A Bed Of Roses, Isabella Ross

Photo by Isabella Ross

A Bed of Roses was awarded 3rd place in The Quarry – Future Leaders Creative Writing Prize 2020

Nestled among the flowering hedges within the grounds of a Sydney cemetery, is baby Primrose. She rests underneath a canopy of white roses, a ceramic mushroom house and a fairy figurine placed next to her grave. The morning breeze scatters petals across the Baby Garden, wind chimes drowning out the hum of the adjacent highway. Next to Primrose is 10-day-old Kenzo. A sun-bleached toy car leans against his plaque, the granite surface adorned with a rose motif. These plaques are two of the many sprawling across the cemetery’s gardens.

Attending to the grounds and its 3500 roses is Horticulturist John*. With his khaki uniform and work boots caked in mud, John stomps over to the cemetery’s Magnolia Chapel, greeting me with a humble ‘G’day.’ ‘Today is actually a weird day because we have eleven babies being cremated,’ he yells over the piano melody spilling out of the chapel’s service doors. ‘Florist will be busy.’

Playing tour guide, John is to show me the grounds via his company truck, the cemetery’s logo imprinted on the side door that he has opened for me. While buckling our seatbelts and speeding away, John says his goal is to re-design sections of the crematorium into botanical sanctuaries. ‘The Garden of Eternity looks like a skate park. Idiots,’ he grumbles. Through the windscreen, the grey slab of concrete plaques can be seen, desolate of any foliage. Yet the nearby Rose Garden is no skate park. Stepping out of the truck, the sickly-sweet scent of a thousand roses overwhelms as we draw nearer. ‘The standard is to just chuck roses in wherever because that’s the traditional thing,’ John says, sweeping away the ground’s decayed leaf litter with the side of his boot. Flowering buds of white, fuscia and yellow occupy the site, along with dozens of glossy marble headstones.

For centuries humans have found comfort in flowers. Next to each headstone in the 19th Century, white roses were planted, a black ribbon tied to its stem. The black ribbon may have been left behind in the pages of history, but our appreciation for the rose has carried on. With bushy eyebrows raised, John reveals that gravesites near flowers sell quicker. ‘If the gardens around it look nice, you can ask for more money,’ he chuckles in his ocker twang, a grin spreading across his tan face. Still in the Rose Garden, John tends to one of the memorial site’s rose bushes, the tips of the leaves shrivelled and brown. Susceptible to black spot and aphids, roses are temperamental, needing to be trimmed around the clock, not to mention their sharp thorns. He notes that complaints have been lodged recently as a result of the dying flowers. ‘Water restrictions have made it really difficult. Each person you imagine would think their loved ones’ gravesite should have priority or get personal attention, but unfortunately, it’s just not possible,’ he sighs.

With the clouds looking sombre, we decide to retreat to the truck. John’s shoes squelch in the manicured grass sodden from the previous night’s storm. Driving through the grounds, there are no visitors to be seen. Pointing this out to John, he shrugs that he too doesn’t come across many people. ‘What I do notice on Monday mornings is lots of fresh flowers.’ From the car window, he points out a bouquet placed on the edge of one grave over the weekend. ‘I may not see the visitors, but I know they are there all the time.’

Our conversation is interrupted by a horn beeping furiously. Groaning, John pulls the truck off to the side of the road, letting the car behind zoom ahead. With his blue eyes narrowed, John swears under his breath. ‘That’s some arsehole funeral director there. He’s probably running late to a burial.’ Exhaling, he stretches while running his hands through his dark crew cut. Soon after, a pickup wagon hurtles down the hill toward the route of the funeral director. The vehicle’s tray is filled with excavator equipment, and John smirks, knowing his assumption of a late burial is correct. ‘Once the coffin has been lowered, they compact the dirt and wait a few days for it to settle. It often drops after rainfall and needs refilling again,’ he says, parking the vehicle next to the entrance of the Baby Garden.

In this memorial section, ornaments are scattered around the various plaques, a toy aeroplane slumped against the trunk of one rose bush. Standing in the centre is a stone sculpture of a mother and child embracing. With a lopsided frown, John says, ‘when there’s a child and a parent grave you know something violent has obviously gone on there.’ The speckled pink windmill wedged into one of the garden beds spins feverishly in the chilly air. ‘I try to disassociate myself from it,’ he says with a shiver and shake of the head, as we take one last look at the dual gravesite. On the outskirts of the Baby Garden, two plants immediately grab our attention. One bush has been hedged into the shape of an elephant, but the other animal is unclear. ‘It is supposed to be an emu but looks like a duck. Probably better off having it as a duck I reckon,’ John snorts while inspecting the beak of the emu. Walking among the rows of infant headstones, the sweet aroma of flowering shrubs carries through the air. Engraved in between each of these plaques is the emblem of the rose – its petals, thin stem and thorns etched delicately under each name. With one last look at the Baby Garden, we head back to the truck to explore the grounds further.

Driving towards the Rose Chapel, I ask John about the reasoning behind its name. ‘It’s very traditional. They name the chapels after the certain flowers that surround its neighbouring garden.’ Slowing in speed, John notes that he and his team try not to drive by a chapel when a funeral is underway. Even amidst the pandemic, intimate services continue to take place at the cemetery. As we sit in the parked car, half-a-dozen mourners walk into the Rose Chapel, service music inviting them in rather than the usual hugs and shaking of hands. ‘As a team if we’re having a good day and share a laugh, we have to make sure we aren’t ‘too happy’ near a funeral. Making jokes and stuff isn’t cool. No leaf blowers that’s for sure!’

Near the chapel is the florist. ‘All the flowers around here are white, white, white,’ John notes. With white lilies and roses being the most common funeral flowers, the shop is abundant with white bouquets perched in silver display buckets. Seen as an emblem of spiritual love, the white rose has been given in circumstances of grief for over 12,000 years. Metres away from the florist is a magnificent ‘Teddy Bear’ Magnolia tree, its white petals open like a lotus. I ask John whether he prefers certain flowers over others. ‘That’s like asking a true horticulturalist what their favourite plant is. They shouldn’t be able to tell you because each one has its own use and beauty.’ When it comes to redesigning the gardens, roses will still play a role in the cemetery’s grounds according to John. ‘I’ll keep the monumental sections with roses, but I want to branch out, excuse the pun, and do something different,’ he tells, turning the truck’s engine back on.

Sweeping down the hillside is the Chinese Monumental section. The lawn is teeming with maroon granite headstones, each inscribed with gold Mandarin characters. ‘A normal grave here would be maybe $20,000 – $30,000 easy.’ John tells me that for many Chinese buyers of these gravesites, they do not like certain flowers. ‘Yellow is superstitious. No eucalyptus. They love gardenias,’ he lists. Driving past the Jewish section there is little planting to be seen, except for the freshly cut lawn. For Jewish burials, flowers are not as common. Instead, the placement of stones on a loved one’s graves is custom in Jewish culture, seen as a symbol of humility and respect. To them, these stones are their white rose.

