffer. There were three books in the series, ‘Life as we Knew it’, ‘The Dead and the Gone’, and ‘This World We Live In’. The second book was always my favourite, and not just because it taught me that tall buildings trap heat. I was ecstatic when one of the protagonist’s sisters was named Briana, just like me. It was the first time I’d ever shared a character’s name, and her nickname was Bri too. Not only that, but she also had asthma, which I’d had since I was a baby. My mum told me she used to have to stay up through the night with a nebuliser to make sure I could breathe.

I felt like her character was written just for me, answering exactly what I wanted; my own place in this grand adventure to save my family from certain doom. Even though she wasn’t the protagonist, I felt seen. I would ramble on and on about Book Bri at the dinner table to my mum and dad until my older sister got sick of my chatter and would tell me to be quiet.

Book Bri was everything to me. I devoured the book, reading as much as I could each day; and getting caught with a reading torch under my bedsheets at night. I loved that she was like me. She had such strong, unwavering faith, and as I was raised Catholic, I really looked up to that. She had faith in God and her parents, and as children do, I had faith in myself. Even when she didn’t appear in a chapter, I kept reading, just waiting for her return. Maybe she would learn new and exciting ways to survive on her own that she could bring back to look after her family. Maybe she would grow strong and dependable and exciting. Maybe I could learn new things, or become strong, and dependable, and exciting – instead of weird.

Maybe she would find their parents.

Maybe I could make it up to mine.

Dear Prof.

I’m writing to let you know that my doctor has advised me that due to my medical condition I am considered to be in a high-risk category to be infected by Covid-19, and the effects of the virus could be exceedingly detrimental to my continued health…

Thank you for your consideration,
Briana Symons

I began to self-isolate a week before the official lockdown. Everything up to that point had just seemed like a little bit of an inconvenience, but then suddenly, I had to email my teachers, reorganise my rheumatologist appointment to be via video call, and stay house-bound for weeks on end.

‘Miss Symons here has a case of rheumatoid arthritis in several joints, which was diagnosed as juvenile idiopathic arthritis when she was seven.’ I watched my doctor speak to the medical student observing our video appointment, nodding along as they took down notes like I was something to study. ‘And as such, Briana, you must be careful with this whole pandemic business. People with immunodeficiencies and those on immunosuppressants – like you – are at greater risk of contracting a respiratory infection. Take every precaution.’

My mum was terrified for me. The more we learned about the coronavirus, the scarier it seemed. An acute respiratory disease spread through droplets is high up on the list of worst-case scenarios for those with respiratory diseases like asthma. Adding on to the stress was the fact that I’d just recently increased my immunosuppressant dosage. I felt very unlucky.

It hung like a dark cloud over our family. I was alone in the house for a while until my dad had to start working from home, and every day when my mum and sister came back it was almost a ritual to see them put down their things, throw their disposable masks away, and wash their hands before they even said hello. We all knew, if they brought it home, the disease would hit me very hard. This strange, overwhelming disease was already killing perfectly normal, healthy young people – it would ruin me.

To put it lightly, lockdown was very difficult for me. Even as a person who was used to spending a lot of time locked up in my room watching inane YouTube videos or working on various projects, I felt trapped. The front yard became a haven to me. I watched my dog run along the fence, back and forth, back and forth, as my mind ran with her. Caged in.

I want to see my friends. I want to go to class. I want to catch the train. I want to go to my internship. I want to go to the doctors. I want to go shopping. I want to go to the local café. I want to get my hair cut. I want to go outside. I want, I want, I want.

Bri died. The very first time I’d ever read about a character just like me, in a genre I loved, and she died. It wasn’t heroic. It wasn’t sacrificial. It was slow, and lonely, and she was scared.

My unwavering faith faltered.

When the Covid-19 pandemic had just begun, I remember thinking to myself at least it’s not zombies. But even then, I felt I would be more prepared for zombies than an inescapable illness. I had plans for zombies. If the apocalypse happened, we would have to do this, and this, and this. In every plan, I’d think about what I could do, where I could tell my family to go, who we could team up with, how I could fight if I had to. I’ve never thought of myself as being one of the vulnerable in a group, the one needing protection.

Covid-19 isn’t a zombie apocalypse. In some ways, it’s worse. It’s real. And I can’t fight it. I read an article called ‘COVID-19 in Immunocompromised Hosts: What We Know So Far’, and I couldn’t stop thinking about the word host. Am I just a potential zombie?

I want to move. It hurts. I’m hot. I’m cold. I want to play outside. I’m so sweaty. It’s been three days: mum has to go back to work. I want my mum. I can’t breathe. My lungs are heavy. I’m missing school. My knees are so swollen. My eyes ache. I want to read. I feel sick. I want to move. I want my mum.

I read about a character who was just like me. Now I feel like I’m just like her. She could only leave her house once a week to go with her siblings to church. I went out once a week to sit in the car while my dad got food. She cried when their apartment was snowed in and her brother told her she couldn’t go to Sunday mass. I nearly screamed the day it became too cold for me to go pick up Wednesday night dinner without suffering aches through the night. She took it better than I did.

‘I’m sorry,’ she said. ‘I know everyone is suffering. It’s just I feel so trapped. Sunday is the only day I’m outside. I guess God could tell my motives were impure. I’ll pray for His forgiveness.’

She thought to pray for forgiveness on page 238 of 301 of her apocalypse. They found her corpse 51 pages later. I’ve been trying not to count my own pages. I don’t want her death. I feel as if my fingers are holding the next page but are afraid to turn it. I’m afraid to keep reading. With each word I read, with each day that goes by, I fear I am running out of pages.

Dear Prof.

Did you know that Covid-19 was declared an official ‘pandemic’ by WHO on the 11th of March 2020, and according to the Australian Medical Association, as of the 2nd of October there have been 34,162,732 confirmed cases worldwide, with 1,020,932 deaths? 27,109 of those confirmed cases have been in Australia. How many of those people do you think were like me?