Countless gums tower over the garden, some of the trees older than the deceased buried here. John is still taken aback by the fact that 20 to 30 bodies are buried here at the cemetery each day. It is a volume that is confronting. The cremation schedule and florist orders for today come to mind. Wandering down the trail, I ask John whether he would want to be buried somewhere like this. ‘You can put me anywhere I don’t give a shit. It’s up to my kids really, they can decide what they want. Maybe a staff discount would encourage me,’ he smirks. I notice a small sign requesting visitors bring fresh flowers in lieu of artificial varieties. ‘The natural appeal and beauty of our park’ is advertised as the reason for this request. ‘When you start to think about the 100,000s of graves all with fresh flowers that’s a lot,’ John says shaking his head at the thought of the price tag.

Arriving at the last leg of the morning’s tour, the rain has eased slightly. This memorial is lined with plaques. Some have tiny ceramic images of the deceased welded into the granite, others opting for engraved motifs of angels or single-stemmed flowers. Each of the graves here are privy to their own rose bush, a pastel canopy framing the lengthy pathway. Tiny nibbles in some of the petals can be seen up close. ‘There are caterpillars around a little bit,’ John sighs. He leans down, his face millimetres away from the shrub, picking off the wriggling pests one by one. Stepping back to admire his handiwork, he quietly examines the rose’s perfectly pruned petals, before continuing onto one of the cemetery’s countless other blooms.

*For privacy reasons, names have been changed.

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salt of the earth, Mykayla Castle

Photo by Louis Maniquet on Unsplash


i look, and i cannot see the mountains.
i drive by an unfamiliar patch of world,
the bridge of a song i know by heart
and cannot find the hawkesbury under it.
the sky is a shrivelling orange rind,
white smoke like mould—

wherefrom comes my help?

Here, it is coming in a distant squall of rain.
it opens old testament pages,
gilt edged edition, a southern gale
to drown out the question.
this pillar of fire now cloud,
the salt of our muddy earth slides out
the flooding, doubtful mouth of an
unseen river—

has my foot slipped?

we see it coming, in a distant swarm
we hope it passes over us,
dip hands in alcohol before doorframes like blood.
mark your door, lock it, go nowhere,
see no one, and have faith
in the staff that divides the sea.

have we done this before?


i fear death on doorknobs,
grow cold if i cough. am i
jumping at shadows, or
what lives in them?
the final enemy delivers me
or just a pizza.

i can’t breathe. this whole year
panic spreading like germs
i can’t breathe, but i hear—
over my own stuttery lungs,
Floyd’s voice— ‘I can’t breathe’.

leave your city, o jericho!
they have their trumpets;
colour film, black and white.
we call for walls to fall,
cry with empty hands,
and cannot breathe as we wait
for news to flood in.
for the toll.


i found the river i was looking for.
i heard singing on a balcony and
followed it along. i traced my finger
down the heartbeat of frontlines
and handmade masks. i made
shapes from undisturbed clouds
and dough one afternoon.
in the quiet, the ocean came back
into the canals in shoals, and i listened
as the glass house we built gave us
a window into a second chance.
i followed the fingerprints,
the scales fell from my eyes—
the river was where i had left it.

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Luggage, Ann-Maree Irvine

Photo by Richard James on Unsplash

There’s the bag by her side

Tan leather,
Two straps,
The simplest design she could find.
Bursting at the seams
With miscellaneous papers and files,
The importance of which is duly debatable.
Though her determined grip
Would have you believe they hold the meaning of

I suppose for her
They do.
They represent the
Constant refrain she strives to attain.
Through the
Forty hour weeks
School lunches and
Sleepless nights,

She can have it all.

There are bags under her eyes.

Permanent like a tattoo,
You mightn’t recognise her
If they were to one day
Etched beneath her mascara laden lashes
They hollow her out.
Providing the zombie chic look
Only she is capable of.

Their fixity reveals more
Than her concealer can mask.
A half-hearted smile or
Furrowed brow unveils
Newly formed lines,
Resembling those of
Ageing leather.
A weary realisation,

She’s got it all.

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Wonder Boy, James Melham

Photo by Gursimrat Ganda on Unsplash

Tom waited impatiently at the metal doors for the countdown to reach zero. The lights had all been turned down in anticipation, as if for fireworks, or for a comet to pass, and the numbers above the doors glowed red. From here, Tom and his roommate had listened to the riots on the streets below. They had opened up the curtains to watch through the large clean windows the first flecks of ash fall from air as the bushfires began. They had looked on with increasing misery as the ash piled up like snow on the disused cars and the broken down brick walls, and the hours turned to days and then into months. Tom’s heart beat against his ribcage with increasing vigour, but he wasn’t scared, at least he didn’t think he was. For the first time in a very long time, they were going outside.

Tom kicked the door.

‘Hey man,” his roommate began, ‘are you okay?’

Tom could see the blurry reflection of his roommate behind him. He could also hear him sucking in air through his mask noisily.

‘Yeah Wonder Boy, just mind your own business, okay?’

If the door didn’t open up soon, Tom thought he would throttle his roommate. Not that he could. Wonder Boy would definitely kick his ass again.

Hurry up.


– One minute to go –


Wonder Boy had arrived the week before the fifth lockdown and things had started out well enough. Tom remembered how they had played board games, watched re-runs of soccer matches, talked all night about anything and everything.

Wonder Boy would spend hours telling Tom about all the trophies he had won, back when there were trophies to win. He described in vivid detail the glamorous parties he had gone to, the nights he had spent with beautiful women.

It hadn’t bothered Tom that he had never won any trophies; he had never been on any dates either. He used to imagine it was him in the stories, winning those trophies, going on dates, having parties thrown in his honour. Not spending what should have been his high school years looking after his mother, cleaning up the puke from the hallway, hiding his money in the oven, or listening to his mother retching into the toilet in the middle of the night. The stories were a welcome distraction from the memories of repeatedly collecting his mother from rehab, and mere weeks later, returning her again like an unwanted Christmas pet.

In the end it wasn’t the booze that had killed her, she drowned.

In the last few weeks, the weeks following the announcement that they would be let outside, things had begun to go wrong. The stories had become different somehow. They had grown stale, but even more than that, they had become offensive: a never-ending list of things that Tom never had, and never would have. At least Wonder Boy had had glory days. What had Tom had?

Two weeks prior there had been an argument over what to watch on television that had descended, as many drunken arguments do, into something personal. At its conclusion, Wonder Boy had wanted an explanation of why Tom ‘had been such a dick lately’ and Tom had been happy to tell him. The problem, Tom had said, badly slurring, was not the TV, not the stories, it was that Wonder Boy snored so fucking noisily, breathed noisily, ate noisily, showered noisily, exercised noisily, masturbated noisily, he lived too noisily. There was not enough of the grey room for both of them… Wonder Boy needed to go.

Tom had tried to hit Wonder Boy with an empty bottle. Had he meant to kill him? No, just to concuss him a little bit. To have just a few small hours of peace and quiet. But it was Tom that went sprawling over a footstool, shattering the glass bottle on the floor and slicing a hole in his elbow that bled sticky red wine on the carpet.

Tom kicked the door again.

On the security monitor, Anne and her roommate from 6C appeared in the corridor, returning to the room opposite. Her hair was windswept and covered in ash like confetti. She was beautiful in a way that rewired things in Tom’s brain and stopped him from doing simple things such as talking.

‘Hey man, look it’s the girls,’ Wonder Boy said, abruptly interrupting Tom’s daydream. He reached over Tom to bang on the door and smacked against Toms shoulder repeatedly in the process.

The two girls smiled at the camera and waved before quickly disappearing into their room.


– BEEP –


The locks on either side of the door shot back into the walls and the door sprang open automatically, sending a gust of air and residual ash into the clean room.

‘Go-Go-Go!’ Wonder Boy shouted excitedly, shoving Tom out into the corridor.

Tom tripped and staggered forward, falling in a heap against the door of 6C. Tom could feel the girls watching on their monitor.

‘You fucking asshole,’ he said, ‘what was that for?’

‘Sorry man,’ Wonder Boy replied with a shrug.

Tom pushed away Wonder Boy’s attempts to help him up and got to his feet. It was the second time that Wonder Boy had laid him out in as many weeks and Tom could feel his face and his fists throbbing with embarrassment and anger.

If it had been the other way around Tom wouldn’t have shoved Wonder Boy, he would’ve warned him that the countdown was nearly up, he would’ve given him a subtle poke that said ‘hey buddy, let’s go.’ He wouldn’t have made his roommate look like an asshole was the point. Next time it was Wonder Boys turn. That fucker was in for it next time, yes sir.

Tom walked through the lobby and swung open the heavy doors that led outside, rattling the thick glass panels set into the frames.

A strong wind sent hot flecks of ash and dust into his face that, despite his goggles and mask, made Tom turn away from their approach. Only a bland white light now penetrated through the veil of swirling ash and smoke and the image of desolation that greeted him was more painful than he had imagined it to be.

‘Hey man,’ Wonder Boy called. ‘Sorry I pushed you.’

‘What!?’ Tom could barely hear him in the gusting wind.

‘I said I am sorry I pushed you!’

Tom wished he would stop being so fucking nice. But then again, he did just apologise. And perhaps a little shove was better than missing the exit window because he had zoned out.

That would have looked even worse.


High above the ash clouds two water bombers zoomed overhead, returning from dousing the endless bush fires, to refill and refuel. Later that afternoon one of the bombers would hit a tall red brick tower in the eastern suburbs that had been hiding in the ash storm all these months, waiting to kill everyone on board.

The HyperMart was Tom’s destination, mostly because it was the only building, shop, or anything else still open now. It was an old-fashioned shopping mall with all but one of the entrances blocked and all of the windows shuttered against the ash storm, which became worse as they drew near.

At the entryway, Tom placed his Vax Cert and ID face down on the scanners and the machine vomited out a little slip of paper with the words ENTER printed on it in blurry red lettering.

‘What do we need to get?’ Wonder Boy asked as he emerged from the doorway.
He had removed his mask and gloves and smiled at Tom with his oh-so-perfect white teeth. He knew exactly what they needed. They had already discussed how far their credits would go and what they would be spent on at least a million times.

‘We need milk, bread, eggs, chocolate, whisky, cigarettes and replacement filters for the masks,’ Tom replied.

‘Great, can you get those?’ Wonder Boy said, handing over his wallet.

‘I’m going to take a look around.’

‘What?’ Tom was on one hand relieved he didn’t have to do all of the shopping with Wonder Boy, but he was also equally pissed off that Wonder Boy expected him to do all the work.

‘Don’t worry man,’ Wonder Boy said, ‘I’ve got my phone in case I see anything good.’

Tom stood speechless for a moment. He could feel the vein in his temple bulging and sweat beginning to prick his forehead. He wanted to look around too, but they only had an hour and it took twenty minutes to get to the HyperMart. If he went gallivanting off like some sort of doomsday tourist, they would be stuck with goddamn Government beans until the next countdown. Why was he always the one left holding the bag? Why did he have to do the shit work? That fucking asshole was going to get it one of these days all right, Wonder Boy my ass.

After a brief search, Tom found a filter dispenser beside a disused cola vending machine near the old cinema. Tom pressed the button for a pack of twenty-five filters and inserted Wonder Boy’s credit card. If he was doing the shopping, he wasn’t doing the paying. He noticed that the plastic frontage of the cola machine was smashed in and where Santa’s jolly face had once been was a black hole.

Tom put the filters in his pocket and returned the card to Wonder Boy’s wallet, noticing his Vax Cert and ID were still both inside. Tom removed the Vax Cert, newly printed that morning on one of those horrible cheap pieces of paper that doctors used to use for prescriptions, and without thinking tore it in half and dropped the two pieces onto the floor. One half landed in a puddle of coolant seeping out of the Cola machine and began to coil up.

After Tom had bought the groceries, he walked back to the entrance thinking about the Vax Cert. If anything, he thought, Wonder Boy deserved to lose his Vax Cert by not keeping it with him at all times, like you were supposed to.

But there was that thought again, was he actually that bad? Did he deserve to have his Vax Cert torn in half? He did play shitty music, and he did jerk off three times a night. But it could’ve been worse right?

Fuck fuckety fuck.

Wonder Boy was definitely NOT going to get through the security checkpoint, and he would know exactly who was to blame. Tom could picture it. Wonder Boy would be all like ‘Hey man, where’s my certificate?’ And Tom would be all like ‘what certificate?’ and then Wonder Boy would say ‘it was in my wallet that you had,’ and then the shit would hit the fan.

Tom wondered if it would be worse if Wonder Boy hit him, or if Wonder Boy was arrested.

Being hit, duh.

And right on cue, there was Wonder Boy coming down the strip of boarded up shops at a jog.

Fuck fuck fuck.

‘Hey man,’ Wonder Boy said, ‘how’d you go?’

‘Yeah fine,’ Tom replied, ‘here’s your stupid wallet. Let’s go.’

Tom went through the security door, scanned his Vax Cert and ID, prompting the machine to vomit out another little ticket that said EXIT, but this time the red letters were smeared across the length of the cheap paper.

Tom considered for a moment that maybe he could just go back to the room and forget all about Wonder Boy. He wouldn’t have to see him get arrested. He wouldn’t be accused of anything.

The silence of the room sang to him in the same way that booze had sung his mother’s name for so many years. He could read the news without listening to Wonder Boy’s goddamned breathing, or his goddamned music. Tom decided to go.

‘Hey Tom!’

After a few minutes, Tom heard his name on the wind.

‘Hey Tommy!’

Was he going fucking crazy?


There it was again, this time louder. Tom wasn’t imagining it. He turned towards the HyperMart, and there was Wonder Boy coming once more at a jog.

‘Hey,’ Wonder Boy said as he caught up, ‘sorry I couldn’t find my Vax Cert, but the guy there let me through anyway.’

Tom clenched his teeth behind his mask. He felt angry, although he wasn’t sure why. Was it because he hadn’t been found out? Or was it because Wonder Boy was still going to be there when he got back? How nice would it have been if Wonder Boy had been stopped at the gate, how good?

Tom suddenly felt like he was driving his mother home from the hospital again, knowing that tonight would be another night of listening to her coughing and laughing and puking.

‘Anyway, I guess I will have to get a new one,’ Wonder Boy said. ‘No biggie.’

Wonder Boy began walking quickly through the storm and Tom followed. He was thinking about Wonder Boy, thinking about his mother.