Hope you’re well,
Briana Symons

I get sick quite often, and I have since I was a child. It wasn’t an unusual sight for the school nurses to see me laid up in the sick room while they waited for someone to come pick me up. And some of that, of course, was just me trying to avoid bullies, but most of the time I was just unwell. I think they thought I might have been lying, considering how often I was there. But I just always felt bad. Whether it was a cold, or a stomach-ache caused by anxiety or my volatile medications, I just always felt bad.

I think that’s why I got so into apocalypse books. They were another level of escapism that my dinosaur books just couldn’t provide. It feels strange now to think of the apocalypse as a mode of escape, as the closest thing to one I’ve experienced so far has just trapped me.

Sometimes I feel like the outside world is moving to a place where I won’t be able to reach when this is all over; if there’s even an ‘all over’ anymore. Apparently, a lot of other immunocompromised people felt the same when we all huddled down in our bunkers while the rest of the world kept turning. It’s a funny phrase, isn’t it? ‘The world keeps turning.’ The world will always keep turning, no matter what happens to those who live on it.

There’s a lot of funny things like that popping up with this pandemic. It’s funny that half of the news we get from the outside world is about people who don’t believe in the thing that has us locked away. It’s funny that the requests we’ve made for years about accessibility and working or studying at home have been met with firm refusals and statements of impracticability from the rest of society – until they needed it of course.

It’s funny that an influential person could suggest a ridiculous ‘cure’ to this disease that just so happens to be one of the medications keeping me inside.

To whom it may concern,

In a tragic turn of events, my dear sister and dedicated student, Briana Symons, has passed away due to COVID-19. I know she may have been just another student to you, or even a number, but she was the light in my and my family’s life, and I would appreciate her passing being portrayed very seriously and respectfully to ensure your students are aware of how serious this pandemic is.

If you have any questions do not contact her emergency contact which would have been our mother, contact me on 61+

Stay safe,
Tashani Symons

The page isn’t blank anymore. I’m still scared. I almost feel like it’s as bad to write on the page as it is to turn it. Have I accelerated my fate by recording it? I guess there’s no way to tell. But still, there are little things to appreciate. My neighbour is long gone, but there’s the tac-tac-tac of my sister’s keyboard, the dog pressing her head against my closed door to beg for dinner, the clink of cutlery as my dad sets the table, my mum sighing as she packs away the console I left on the coffee table. Maybe I’m not one to hold off hordes single-handedly or find the all-important cure, but at least I’m a master at social distancing now.

Download PDF

Helios and Luna, Harry Trethowan

The screech of the apartment complex’s 6:00 AM siren pierced through concrete walls. It signalled to the room’s singular resident he was permitted to wake. The steel door constraining the man inside the room clunked as magnetic bolts slid back into its frame. It was an empty gesture on behalf of the Government in control of the complex. The vault-like door to the building itself wouldn’t unlock for the man until his designated time in the park. Another minute passed before the siren’s vibrations subsided from the room’s metal entryway and the man felt brave enough to tease open crusty eyes. Plastic bedsheets crackled as he slid bruised and swollen feet to the floor and the man shivered as his soles brushed the ground. One more week until he had enough tokens to trade for a carpet.

As he stretched his arms and yawned, the man left grimy fingerprints on the ceiling. He was painfully aware of his vertebrae as they cracked and dug into taut skin. The barricaded LCD screen embedded in one of the walls flickered on as the floor’s pressure recognition registered his weight. Yellow text rolled across the screen as the man nervously scratched his stomach, hoping the briefing for June 22, 2048, was different. Carbon emissions were expected to fall by December 1 below the global 42 billion metric tonne benchmark claimed by the federal Government to be the “beginning of sustainable change”. No foreseeable alterations to offset sequestration measures were to be announced until at least a half billion tonnes were removed. No changes to the zero-child policy in Sydney were to be expected until another one billion tonnes were removed. This brief had been identical since December 1, 2047, when three billion metric tonnes more carbon in the atmosphere were present.

There was a whirring sound from deep within the ceiling and the man felt a breeze lick against his bulging bones as the air filters turned on. The circular monitor surgically inserted between his collarbones and over his trachea glowed a bright green, beginning to track his daily exhalations. If he exhaled more than a particular amount of carbon dioxide the monitor would expand, compressing his trachea if he walked more than two metres from a carbon filter. There were no reports of death from tracheal compression for four months, which conveniently corresponded with the release of the V.2.01 dogs. No one risked leaving their apartment hoping to see another human scurry back inside their own now that company was readily, but expensively, available.

An electronic stutter from the foot of his bed marked the time as 6:15 AM, when his own dog was hardwired to turn on. He had even saved up enough weekly tokens to trade for a voice box with the vocal recording of an old school student. It had cost him another fortnight worth of tokens to get installed but was worth the human sound.

‘Good morning, sir.’

The man felt butterflies jitter up inside his stomach. The voice emanating from the microphone lodged in the dog’s iron maw was feminine. He recalled the note that came with the voice box telling him the student’s name was Luna. The man ignored the static and focused on the sleek tone of the recorded voice. It stirred a warm emotion in his lower chest he hadn’t felt since high school. The man whistled, walking across to the Perspex window next to his bed and the machine squeaked over to sit obediently at his side. The window offered a limited, ground floor view of the park at the heart of the apartment complex. As he did every morning whilst stroking Luna’s head, smudging dirt into her silver scalp panel, he watched the first park visitor of the day.

The woman was the closest thing he would refer to as a friend other than Luna. She was first on schedule each day to be allowed outside to plant her carbon-quenching tree seeds provided by the Government. Only one person was allowed to be exhaling their carbon outside at a time. After planting, residents were given free time until their carbon exhalation limit was reached. Brief socialisations during the crossover period as the next resident was allowed outside were also tolerated. Over the past few months this woman’s carbon exhalation limit had been reached quickly. Each of the V.2.01 pets were required to be refuelled using one of the fuel pumps scattered throughout the park. Every resident on the release day of V.2.01 had their carbon monitors wirelessly linked to the pumps which also slashed the permitted exhalations. This woman had saved tokens since March to trade for a beautiful Labrador replica whose engine required almost daily refuelling.