Tom could hear himself breathing audibly through his mask now; it was difficult to keep up with Wonder Boy.

That smug fuck.

Tom’s heart raced as images of the previously empty apartment were filled with Wonder Boy’s presence, his noise, his smell, his mere being was surely enough to drive anyone insane. It wasn’t Tom’s fault, it was completely understandable to feel this way. Tom remembered how he had been pushed over, how he had been thrown through the doorway. That noise every night. He needed the room to himself. He needed quiet. He needed Wonder Boy to go away. Like he had needed his mother to go away.

Yet all it had taken then was to run her a warm bath and hold her under, was this so different?

Tom bent down and retrieved a brick from beneath the smooth blanket of ash.

Tom reached the apartment with seconds to spare. The previously clean grey room had a layer of dust and ash on the carpet and Tom trod dark footprints across the floor to the basin. His sleeve was warm and wet and ash clung to the deep red stain that had appeared there. Tom’s face was colourless in the mirror aside from two dark grey ash streaks that ran down his cheeks. It was quiet at last, aside from the sound of a siren wailing in the distance.


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Tightrope Walking 2020, Jacqui Greig

Photo by Elisabeth Wales on Unsplash

Michelle’s grandson has told her he’s too old to need band-aids. So now, leaping from stone to stone of the dragonfly shimmering creek, Samuel knows a fall means he will have to grit his teeth and wish away the hurt. It’s their favourite walk; eucalypt scented, dotted with yellow boronia and the jewel-red of mountain devil calyxes. They keep constant watch for the elusive lyre bird singing near his nest in the fern bed.

Samuel is six and for a third of his memory life has lived in a Covid world. He invites his grandmother into his cubby-house shop, with sharp reminders to wear her mask and stand on the X taped to the wooden floor. The lounge room has been taken over by his Lego Covid rescue centre with ambulance, fire-engine, and police car at the ready.

‘Granny! Granny! Come immediately to the rescue centre. You are needed urgently!’

Sunlight falling through the window washes them in its glow as she awaits instructions.
‘These are the Covid dead. You must take them to the cemetery,’he explains, pointing to a pile of Lego figurines heaped in a pick-up truck.

‘I am busy fixing up the Covid sick,’ he adds, busying himself with laying the afflicted on their hospital beds.

On completion of her gruesome task, Granny makes lunch and seats the Covid doctor at the dining table.

‘Granny, how long does it take to get to heaven?’

‘I think it happens pretty quick,’ she reassures.

He nods and, between mouthfuls of cheese and tomato sandwich adds, ‘I’m going to live here, with you, until I’m as old as you are.’

With the meter ticking toward a million dead, and epidemiologists suggesting the number is ten times that, children will live with the effects of the 2020 pandemic year for the rest of their lives. On a global scale this means increased poverty and less health care, the latter already evident with the downturn in vaccination rates in developing nations. Children face decreased access to education and possible loss of family, particularly loss of family elders who are often primary carers for the young. While children seldom become severely unwell with Covid19 the pandemic’s broader ramifications magnify with passing time. The World Health Organisation warns that the improvements in maternal and child mortality made over the past few years could be wiped out as a result of the pandemic.

The effect of stress on pregnant women and young children is already known, as far back as the Dutch potato famine and the 1920 Spanish Flu long term negative consequences of stress have been recorded. In recent years studies have increased our understanding of how these effects occur. Stressors as disparate as a Chilean earthquake, the September 11 attacks, or the sinking of a Swedish ferry, show an association with low-birth weight babies. This likely results from the placenta going into overdrive and producing lots of stress hormones which may slow down foetal growth and increase the risk of early labour. Possible consequences of low birth weight include obesity and childhood diabetes. In the field of epigenetics, a relatively new science which studies small changes in DNA due to environmental factors, the effects of stress on generations to come is also being monitored. These DNA changes potentially pass from mother to baby and further. This new science has blurred our long-term dichotomy of nature vs nurture with respect to children’s physical and psychological health and warns that stressors such as the pandemic should be taken seriously. Government investment to decrease financial burdens on families and to prevent families being rent asunder by pandemic deaths will reap benefits in the long term.

On the penultimate day of September the clock radio wakes me with the catch phrase of this year’s news. At the million mark we have reached another “grim milestone,” as if this death and disease is purposefully leading to a destination. While the Reaper scythes down the elderly, the 2020 New York Film Festival awards its gold medal for ‘best social documentary’ to the Australian Broadcasting Corporation’s series, ‘Old People’s Home for Four Year Olds’. This unlikely success story won the hearts of Australians and left many tears at its completion. Remarkable for a program about preschool children visiting some, not infrequently grumpy, retirement village residents. The enthusiasm of geriatrician Prof Sue Kurrle, of the Intergenerational Care Project, was infectious, but it was the endearing relationships between the elderly and the children that stole the show.

Intergenerational care is relatively new in Australia whereas other countries have already successfully incorporated it into their care models. There are several studies underway to assess the benefits of these models which vary from frequents visits, as portrayed in the TV series, to shared campus arrangements. The benefits for the elderly were clear to any viewer of the series, as weekly the muscle strengths, personal interactions, and depressions scores of the participants improved. More difficult to measure was the benefit to the children but many parents commented on the youngsters’ improved sociability and empathy. Psycho-geriatrician Nancy Wadsworth writes that programs of this nature decrease harmful intergenerational conflicts and problems of social equity. Covid19 has laid bare just such a social equity conflict.

Nine months into the pandemic my social media feeds, with regular monotony, still posit the brilliant idea of simply isolating the elderly and the vulnerable. Then everyone else can get on with their lives and the economy won’t be trashed. Covid19 has brought to light swathes of armchair experts who have stumbled on blindingly simple insights that epidemiologists, medical experts, statisticians, and modellers have unfortunately missed. US Fox channel’s Tucker Carlson trumpeted the ‘isolate the elderly’ notion just shy of April 1st but he wasn’t playing a prank. The elderly are scattered throughout the community and often live within family groups. The latter is particularly the case in multicultural and disadvantaged communities. How, in Australia, would we isolate all these vulnerable people? Do we reopen Sydney Harbour National Park’s Q station? The views of Manly and The Heads are undoubtedly spectacular, but Victoria’s recent and bitter lesson has emphasised that Covid kills the elderly most efficiently if they are housed together.

Aired on the same US TV show a few weeks later was Texas republican governor Dan Patrick who believed that the elderly were entirely willing to die for the cause of keeping the economy running. This brave, if oblivious of his personal privilege, 79-year-old governor complained that no one had reached out to him as a senior citizen and said, ‘Are you willing to take a chance on your survival in exchange for keeping the America that all America loves for your children and grandchildren?’

‘If that’s the exchange, I’m all in,’ he enthused, adding, ‘There are lots of grandparents out there like me.’

Senator Patrick may have been a trifle short of the mark as it didn’t take long for #NotDying4WallStreet to become the top Twitter trend. Grandparents were apparently not quite ready to stand in line waiting at the Soylent Green factory. Their generation knows that the year 2022 hasn’t yet arrived. When actually asked their opinion many elderly said they would die for their grandchildren but not for the economy.

In 2017 former Australian Prime Minister Tony Abbott vehemently opposed the euthanasia bill stating, ‘I think we’ll regard this [bill] a sad milestone in our decline as a decent society.’