The man had not taken notice of her for the few years they had been locked away planting trees, until the day she went for a walk with her new dog. The smog overhead had experienced a mild respite, and rare sunlight glinted of the machine’s golden hide. His bottom jaw cracked as it fell. He remembered splaying his fingers against the Perspex, forehead trying to press through the impermeable material, staring at the dog. The woman had noticed him staring at her lonely routine and stopped her walk for the first time. The man tried to mouth a question, but she shook her head and gestured at her ears with a fingernail as clean as her dog’s shining panels. The man opened his mouth and exhaled on the Perspex, glad the smell of his breath could not penetrate the material. He traced in the condensation:

What’s its name

The woman smiled and repeated the action, and the man followed the trace of her slender finger. He whispered each letter as she wrote:

Helios

He smudged out his first question and wrote back:

Mine’s name is Luna

Ever since that first exchange, he imagined her voice sounded just like his Luna whenever they exchanged words with breath and fingers. The man was third in line to plant his tree and had never heard her speak. But every day they traded stories about their dogs, neither caring about repetitiveness. She seemed as fascinated by Luna as he was by Helios.

Today, as the woman scooped dirt over her seeds, a nasally voice came over the man’s personal intercom informing him he was to plant second today. The usual resident had fallen ill and passed away from a bacterial infection obtained from park soil. The man froze. Nerves ensnared him, not too different from those he felt before his first date at seventeen years old, decades ago. It took the woman straightening from her seeds, and the sight of her fingers stroking the head of Helios, to shake him from the uncanny spell. He reached for the dirt-encrusted flannel shirt curled up in a ball on his bed and strode out of his room buttoning it. Luna trotted behind him, the metal chain fixed to her back clinking in her wake.

Grey blades of grass snapped under the man’s feet as he made a beeline through the park to where he had watched the woman and Helios plant their seed. The chain bolted into Luna’s metallic hide bit into his wrist. He had wrapped it around purple fingers two, three, four times. The cold metal cutting into his malnourished carpals reassured him that Luna was still there. No, he couldn’t lose her. Luna’s warmth seeped from her side as she clanked along with the shivering man, wafting dirty mist that tickled the hairs of his arm and warmed his skin. For every extra degree of warmth Luna gifted him, he could feel his carbon permittance drifting away. He hurried his step and tried to shallow his breathing.

He eyed the woman stepping slowly, purposefully, on the other side of the park on the cement pathway. She was approaching his apartment window and he took notice of her neck craning to try and catch a glimpse of his presence. This would be the first time in months they did not converse through the window and they had only a few minutes until her carbon monitor changed red. The soft thud of her rubber shoes reverberated throughout the colourless park and the silence of Helios’s oiled panels was overridden by Luna’s rusty squeaks.

Every nut and bolt of Helios was flush with polished metal, gleaming to a holy shine. The man though it was more yellow than the sun, and it probably was warmer too. She must have spent all her tokens on Helios. Oiling him, upgrading his paints, maybe even a voice box of his own. The man’s butterflies turned scalding as jealousy squeezed his throat. He couldn’t buy gold paint. He couldn’t even buy a carpet for his apartment. Maybe he could ask for a panel from the Helios’s pelt. A screwdriver would twist out those perfect little bolts from Helios, then he’d pry off a panel of Luna with a branch from one of the bigger trees.

He jangled the chain around his wrist and yanked Luna along more sharply than he ever had previously. Luna accidentally spoke as her voice box was mechanically activated.

‘Good morning, sir.’

He saw the woman pause at the refuelling station above the dusty ground nearest his window. He peered at Helios from behind a row of skeletal shrubs as he got closer. She never refuelled Helios at that station, and her head was turned to look at his window. Was she waiting for him? This was the longest she had been in the park without seeing the man since they began to talk. If you could call it talking. He saw himself whispering as loudly as he could to her, pleading for a single sheet of Helios’s metal. Or should he say hello first? Would she want to talk to him if it wasn’t through a window and the vapour of their saliva? A fuzzy rumble grew in his stomach at the idea of her responding. He could not frame her words or imagine the words’ content or even what he would say himself. The only thing he knew for sure, was that he wanted to trade a piece of Luna for a piece of Helios.

The woman slid the pump’s nozzle into Helios’s jaws and the woollen sleeve of her jacket slipped down her wrist. The scratchy clothing and Helios were the two most expensive things the man could imagine, and her self-discipline saving tokens ignited his admiration. He had eaten nothing but refrigerated pasta that month and had prayed to whatever it was people decided to believe in these days that he wouldn’t get sick. It was the cheapest option, and he still couldn’t afford a carpet.

He had almost reached the woman as she withdrew the pump gracefully from Helios’s maw, the dog’s mouth dripping fuel. He slapped his bare feet slightly harder on the ground now he was on the pathway, hoping she would notice him before he spoke. The gurgling sound of the petrol settling in Helios’s aluminium windpipe didn’t allow his wish to come true.

‘Hello Helios.’

His gentle greeting paralysed the woman. His voice was obviously different to the previous resident with whom she had exchanged few light words with as their shifts were exchanged. He yanked Luna’s chain and stepped back to the dirt and grass, hoping the distance would evoke the same sense of security as Perspex. She was a tall woman, taller than him, something he hadn’t noticed through the window considering the park grounds were slightly indented. For the second time that day he picked at his stomach in uncertain anticipation. He knew he was not an impressive man, a nobody with sliced feet and a filthy flannel shirt. And Luna. He took a slight step forwards, teeth bared in an unaccustomed smile.

‘You both look nice today’.

He stopped moving as quickly as he started. He didn’t want her to leave and Helios was so much nicer up close. Polished enough that you could see Luna’s robotic panting in its side, silver-grey turning bronze in the reflection. A panel from Helios would make Luna so much prettier. The woman nodded as slow as her tightly coiled muscles would allow. He took it as an invitation.

‘Would I be able to touch him? You can step back if you want.’

She looked like one of the Government’s recording-owls, only her eyes were dull blue and lacked the beautiful glow that emanated from the owls’ bulbous eyes. The owls weren’t turned on until after sunset, so they didn’t need to worry about those either. No one ever worried about them anymore because no one had enough carbon to exhale by night, but the Government kept the owls anyway.

‘Helios hasn’t touched anyone but me before.’

The woman was beginning to relax and her pupils were beginning to widen in the way they did when she saw the man through the Perspex. He was still aware he needed to finish the conversation fast. He hadn’t yet planted his own seed and her time was running out.

‘Do you think Helios and Luna could swap a panel? You can paint away the rust a little bit maybe. If you wanted.’

‘With Luna?’

‘Yes. I can buy a screwdriver instead of a carpet and we can take out a bolt a day to keep our monit-‘

The woman’s tracheal monitor cut to red. Her eyes widened to match her growing pupils as fear snatched at her attention. She needed to get back into her apartment and to her carbon filter. With one last glance at the man she hurried past him, cheeks puffed out as tried to hold her breath. But first with a paling face, she managed a smile in the direction of Luna and nodded. As she fled the park, the man planted his seed right there below his window, butterflies flitting around in his stomach again like a schoolboy. He was back in his own apartment well before his own carbon limit was reached and placed an order for a screwdriver express the next morning.

The next morning, the man leapt out of bed to swing open his apartment’s steel door. He tenderly picked up the sleek black box wrapped with red ribbon on the floor that contained his order. His heart was pounding, and he wished it would slow down. He needed as many exhalations as he could get today. At this thought, the nasally voice over the apartment intercom spoke to the man again. He was to plant his seed first today. The first resident had died from tracheal compression after her exhalation limit was reached. For the second day in a row, the man froze. He untied the box’s ribbon and pulled out his screwdriver.

Download PDF

The Showman, Scott Monk

Applause and confetti rained down on the Showman. Thousands and thousands of fans rose to their feet and stood, spellbound, for another five minutes, as he walked to each corner of the stage serving out kisses. Camera phones pop-pop-popped, each reflecting blue light and freezing their owner’s whimsical faces, double chins and yawns. Fathers ushered their families to the aisles with rolled up programmes to beat the traffic, while the majority stayed, half respectfully, half expectantly. Finally, the band riffed and the Showman waved the crowd goodnight.

Backstage, a line formed as the Showman appeared. He pressed hands and smiled for photographs before finally meeting a mother and daughter. His heart sank. The girl, about ten, was shaved bald. Her eyes were defeated and her skin the colour of self-abandonment. The mother was a fusser. No doubt she’d ironed the girl’s clothes, then dragged this poor wretch here, even though the child was clueless about who he was. Now she was prompting her to tell the Showman her story. In detail.

He listened. Patiently, of course. Nodded at the appropriate spots. Caught himself drifting and re-focussed. Was thankful his family wasn’t like theirs.

A female producer with a headset interrupted them and asked to borrow the Showman. The show had to go on.

‘It’s been an honour to meet you,’ the girl said, reaching out to shake the Showman’s hand. Hers was warm but fading.

‘Ask him,’ the mother said, nudging her in the back. ‘What you said to me in the car.’

The Showman looked to his producer and she bent to steer the girl away. ‘Maybe next time.’

‘Ask him,’ the mother insisted.

The girl spoke so softly that she had to repeat herself. ‘What would you say to someone who’s sick like me?’

The Showman glanced down at those surrendered eyes and he felt a flicker of… what?…creeping fear?…mortal insecurity?

‘Believe in yourself, sweetie, and you can overcome anything.’

The producer ushered the pair away, then found the Showman in an editing suite. He was studying the checkerboard of monitors replaying his performance. Cheshire teeth… white. Tonal range… confident. Power dressing… crisp. Make-up?… A tad too orange. ‘Can you lighten my skin tone? We don’t want fifty million viewers thinking I spend all my time in tanning salons. This is one hundred percent Florida!’

The producer cleared her throat. ‘Your ride’s here.’

The Showman glanced at his gold Audemars Piguet timepiece, straightened his silk tie with one quick tug, snapped his bespoke jacket collar then strode in his Louis Vuitton waxed alligators through the rear maze of the stadium.

‘What are the numbers?’ he asked, not breaking stride.

‘Forty.’

He stalled as she handed him the electronic tablet. ‘Four-zero?’

‘Well, thirty-nine with change.’

‘Love offerings?’

‘An extra three.’

‘With change?’

‘No. Flat.’

The Showman’s face glowed as he scrolled through the night’s takings, looking for a mistake – or better yet, an extra zero to carry.

‘Who was on the buckets?’ he asked calmly.

‘Teams D, E and F.’

He slid his hands into his pockets and breathed thinly. ‘Replace them. Put something up on Instagram calling for new volunteers. From now on we always finish with fifty on the books, even if we have to send the buckets around a second time.’

‘Who do you want to –’

‘People with charisma. Women – or even better, young people. Let them be a model to everyone else.’

When the producer raised an eyebrow – just a smidge, but a smidge nonetheless – the Showman softened his tone and shone his immaculate teeth. ‘Look, I know times are tough and everyone is under a lot of pressure, including myself. But we’re doing good work here. World-changing work. You more than most. We just need to pull together and put our best foot forward, and the rewards will come. Don’t you agree?’

Magnanimously, he opened the door, still smiling, then followed her in the loading dock. His face dropped, however, when he saw the black stretch limousine waiting for him.

‘Your driver called in sick,’ the producer said immediately. ‘Appendicitis.’

He held back, then spoke quietly when he pulled her aside. Behind them on the limousine’s hood, sat a rotund Nepalese man in his fifties. He sported a cheap black suit, a bottom-of-the-drawer tie, an orange and pink Dhaka topi on his bald head and a red tilaka between his thick eyebrows. ‘Find another driver with a different car. I can’t go to the airport in that.’

‘We tried. Twice. We even offered to double the fare. But there’re no cars available. All that’s left are taxis…’

The limousine was a peacock on roller skates. The interior discoed with red, blue and green party lights – the kind that turned drunk, snorting passengers into blinking Andy Warhol portraits. Even the number plate danced with small globes, which, mercifully, was simply 2CO R11 and not something horrid like or WATZ UP, GET SUM or I GOTA P. The music system (which he’d asked to turn down) quaked even the surrounding cars, and the air conditioning (which he’d asked to turn up) smelt of cloves and citrus. Factory-made citrus. Worse, the backseats were white leather with a heavy red trim but shaped like the famous giant lips emblem of the Rolling Stones. Want to be swallowed up by Mick Jagger? No thanks.