Covid has apparently adjusted his opinion which now seems to be that nature, presumably in the form of the virus, should be allowed to take its course and families should elect to keep their elderly relatives comfortable. This is a clever, if transparent, conflation of two different issues. One allows passive euthanasia, which in blocking the bill Abbott effectively vetoed, and the other sacrifices healthy and productive elderly for the mirage of economic stability. Abbott has apparently not looked to the consequences of unchecked viral outbreaks in countries like Brazil, India and, the ever-controversial Swedish model. His notions seem neither epidemiologically sound nor humanitarian.

I was Samuel’s age when I spent half a year living with my flamboyant, tousle-haired grandmother. A teacher, artist, writer, and feminist who carried her opinions like a standard before her. Those six months, the clearest memories of my childhood, remain wonder infused. The dawn excursions that saw us set off across the veld to the river while mist still hugged the hollows. She sketched and I discovered brilliant Agama lizards, more rainbow than creature, and watched the yellow-black weaver birds construct their intricate nests. Nests that clung precarious to the thinnest of willow twigs and danced above the water. At night, drowsy under the crazy-block quilt she’d sewn, she wove tales to drift me to sleep. The spy she’d met during the war. How fossils were discovered at Sterkfontein. Why her Pekingese was called Xiao-xiao. She wrote a book about elves and owls, mice and carrots, and dedicated it to her grand-daughter. The hard cover edition retains pride of place on my bookshelf.

South Australia – Flinders ranges – Ikara. Photo by Jacqui Greig

In the year before this nightmare one of fire and pestilence, I visited Wilpena Pound, a natural amphitheatre within the Flinders ranges, known as Ikara, the meeting place, to Adnyamathanha people. They have been inhabitants of this rugged red-rock landscape of mountains and sheltering gums for tens of thousands of years. The fossils at nearby Brachina Gorge speak of further life forms so ancient they are mere swirls inscribed in stones.

At night, with stars burning holes in the darkness, there is a welcome to country in Yura Ngawarla, Adnyamathanha language. Children from the city and local kids, who must have heard the tales a hundred times, sit with knees clasped before the fire and listen, intent faces lit by dancing shadows. Not one stirs as elders pass on culture and life advice the way humanity always has. Next day in Bunyeroo Valley, a red-capped robin, Awi Irta, alights on a reed and I know his brilliant feathered head is a consequence of ignoring his wife. Stories stay with us.

Western society, increasingly obsessed with the young and the beautiful, is quick to discount and discard the elderly. It isn’t surprising that in, Three Uneasy Pieces, Patrick White laments, ‘The callous see us as dispensable objects, like broken furniture or dead flowers’. In contrast, Australian aboriginal communities nurture the importance of elders and their contribution to family life. In aboriginal lore age is less important than wisdom. The Australian Institute of Family Studies tells that, “[elders] hold stories of dreaming, culture, and injustices suffered in the past and keep them safe for youth to understand their place in the world.” In some communities the elders are the only remaining people who speak the local language. Sole survivors to pass on a legacy of words.

The city of Leganes, located on the outskirts of Madrid, is prosaically named after the slime the town was built on and is where suspects of the 2004 Madrid train bombing blew themselves up to evade capture. It is also the only place outside of Melbourne with a street named after Australian rock band AC/DC. In Leganes a group of researchers from Montréal collaborated with doctors from the Autonomous University of Madrid in a human longevity study. They found that elderly who were connected with strong family and social networks had longer ten-year survival. However, merely being part of the family isn’t enough, those people who were respected and who felt they played an important role in family life benefitted most. Blue zones are areas of the world, such as Okinawa in Japan and Icaria in Greece, that boast the highest number of centenarians. These super-elderly have many dietary and exercise habits in common but they are also respected and socially active members of their families and community. Mutual dependence within families increases longevity and decreases depression in the elderly while the young benefit with culture and wisdom.

These days the waiting room chairs stand spaced and the friendly baskets of tattered magazines have disappeared. Patients wait behind masks, absorbed in their phone screens. The silent glide of the door admits a young boy and his grandfather. Hands cup at the sanitation station, clear solution pumped and dutifully spread. The old man sits with the slow deliberation of age and his grandson leans against him, his small hand resting on the man’s arm. The tan of youth as brown as the liver spots of age. Who is looking after who?

I comment to my GP, we’ve known each other since hospital resident days, on the boy and grandfather. He frowns, concerned that the pandemic will leave a generation of anxious, germophobe children in its wake. Psychologists reassure us that if we talk openly and honestly with children, and are not afraid to sometimes say, ‘I don’t know’, they will keep trusting the adults around them and feel safe. Learning to regularly wash our hands, and cough and sneeze into our elbows, are likely long term positive public health measures. Children should not be shielded from the truth, rather they need honest answers and simple, concrete explanations with positive messages. ‘Let’s wash our hands so we can stay safe,’ being better than threatening with the risk of infection. Australia’s 2020 children’s laureate Ursula Dubosarsky captures the essence with her Covid kitten poem:

‘What can we do?’ ‘Well wash your paws,’
Her mother said, ‘And all your claws.’

‘We’ll stay inside a shut the door.
You’ll laugh and hide and read and draw’

And wait until the morning when
Our big old world is right again.

Michelle rings to discuss the latest news, President Trump’s admission to hospital with Covid. Despite deriding and ignoring all scientific advice this elderly man will receive the latest antibody and anti-viral treatments.

Michelle tells me Samuel has created a ‘torch thermometer’ to temperature check each customer entering his Covid-safe shop. Samuel, whose home life is a chaotic mix of itinerates, dogs, cats, processed food and late nights, needs his grandmother more than ever during this pandemic. Not only to decently bury deceased Lego figurines, but for stability, and reassurance, and simple joy. When our grandchildren ask us how we lived now, will we with confidence reply that we walked the pandemic tightrope fairly?

When my son was six months old I bundled him onto the long Sydney to Johannesburg flight to visit his great-grandmother. Each day of our time together she held him in her arms. Weeks later, as the smoke-hazed veld dipped below the wing of the plane circling away from Tambo International airport, I knew I would never see her again. My son grew up with stories of the woman who wrote the “carrot- elf” book and we have a photo of four generations together. At ninety-three my grandmother’s hair was still not grey.


“Aboriginal Cultural Tours: Proudly sharing Adnyamathanha culture with you.” Wilpena Pound Resort, www.wilpenapound.com.au/do/cultural-tours/.

“Australian Birds.” Red capped Robin – Aboriginal information, mdahlem.net, 3 Sept. 2019, mdahlem.net/birds/19/redcrobn_abo.php.

“Strengths of Australian Aboriginal cultural practices in family life and child rearing.” Australian Government: Australian institute of Family Studies, Child Family Community Australia, Sept. 2014, aifs.gov.au/cfca/publications/strengths-australian-aboriginal-cultural-practices-fam/theme-3-elderly-family-members.

“Tony Abbott joins Paul Keating in opposing Victoria’s euthanasia bill.” The Guardian, 21 Oct. 2017, www.theguardian.com/society/2017/oct/21/tony-abbott-joins-paul-keating-in-opposing-victorias-euthanasia-bill.

Armitage, Richard, and Laura Nellums. “COVID-19 and the consequences of isolating the elderly.” The Lancet, vol. 5, no. 5, 19 Mar. 2020, doi:https://doi.org/10.1016/S2468-2667(20)30061-X.

Baker-Jordan, Skylar. “Thanks, Mr President, but I asked my grandparents and they don’t want to die for your economy.” The Independent, 24 Mar. 2020.

Dubosarsky, Ursula. Ursula Dubosarsky: Australian writer – Children’s laureate 2020-2021, ursuladubosarsky.squarespace.com/.

Fitzgerald, Anneke, et al. “A new project shows combining childcare and aged care has social and economic benefits.” The Conversation, 3 Sept. 2018.

McArdle, Megan. “Here’s why it won’t work to just isolate the elderly and vulnerable.” The Washington Post, 4 Apr. 2020, www.washingtonpost.com/opinions/2020/04/03/heres-why-it-wont-work-just-isolate-elderly-vulnerable/.

Schiele, M., Gottschalk, M., & Domschke, K. (2020). The applied implications of epigenetics in anxiety, affective and stress-related disorders – A review and synthesis on psychosocial stress, psychotherapy and prevention. Clinical Psychology Review, 77, 101830.

Torche, F. (2011). The Effect of Maternal Stress on Birth Outcomes: Exploiting a Natural Experiment. Demography, 48(4), 1473-1491.

Wadsworth, Nancy S., and Peter J. Whitehouse. “Future of Intergenerational Programs.” The Encyclopaedia of Elder Care, edited by Eugenia L. Siegler, Elizabeth Capuzeti, and Mathy Mezey, Fourth ed., Prometheus Books, 2004, p. 188.

White, Patrick. Three Uneasy Pieces. First ed., Jonathan Cape, 1988, p. 41.

Wintour, Patrick. “Tony Abbott: some elderly Covid patients could be left to die naturally.” The Guardian, 2 Sept. 2020, www.theguardian.com/australia-news/2020/sep/01/tony-abbott-some-elderly-covid-patients-could-be-left-to-die-naturally.

Yoshikawa H, Wuermli AJ, Britto PR, et al. Effects of the Global Coronavirus Disease-2019 Pandemic on Early Childhood Development: Short- and Long-Term Risks and Mitigating Program and Policy Actions. J Pediatrics. 2020;223:188-193. doi:10.1016/j.jpeds.2020.05.020

Zunzunegui, M., Béland, F., Sanchez, M. et al. Longevity and relationships with children: the importance of the parental role. BMC Public Health 9, 351 (2009). https://doi.org/10.1186/1471-2458-9-351

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Cherries, Verity Oswin

Photo by Andriyko Podilnyk on Unsplash

The trees had been spatchcocked (a violent act) against the trellis.
A wind broken with salt set the orchard a-hum.
The cherries fell plump, desultorily.
The baskets were lashed to our waists.

You were a treble clef— arms curled round the stave.
I was afraid of heights, men— the withered ends
of everything — I found you under a tree eating cherry money.
We were hungry— wanted flesh, sugar— red.

Did I say it was Tasmania, 1996? Did I say we hitch-hiked, pitched
our tent on an oval? That the pegs slid deliciously into the green
island town called Snug? Anagram of sung you said, of guns I said.
You said palindrome— rolled your eyes all the way back in your head.

At noon we woke to the honey thwack of the bat against leather cherry
bruised by those south Tasmanian boys, all clean and white, striped
against the grass peppermint morning, peered out of the flap; middle of the match
cheeks still glazed from the sticky gaze of the miners the night before.

We really were only nineteen.
We really did spend the summer picking cherries.
It turned out our twenties would be like the cherries—
splendid, unapologetic, strung on a wire.

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Decontaminate, Natasya Currie

Photo by Clay Banks on Unsplash

There are bodies on the sidewalk. Quinn’s eyes dart to them briefly. The closest of them, a man dressed in a tailored black suit, lies half-curled in the foetal position near the bus-stop. Another woman has collapsed two metres away from him, a half-eaten muffin fallen from her outstretched hand. A speckled finch cocks its head and hops closer, heedless of the wide berth given to the bodies by the rest of the early-morning crowd.

They’re not the only ones. There are other bodies: each one an unmoving stone in the flow of commuters. Quinn counts one, two, a trio over there, another in front of the alley, before she catches herself and tears her gaze away. The light ahead turns green and the bus rolls forward, nudging Quinn further into her seat. The bodies soon disappear, though her awareness of them lingers.

The bus trip takes twenty minutes. Quinn spends eleven of those fiddling with the cord of her earphones and the rest nervously cataloguing the other passengers. There’s a man in a black suit to her left across the aisle and two women spaced carefully at the front. They’re wearing masks, like Quinn, but above the blue fabric their eyes are half-lidded and weary. Quinn smooths unsteady fingers down the sides of her nose bridge, pushing the mask wire flush against her skin. They don’t look sick… but that doesn’t mean they’re not. The thought that one of them could be a carrier spikes anxiety into her stomach.

Through the window, Quinn spots the corner café she works at: Morning Brew. She stands as the bus draws closer, presses the buzzer, and waits as the bus driver pulls to the side of the road. When she pulls her hand away from the pole, the icy imprint of the metal stays like a brand on her palm. Quinn holds it stiffly at her side as she walks to her work.

Another dead body is slumped two feet from the entrance. It’s a girl, maybe the same age as Quinn herself. She’s wearing bright yellow heels, but the shoes are scuffed and almost falling off her feet, meaning she was dragged here—off the main footpath, perhaps, or out of the road. Quinn stares at the body for a long time, her keys clenched in her fist. Briefly, and selfishly, she wishes the girl had the forethought to die somewhere else. But she hadn’t, and neither had the person who’d moved her, and now it is Quinn’s problem.

She can’t move the body—can’t touch it—but the council truck won’t be by for hours and won’t it scare away customers? In the end, she leaves it there, not knowing what else she can do.

Quinn’s been working the opening shift for months. Now, the familiar mantra runs through her head like a printer churning kitchen dockets. Unlock the door, turn on the lights, drop your bag behind the counter and grab an apron. Keeping track of the places she touches is just another running list: key, door, light switch, cupboard handle. Her co-workers on the closing shift should have disinfected everything already but Quinn can’t trust that alone. She’ll go over everything again before the café opens. But first – as she thinks about the dead girl on the café’s doorstep – her hands.

There’s sanitiser tucked beneath the counter. Her hands are still raw from this morning, when she scrubbed her hands free of bacteria after getting on the bus. Quinn smooths the cold gel over her palms, along the backs, in the gaps between fingers and on the half-moons of her fingertips. The cracks in her dry, roughened skin reveal themselves with stinging complaint but the ache, too, is routine. She dries her hands with a flick of her wrists and moves on to the rest of the café.

For a half-hour, she’s alone. Then the bell above the door rattles when she’s in the middle of fitting the filters into the coffee machine and Quinn glances up. It’s the new hire, she realises. He’d replaced Alyssa, she remembers, after the poor girl was found keeled over in the backroom. The café had been closed for a week for de-contamination. The new guy’s name was… Kenny? Kyle? Then the young man gets close enough for Quinn to glance at his name tag. ‘Hey, Kevin,’ she manages, hiding her relief.