The Showman had instead chosen the front seat, though now it only added to his distress. Strung along the dashboard were dozens of miniature toys: grinning pigs, pugs, kittens, monkeys, boys, girls, unicorns, pandas, hedgehogs and those ghastly Funko Pops. Most were bobbleheads, and as one, they nodded smugly at the Showman: ‘We know what you’re thinking. Cheerful, eh?’ The only ‘normal’ thing he recognised was the central idol: a statue of the Hindu god Shiva.

‘Yes, yes, yes,’ the driver said with a thick accent into his Bluetooth earpiece. On the other end, a woman spoke in a foreign language, his mobile phone listing her as SHE 01. ‘I’ve got the VIP at the moment. The five other passengers can wait.’

He cancelled the call and eased the limousine to a stop at a red light.

‘You spoke very impressive tonight, sir,’ the driver said.

‘Just drive, please,’ the Showman said.

‘I saw the last twenty minute myself. Many people walked away happy.’

The Showman reached for his mobile but the battery signal flashed red.

‘A man like you must be happy all the time,’ the driver added.

‘Not tonight,’ the Showman said, pocketing his phone.

‘You’re a very popular man, am I correct? I’ve seen you on television. Even back home in Kathmandu, you’re on TV.’

‘I hope so.’

‘Whenever I change the channels, I check up on you. Big stadiums. Big crowds. Big rock bands. Lots of people singing. Happy people. I thought: this man brings lots of joy to the world. Must meet him one day. And here you are!’

‘Look, how long is it to the airport? I really need to – ’

‘Twenty minutes. Thirty max. Your jet has filed a new flight plan. Your producer has everything under control. You’re in safe hands with me.’

The light turned green and the limousine powered forward. There was an awkward pause before the silence weighed too much on the driver.

‘So you’re a priest, sir?’

‘A pastor,’ the Showman said.

‘Are they not the same?’

‘A priest dresses in robes and carries out rites. A pastor is…well, he pastors people.’

‘Sir, my apologies. English is only my third language. What does this word mean? Pastors?’

‘It means you care for others. You counsel them and lead them.’

‘Lead them where?’

‘To God.’

‘Oh! Like Hindu priests. They help people find gods too –’

‘No, to God. The one God.’

‘But they believe in Him too.’

‘I don’t think so,’ the Showman said.

‘Yes, yes, they do. Your God is one of the many gods we Hindus believe in. Look!’
The driver singlehandedly dropped open the heavy glove box to reveal dozens of statues of Brahma, Vishnu, Lakshmi, Buddha, Mary, numerous saints, a ceramic beckoning cat and even Thor. Not some metal Norse representation, but the Marvel action figure.

‘I swap them every few hours,’ the driver said, replacing Shiva on the dashboard with the archangel Raphael. ‘When I need patience, I put Buddha up here. When I need protection, I go with a saint. When I need better fares, I put them all up here!’

‘You can’t do that. That’s – That’s blasphemous!’

‘But very, very profitable!’ the driver laughed, slapping the glove box closed.

The limousine continued through the streets, ghosting large crowds of revellers in its headlights. The caller, SHE 01, rang back. The driver’s conversation was curt. ‘We’re on our way, okay? Tell them it’s not the end of the world.’ He chuckled, ending the call.

‘Sir, you are a man of great wealth, no?’

The Showman sighed. Save me, he thought. ‘I get by.’

‘I heard you speaking to that crowd tonight. You said everyone can get happy. How can I get happy?’

‘You won’t understand.’

‘What wouldn’t I understand, sir?’

‘It’s complicated.’

‘Was it complicated for those people in the stadium tonight?’

The Showman burned. He breathed out then remembered the mantra from his own bestseller: Reward others and you’ll be rewarded.

‘Okay, okay. I’d prefer you come to my church. But it’s a simple secret that’ll change your life.’

‘Why, thank you, sir. Very grateful.’

‘I always encourage people to wake up each day, and to do their best. God is always watching. And when God’s always watching, He’s always expecting. So when you do your part, God will do his part. You following me so far?’

‘Very much, sir.’

‘The problem is, most of us wake up every day thinking we’re not worthy of God’s blessing. We let our emotions tell us we’re not good enough. So we become unhappy. But we are good enough. We’re good people inside. And so we need to live our lives like we’re totally triumphant. God told us to go out and live good lives – and we can only do that if we’re triumphant over our fears and worries, anxiety and pain, poverty and money. He created us to be prosperous, not paupers.’

‘I don’t want to be a pauper, sir.’

‘None of us do. That’s why if we do something good for God, He’ll give it back to us in spades.’

‘Like money?’

‘Money, good health, relationships…you name it. He’ll supply it. He wants you to live in prosperity now.’

‘But how do I do that?’

‘Get a vision for it.’

‘A vision? Like seeing an angel?’

The Showman chuckled. ‘No, friend. Imagine it. Think about what you really want and focus on it. Do everything in your power to make it become real. But most importantly, be generous in your giving.’

‘Giving?’

‘To ministries like mine. God rewards those who reward others.’

The driver changed lanes. ‘So, what you’re saying is: if I want a boat, I should focus on it in my mind, and then give money to you –’

‘– for my ministry to others –’

‘– and then God will reward me with the boat?’

‘Exactly! God wants you to be happy because you are His treasure!’

Expectantly, the Showman glanced at the driver but the man looked perplexed. ‘Sir, forgive me, maybe my English is bad. I’ve read the Bible many times – many times! – and can you tell me where I can find that?’

‘Well…it’s everywhere. I’ve been preaching this for years.’

‘But can you tell me exactly what verses, sir? I’d like to read them myself.’

The Showman reached to Google it, then remembered the flat battery. ‘Trust me. It’s in there,’ he smiled.

‘Forgive me again, sir, but I’m still confused. I’ve read the holy books from all religions, and I’ve written plenty myself, but what about the cross?’

The Showman half-laughed. ‘What do you mean?’