‘Hi! You’re Quinn, right? I can’t believe this is our first shift together!’ exclaims the other guy. He’s grinning at her as he sticks out his hand. For a heartbeat, Quinn moves to shake it – and then the realisation clicks in and she steps back instead.

‘Woah,’ she says. ‘Did you sanitise yet?’

‘Oh.’ Kevin pulls his hand away from Quinn and covers his mouth as he laughs. He’s touching his face, Quinn thinks, dismayed. ‘Whoopsie-daisy! Sorry, I’m just, like, still getting used to it all. Did you see that girl outside? I totally almost went to ask if she was okay before I realised, she was, like, dead. You know?’ He laughs, but it comes out nervous and brittle.

Quinn can sympathise, even as her heart trembles at Kevin’s near miss. That instinctual empathy – the desire to help – had almost been their downfall when the sickness had first emerged, before they’d learned to avert their eyes and keep their distance instead. A government ad campaign had been reinforcing that lesson for weeks now: SAVE OUR BUSINESSES, NOT THE BODIES! The economy, after all, was what would save them.

No one said how exactly, but Quinn has been told it enough times to know it’s true. It’s why she’s here, in the café, setting up while there’s a dead girl outside the doors and more bodies in the street than she can count. And, speaking of the economy… Quinn sighs and beckons for Kevin to follow her behind the counter where they keep the sanitiser and PPE. ‘Come on,’ she says, and reaches for a pair of gloves. ‘We have to move it.’

‘Move what?’ asks Kevin, and then he pulls a face. ‘The girl? Ew, Quinn. Can’t we just wait for the council truck?’

‘That could take hours,’ she counters. ‘The café opens in twenty minutes.’ And we’ll both get fired if we don’t, she thinks.

Kevin huffs – but Quinn is right, and they both know it. After a moment’s hesitation, he sanitises his hands and reaches for a face shield. Once they’re both covered head to toe in multiple layers of protective equipment, Quinn leads the way to the door. Outside, a few people do double-takes and then veer in a wide circle to keep clear of them both. Quinn senses Kevin’s grimace even through the mask.

The dead girl has listed slightly to the side since Quinn saw her, her blue eyes open but sightless. Quinn swallows against the sudden lump in her throat and averts her gaze. ‘You take her ankles,’ she suggests. ‘I’ll grab her wrists.’

‘And take her where?’ whines Kevin, and Quinn feels a flash of irritation. Does he think she wants to move the body? ‘The dumpster?’

Quinn shakes her head. ‘There’s a collection point down the street. We’ll take her there.’
Despite her brave face, Quinn fights a physical wave of revulsion as they manoeuvre the body flat onto the ground and then she wraps her fingers around the girl’s slim wrists. Even through her plastic gloves, Quinn can feel her ice-cold skin and imagines the sickness slowly transferring through their touch. The thought is almost enough to make her panic.

She fights the feeling as they struggle down the street, the body swinging stiffly between them. The streets are emptier now, but the few pedestrians hold their hands over their masks and hurry onwards when they see Quinn and Kevin with the body between them. No one wants to be near the infected.

The collection point is marked by the spray-painted warning signs on the surrounding ground and the four-post pavilion. The cover is supposed to protect the bodies from the elements, which Quinn supposes she appreciates. The bodies start to stink if they’re left out for more than a few days already; she can’t imagine the stench if they were left out to be roasted by the sun or bloated by the rain. Today, fortunately, the collection point is almost empty. There’s only an old man settled at the centre and a young girl, a child, placed carefully right on the edge. Quinn’s grateful for it; she doesn’t know how her nerves would have held up if she’d had to add to a pile. Even the thought of it makes her skin crawl.

With a grunt, Kevin throws the girl’s ankles down. Her battered yellow heels thud lifelessly against the pavement. Quinn winces and lowers the upper half of her body with slightly more care. Then she steps back and realises they’re too close to the edge. She checks her watch, though the face of it is dim and hard to read through her plastic scrubs. It’s almost time to open. Quinn bites her lip, deliberating quickly. She doesn’t want to be left alone with the bodies, but if the café doesn’t open on time… Well, then she’ll really be dead.

‘Go back to the café,’ she instructs Kevin eventually, who visibly sags with relief. ‘I’ll follow. And don’t touch anything!’

Kevin acknowledges her with a brief salute and then turns back. She watches him for a moment, wishing he’d offered to stay. Then, resigned to her task, she turns back to the body and grabs her ankles this time. Her blue eyes are still, awfully, open. Quinn tucks her chin into her shoulder and drags her closer to the centre, away from where an unsuspecting pedestrian could stumble into her radius of infection.

Invariably, though, after she settles her, Quinn’s gaze drifts back to the dead girl’s face. Dragged like this, the girl’s blonde hair—once neatly curled—has become filthy and matted. Her mascara’s smudged, too, in black streaks beneath her eyes. And Quinn knows it’s stupid but until the sickness, she’d thought all dead bodies were supposed to look peaceful.

Quinn knows better now. Underneath the dirt, and the black smears, and the emptiness behind her eyes… she looks scared, just like the rest of them. Hell, Quinn knows that fear intimately. She had been terrified when the reports had first flooded in: people dropping dead on the streets, stiff bodies left to rot on sidewalks. She’d thought the world as they knew it was ending. Two weeks later, though, it’s still business as usual, minus the corpses on her daily commute.

But she’s adjusting to those, too. Like everyone else is.

She turns and goes back to the café. True to her instructions, Kevin’s finished opening—though fortunately, with Quinn still in her PPE, there’s no customers inside to be scared off yet. She slips inside and goes straight to the backroom to strip it off: her gloves, mask, face, shield and scrubs. Kevin’s is already neatly bundled into a sealed plastic bag, ready to be burned. When Quinn finishes up and re-enters the serving area, she sees Kevin mopping her contaminated footsteps off the floor. His wrists are still pink: he must have scrubbed his hands raw after he’d returned to the café, terrified that the sickness would transfer.

Quinn sanitises her hands again and ties on a new mask. She’s disinfecting the countertops—again—when the doorbell jingles. The cheerful noise is jarring after the stress of the morning, and Quinn nearly jumps. She takes a deep breath to collect herself, ignoring the sweat beading on her forehead, and then glances up from the counter. Kevin’s already pulled away to greet the trio of customers, his brown man-bun wobbling precariously atop his head. It’s selfish, Quinn knows, but she stays behind the counter instead of joining him. Her earlier exertion has left her tired and flushed, so she’s not in the mood to put on a customer-service smile.

Once the customers are seated and their orders taken, Kevin saunters over so that Quinn can punch it into the register and get started on their drinks: a mocha and two lattes for the three women. She pivots to grab three cups from the cupboards, but a wave of dizziness knocks her off-balance. She halts, reeling from the sudden light-headedness.

Kevin, watching from the other side of the counter, notices immediately. ‘Are you alright?’ he asks.

Quinn hates that she knows exactly what he’s thinking, hates that she’s thinking it too. ‘Don’t be stupid,’ she snaps, harsher than she meant to. ‘I’m fine. Just tired from moving the-’ She hesitates, glancing at the three customers. They’re not paying attention, but she lowers her voice nonetheless. ‘The body.’