‘Why did Jesus die then? To make us wealthy? He was poor Himself, wasn’t he?’
‘Ah, you see, He died to make us happy –’

‘But if you’re poor, then does that mean God doesn’t love you?’

‘That’s a very simplistic view –’

‘And I heard a passenger say the other day that Jesus died on the cross to save us from the wrath of God because we are sinners. I have to say, sir, I felt anything but happy –’

‘Yes but –’

‘We don’t earn eternal life, but it’s given freely. By Christ alone.’

‘Look!’ the Showman said. ‘The Bible’s a very difficult book to understand. You need years of talking about it to understand it. Just trust yourself and your heart will find the truth.’

The limousine paused at another traffic light and silence ticked between both men. Thankfully, the driver’s mobile phone chirped a third time, flashing with SHE 01 again.

‘He’s ready,’ he answered, his accent gone. ‘No chance of redemption.’

Bewildered, the Showman glanced at the driver, suddenly realising that he was the subject of their conversation. It appeared that the driver had not only grown in confidence, but stature. ‘Who are you?’

‘Why, your biggest fan.’

‘Huh?’

‘The one who’s been with you from the beginning. The one who holds your money bags. The one who whispers in the night: ‘Judas! Judas!’’

‘What?’

‘You know, the Devil in the detail.’

‘Is this a prank? Because if it is –’

‘You don’t know God, friend, but you definitely know me.’

Ignoring the red light, the driver pumped the accelerator and the limousine lurched forward into incoming traffic.

‘Are you crazy?!’ the Showman yelled, grabbing the door. ‘You’re going to kill us both!’

The driver laughed. ‘What? Are you afraid of death?’

Headlights, horns and squealing tyres filled the night air before the limousine exploded in metal and glass. Another car crashed into them and the Showman felt his entire body and soul ricochet.

Moments later, when everything came to a halt, he sat alone in the front seat. Shaken. Bloody. But breathing. The driver had vanished, and later no one admitted actually seeing such a man.

A woman in a tow truck uniform and cap peered down at the Showman through the smashed passenger’s window and whistled. ‘Praise the Lord! You’re alive. It looks like you’ve made a mess of yourself there,’ she said. ‘Hi, by the way. I’m Grace. How can I help you?’

Download PDF

Hikikomori, Alice Maher

Hikikomori was awarded 1st place in The Quarry – Future Leaders Creative Writing Prize 2020

Haibun
The title Hikikomori refers to a Japanese social phenomenon whereby adolescents (and some adults) withdraw from the outside world to seek extreme isolation and self-confinement.
A Haibun is a Japanese form combining short prose with poetry; in this case, a haiku.

I am not clover. My roots, if I have roots, run shallow and thin. I do not spread and I do not travel. My sun is an incandescent bulb, and it does not move across my ceiling sky. My days and nights are not bound to natural lights. If I am awake, it is day. I sleep, and it is night. Food is left at my door, coldly waiting for me to creep to it. Morning meals of bread and miso arrive when I am tired. Evening meals of rice and fish accompany my waking yawn. Sometimes I eat and am grateful. Sometimes, craving warmth like the clover I am not, I venture to a darkened kitchen and heat an always-full kettle.

Mother’s love for me
Cup ramen in the cupboard
Never running out

I may not travel, but every day I journey. My portal awaits, one of three choices, but the one I always take. One is a third-storey window that leads nowhere I care about. It is death, and I am not quite desperate enough to step out yet. One is a door, safe at certain times. Quick dashes to the bathroom and the kitchen, hiding my body from my mother like it’s a game we agreed to play. My portal sits on the desk and hums in a soothing voice. Its light is more important than the bulb, far more important than the sun. I step through, plodding familiar paths. Here, people are words. I am also words, when I choose to be. Mostly, I like to be eyes.

Eyes that see a world
Where ‘avatar’ means more than
Simple godly things

Every so often, my journey is interrupted. My god-eyes turn away from the screen, to give my human ears a chance to hear. Voices: Mother. And some other. Noises like murmuring, but harsher, more demanding. I sit in the dark and ignore their building rhythm. I ignore the breathy voices calling to one another. I do not hear the moment breathy becomes breathless. I squeeze a plastic cup of broth, willing warmth back into it. But it has sat for hours, quite stale. Nothing I want anymore.

I feel a leaving
I sit and almost enjoy
The sound of sobbing

I never understood the human world. I am like a beast, hiding in my hole through an endless winter. Humans pass over my buried head but do not disturb my sleep. Humans with their crying sounds. Humans with their human food, left on the ground at the entrance to my burrow. Humans with their animal coupling and their human way of complicating even simple things. My mother is a human. I caught a glimpse of her recently, quite by accident. It was the time that humans usually spent in bed. I dashed from my shelter to satisfy my needs, but this time I was hunted. My mother’s face glowed in the dark. It burned a ghost behind my eyelids.

‘Kenji, listen dear.
I can’t do this anymore.
I’ll leave you some cash’

No more bread. No more fish. Some rice and miso has been left, optimistically, but I do not know how to make it into food. No more crying, or noise of any kind. I can walk the house freely, at any time. But still my room feels like the only space that belongs to me. I ventured into my mother’s room, half-fearful of her ghost. But there was a disappointing amount of nothing. My room grew fuller and fuller of stale smells, unwashed sheets and dishes. My mother’s room smelled like no human. I let it be.

What happens later,
When the cup ramen runs out?
I eye the money

I am eight years old. My mother is holding me, and I am drinking in her warmth. My father has left us, and now we are a pair. That’s what my mother murmurs into my hair. You and me, we have to be strong now. I want to please you so much my stomach hurts. My hand curls around you right before you push me gently back. You stand, pulling me up with you. You tell me I am your special boy; no, your special man. I will look after you, I say. I know you will. I know.

Everything I am
Refolded, crammed further down.
We are now a pair

I start rationing the ramen. Every time I go to the cupboard and see the plastic towers dwindling, or refill the empty kettle, my heart empties too. Then, slowly, my stomach follows. I crawl on my belly like a snake, hugging pillows to my crushed abdomen. The money sits on the kitchen counter where she left it. A bundle of notes, and a credit card. I can’t breathe.

Come back, please mother.
I forget being a man
Please teach me again.

I tread delicately down pixelated paths, this time on a quest. I tap the keys, ignoring my usual sites. A map appears on the screen, of the area just outside my apartment. I barely recognise it. It looks dense, packed with buildings, roads, and other signs of human activity. Dots appear, a whole cascade of them. Are there really that many places that sell food nearby? My belly howls with impatience even as my tongue becomes swollen and stiff. I sift through the listings one by one, searching for key phrases.

Key phrases such as:
‘Open 24/7’
I start making plans.

The paths I tread now are hostile. It is 3:30am and I thought I would be safe from human eyes, but they persist. I dodge down side streets, lit only by foxfire lanterns leading on to homely haunts. Places mentioned on my map but unsuitable for my needs. The thought of sitting, ordering food, waiting among strangers and then eating among them, is far too much. Even my current mission, far more modest, sends my palms sweating. Everyone can see how uncomfortable I am. I am one of those stray cats, an abandoned pet to be turned back at any threshold I am presumptuous enough to approach.

Finally I see
Blue and green: ‘Family Mart’
Ironic perhaps.

Download PDF

A Bed Of Roses, Isabella Ross

A Bed of Roses was awarded 3rd place in The Quarry – Future Leaders Creative Writing Prize 2020

Nestled among the flowering hedges within the grounds of a Sydney cemetery, is baby Primrose. She rests underneath a canopy of white roses, a ceramic mushroom house and a fairy figurine placed next to her grave. The morning breeze scatters petals across the Baby Garden, wind chimes drowning out the hum of the adjacent highway. Next to Primrose is 10-day-old Kenzo. A sun-bleached toy car leans against his plaque, the granite surface adorned with a rose motif. These plaques are two of the many sprawling across the cemetery’s gardens.

Attending to the grounds and its 3500 roses is Horticulturist John*. With his khaki uniform and work boots caked in mud, John stomps over to the cemetery’s Magnolia Chapel, greeting me with a humble ‘G’day.’ ‘Today is actually a weird day because we have eleven babies being cremated,’ he yells over the piano melody spilling out of the chapel’s service doors. ‘Florist will be busy.’

Playing tour guide, John is to show me the grounds via his company truck, the cemetery’s logo imprinted on the side door that he has opened for me. While buckling our seatbelts and speeding away, John says his goal is to re-design sections of the crematorium into botanical sanctuaries. ‘The Garden of Eternity looks like a skate park. Idiots,’ he grumbles. Through the windscreen, the grey slab of concrete plaques can be seen, desolate of any foliage. Yet the nearby Rose Garden is no skate park. Stepping out of the truck, the sickly-sweet scent of a thousand roses overwhelms as we draw nearer. ‘The standard is to just chuck roses in wherever because that’s the traditional thing,’ John says, sweeping away the ground’s decayed leaf litter with the side of his boot. Flowering buds of white, fuscia and yellow occupy the site, along with dozens of glossy marble headstones.

For centuries humans have found comfort in flowers. Next to each headstone in the 19th Century, white roses were planted, a black ribbon tied to its stem. The black ribbon may have been left behind in the pages of history, but our appreciation for the rose has carried on. With bushy eyebrows raised, John reveals that gravesites near flowers sell quicker. ‘If the gardens around it look nice, you can ask for more money,’ he chuckles in his ocker twang, a grin spreading across his tan face. Still in the Rose Garden, John tends to one of the memorial site’s rose bushes, the tips of the leaves shrivelled and brown. Susceptible to black spot and aphids, roses are temperamental, needing to be trimmed around the clock, not to mention their sharp thorns. He notes that complaints have been lodged recently as a result of the dying flowers. ‘Water restrictions have made it really difficult. Each person you imagine would think their loved ones’ gravesite should have priority or get personal attention, but unfortunately, it’s just not possible,’ he sighs.

With the clouds looking sombre, we decide to retreat to the truck. John’s shoes squelch in the manicured grass sodden from the previous night’s storm. Driving through the grounds, there are no visitors to be seen. Pointing this out to John, he shrugs that he too doesn’t come across many people. ‘What I do notice on Monday mornings is lots of fresh flowers.’ From the car window, he points out a bouquet placed on the edge of one grave over the weekend. ‘I may not see the visitors, but I know they are there all the time.’

Our conversation is interrupted by a horn beeping furiously. Groaning, John pulls the truck off to the side of the road, letting the car behind zoom ahead. With his blue eyes narrowed, John swears under his breath. ‘That’s some arsehole funeral director there. He’s probably running late to a burial.’ Exhaling, he stretches while running his hands through his dark crew cut. Soon after, a pickup wagon hurtles down the hill toward the route of the funeral director. The vehicle’s tray is filled with excavator equipment, and John smirks, knowing his assumption of a late burial is correct. ‘Once the coffin has been lowered, they compact the dirt and wait a few days for it to settle. It often drops after rainfall and needs refilling again,’ he says, parking the vehicle next to the entrance of the Baby Garden.

In this memorial section, ornaments are scattered around the various plaques, a toy aeroplane slumped against the trunk of one rose bush. Standing in the centre is a stone sculpture of a mother and child embracing. With a lopsided frown, John says, ‘when there’s a child and a parent grave you know something violent has obviously gone on there.’ The speckled pink windmill wedged into one of the garden beds spins feverishly in the chilly air. ‘I try to disassociate myself from it,’ he says with a shiver and shake of the head, as we take one last look at the dual gravesite. On the outskirts of the Baby Garden, two plants immediately grab our attention. One bush has been hedged into the shape of an elephant, but the other animal is unclear. ‘It is supposed to be an emu but looks like a duck. Probably better off having it as a duck I reckon,’ John snorts while inspecting the beak of the emu. Walking among the rows of infant headstones, the sweet aroma of flowering shrubs carries through the air. Engraved in between each of these plaques is the emblem of the rose – its petals, thin stem and thorns etched delicately under each name. With one last look at the Baby Garden, we head back to the truck to explore the grounds further.

Driving towards the Rose Chapel, I ask John about the reasoning behind its name. ‘It’s very traditional. They name the chapels after the certain flowers that surround its neighbouring garden.’ Slowing in speed, John notes that he and his team try not to drive by a chapel when a funeral is underway. Even amidst the pandemic, intimate services continue to take place at the cemetery. As we sit in the parked car, half-a-dozen mourners walk into the Rose Chapel, service music inviting them in rather than the usual hugs and shaking of hands. ‘As a team if we’re having a good day and share a laugh, we have to make sure we aren’t ‘too happy’ near a funeral. Making jokes and stuff isn’t cool. No leaf blowers that’s for sure!’

Near the chapel is the florist. ‘All the flowers around here are white, white, white,’ John notes. With white lilies and roses being the most common funeral flowers, the shop is abundant with white bouquets perched in silver display buckets. Seen as an emblem of spiritual love, the white rose has been given in circumstances of grief for over 12,000 years. Metres away from the florist is a magnificent ‘Teddy Bear’ Magnolia tree, its white petals open like a lotus. I ask John whether he prefers certain flowers over others. ‘That’s like asking a true horticulturalist what their favourite plant is. They shouldn’t be able to tell you because each one has its own use and beauty.’ When it comes to redesigning the gardens, roses will still play a role in the cemetery’s grounds according to John. ‘I’ll keep the monumental sections with roses, but I want to branch out, excuse the pun, and do something different,’ he tells, turning the truck’s engine back on.

Sweeping down the hillside is the Chinese Monumental section. The lawn is teeming with maroon granite headstones, each inscribed with gold Mandarin characters. ‘A normal grave here would be maybe $20,000 – $30,000 easy.’ John tells me that for many Chinese buyers of these gravesites, they do not like certain flowers. ‘Yellow is superstitious. No eucalyptus. They love gardenias,’ he lists. Driving past the Jewish section there is little planting to be seen, except for the freshly cut lawn. For Jewish burials, flowers are not as common. Instead, the placement of stones on a loved one’s graves is custom in Jewish culture, seen as a symbol of humility and respect. To them, these stones are their white rose.

Countless gums tower over the garden, some of the trees older than the deceased buried here. John is still taken aback by the fact that 20 to 30 bodies are buried here at the cemetery each day. It is a volume that is confronting. The cremation schedule and florist orders for today come to mind. Wandering down the trail, I ask John whether he would want to be buried somewhere like this. ‘You can put me anywhere I don’t give a shit. It’s up to my kids really, they can decide what they want. Maybe a staff discount would encourage me,’ he smirks. I notice a small sign requesting visitors bring fresh flowers in lieu of artificial varieties. ‘The natural appeal and beauty of our park’ is advertised as the reason for this request. ‘When you start to think about the 100,000s of graves all with fresh flowers that’s a lot,’ John says shaking his head at the thought of the price tag.

Arriving at the last leg of the morning’s tour, the rain has eased slightly. This memorial is lined with plaques. Some have tiny ceramic images of the deceased welded into the granite, others opting for engraved motifs of angels or single-stemmed flowers. Each of the graves here are privy to their own rose bush, a pastel canopy framing the lengthy pathway. Tiny nibbles in some of the petals can be seen up close. ‘There are caterpillars around a little bit,’ John sighs. He leans down, his face millimetres away from the shrub, picking off the wriggling pests one by one. Stepping back to admire his handiwork, he quietly examines the rose’s perfectly pruned petals, before continuing onto one of the cemetery’s countless other blooms.

*For privacy reasons, names have been changed.

Download PDF

salt of the earth, Mykayla Castle

i look, and i cannot see the mountains.
i drive by an unfamiliar patch of world,
the bridge of a song i know by heart
and cannot find the hawkesbury under it.
the sky is a shrivelling orange rind,
white smoke like mould—

wherefrom comes my help?

Here, it is coming in a distant squall of rain.
it opens old testament pages,
gilt edged edition, a southern gale
to drown out the question.
this pillar of fire now cloud,
the salt of our muddy earth slides out
the flooding, doubtful mouth of an
unseen river—

has my foot slipped?

we see it coming, in a distant swarm
we hope it passes over us,
dip hands in alcohol before doorframes like blood.
mark your door, lock it, go nowhere,
see no one, and have faith
in the staff that divides the sea.

have we done this before?

ii.

i fear death on doorknobs,
grow cold if i cough. am i
jumping at shadows, or
what lives in them?
the final enemy delivers me
or just a pizza.

i can’t breathe. this whole year
panic spreading like germs
i can’t breathe, but i hear—
over my own stuttery lungs,
Floyd’s voice— ‘I can’t breathe’.

leave your city, o jericho!
they have their trumpets;
colour film, black and white.
we call for walls to fall,
cry with empty hands,
and cannot breathe as we wait
for news to flood in.
for the toll.

iii.

i found the river i was looking for.
i heard singing on a balcony and
followed it along. i traced my finger
down the heartbeat of frontlines
and handmade masks. i made
shapes from undisturbed clouds
and dough one afternoon.
in the quiet, the ocean came back
into the canals in shoals, and i listened
as the glass house we built gave us
a window into a second chance.
i followed the fingerprints,
the scales fell from my eyes—
the river was where i had left it.

Download PDF

Luggage, Ann-Maree Irvine

There’s the bag by her side

Tan leather,
Two straps,
The simplest design she could find.
Bursting at the seams
With miscellaneous papers and files,
The importance of which is duly debatable.
Though her determined grip
Would have you believe they hold the meaning of
Life.

I suppose for her
They do.
They represent the
Constant refrain she strives to attain.
Through the
Forty hour weeks
School lunches and
Sleepless nights,

She can have it all.

There are bags under her eyes.

Permanent like a tattoo,
You mightn’t recognise her
If they were to one day
Disappear.
Etched beneath her mascara laden lashes
They hollow her out.
Providing the zombie chic look
Only she is capable of.
Drained.

Their fixity reveals more
Than her concealer can mask.
A half-hearted smile or
Furrowed brow unveils
Newly formed lines,
Resembling those of
Ageing leather.
A weary realisation,

She’s got it all.

Download PDF