‘Yeah, it was pretty heavy.’ Satisfied, Kevin turns his attention to the machine again. ‘You’ll make ‘em, right?’

Quinn flicks an irritated glance in his direction. Kevin would have been taught how to make all the different drinks on his first shift, so it’s not like he needs her help. But Quinn’s the senior employee: she should set the example. ‘Fine, but you can plate their pastries.’

Once he’s gone, Quinn refocuses on her task. By now, the process of each drink is routine and almost mindless. She’s pouring the steamed milk into the second latte when another wave of dizziness hits her, stronger than the first, and the metal jug slips from her hand. It falls to the floor with a loud crash and hot milk arcs over the tiles.

Quinn barely sees it. Darkness swims at the edge of her vision and her balance is gone—she stumbles, catching herself against the edge of a counter. She hears Kevin call her name, panicked, but it’s distant, muffled—like he’s in another room. A third wave of dizziness slams into her and she falls to the floor.

When Quinn manages to lift her head, she sees Kevin and the three customers staring down at her, shocked. They must have run to see the source of the commotion.
But they’ve kept a careful distance from her. A metre or two; Quinn knows, instantly, that they won’t help her. They can’t. Suddenly, bizarrely, she has the urge to laugh.

Her last thought, before the darkness closes in, is that the café will need to be decontaminated.

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my grandmother’s charm bracelet, Ceilidh Newbury

Photo by Sabina on Unspash

my grandmother’s charm bracelet was awarded highly commended in The Quarry – Future Leaders Creative Writing Prize 2020

my inheritance part one
the fourth time we meet it isn’t in person
it’s in my inheritance
a chain that threads little silver pieces of you
i run them cold through my fingers and try
to hold your hand

the hedgehog
the hedgehog is a mother with spines like nails
to protect her children your four stubborn sons
you’re in a new house this third time frail and shrinking
nervous to touch you lest like moth dust i wipe away something important
but in old photos you are fierce

a silver sixpence in her shoe
the end of a rhyme something borrowed
from the british i had to look it up no one could explain this charm
if true your father tucked the coin into your shoe and watched
you limp on blistered heel into your (un)happy future

the lamp
god’s word was a lamp that guided you to start
you lived a little lost your faith forgotten in a box of memories or stuffed
behind the couch cushions of your heart
life was too hard to keep it you saw too much
to believe

the bells
two bells tied as one with a ribbon unbreakable
charms clink like wedding bells chimed
broken not long ago before i knew him and now you follow
finally two bells are one again

the well
wet your lips with the freshly pulled water or
give it back to the earth so new life will bloom
my second time in your house your son is upset
you’ve been working in the garden again last time you
fell so he scolds you like you are a child
you wink at me and smile

the scales
september twenty seven i guess you were a libra
can’t believe i didn’t know that until now
born nineteen thirty-two seems so far away you were witness to a world torn up
became our lady justice keeping balance keeping peace keeping contact
keeping us together
and apart

your bible is locked
away inside you there was too much war
countries cities children cheating husbands chasing women
you snuffed that light
one your sons never lit
no one read the book over your grave but they never would have anyway

the crown
queen of miskin street and newburys reigning from across the seas but
no one believes in monarchy anymore
my first sight you sit royal clasping shaking hands and staring through cataract eyes
maybe i should curtsey but instead i sit and cross my arms and hope
you love me

my inheritance part two
there’s something else in this bag
another inheritance i would pass down if i wanted children
a ring
gold and fragile so small it doesn’t fit my fingers
like that bracelet couldn’t fit your life and i remember now
i don’t know you

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Swan Lake, Swarna Pinto

Photo by Andrew Reshetov on Unsplash

If you keep walking west along the Woodend Road, passing newly built double story houses with double garages and flower pots at the front, you will come to Blue Gum Tree Lake Reserve without noticing my house. It is the last house on the street and is hidden behind large weeping willows. Overgrown apple, plum and apricot trees surround my house. It is a weatherboard with curly peels of white paint hanging onto timber slats. My front and back yards are big and get overgrown with weeds and grass until a council gardener turns up. My old Holden Sunbird, covered in dust, sits on the driveway.

I like to sit on the porch at dusk to watch people coming back from walks in the reserve or picnics near the lake and to hear them talking. Sometimes I hear them talking about me. You know there’s an old woman who lives there all alone. Gives me the creeps. I like my solitary existence and I like my house. The best thing about my place is that I can see swans gliding on the lake from the backyard. Before coming here, I lived in a few different places with different people. Now they are all but fading memories except for my memories of Sasha and Jana.


I met Jana when I was a scholarship student in Soviet Russia. My university was in Astrakhan, a city by the Volga River in southern Russia. I lived on campus in Hostel Number 7. After classes, I hung out with three other girls from my tutorial group–Jana, Anu and Meena–who came from Sri Lanka like me. Jana had a boyfriend in Sri Lanka who wrote long letters to her. He was called Saman. Anu, Meena and Jana were classy and beautiful. Jana was the most beautiful. I was plain and awkward. My left hand was useless. It hung limp. It had been like that since I was about ten, after I fell off my bicycle while trying no-hands down a steep slope.

All three of them went out a lot and usually missed morning lectures. Jana even missed tutorials. But it didn’t get them in trouble because I let them copy my lecture notes. I let Jana copy my assignments.

We liked to talk about boys. We all agreed that Sasha was the cutest. We saw him at morning math lectures. He came in at the last moment and hurried out just as the lecture finished. He sat in the back row where guys usually sat, but two or three seats away from them. Jana was very keen on Sasha although she was dating Arun, a mature PhD student from India who looked like a movie star. She also had Saman waiting for her back in Sri Lanka.

Once, Jana said that Sasha looked like a Greek god.

‘He’s not Greek, he’s Russian,’ I blurted out.

The moment those words went out of my mouth, I knew I had made a big mistake. Jana rolled her eyes.

‘What does it matter to you?’

She left the rest to hang in the air: you who are ugly.

Jana was like that. She would hurt me but later would make it up to me.

A week or so prior, Jana asked Meena and Anu if they wanted to go to a party on Saturday. Both declined as they had dates.

‘I’ll come,’ I piped up.

‘You can’t dance. I’ll ask Oumou, she’s terrific.’

Two days later Jana followed me into the stolovaya. She put her tray on my table and sat across me. I finished eating my lunch and got up.

‘Sit down and eat this. Please.’ She pushed a plate with two pieces of cake towards me. By the time we were descending the stairs, I was laughing with her. She stroked my hair and said she wished her hair was smooth like mine.

‘Have you done your Chemistry yet?’ I asked, knowing that she had not. Then I let her copy my assignment.

But when Jana implied that I was not worthy even to talk about Sasha, I detested her. I liked Sasha very much and felt that he liked me as well. At the lectures, I would feel a thrilling tingle on my nape, encouraging me to turn around. Sasha would smile and my heart would leap, shooting an exciting warmth inside my whole body. I was sure that he was going to talk to me soon. Then Jana came to a morning lecture.

After the break that morning, Sasha did not return to his seat. I was secretly happy because I knew that Jana came to strike up a conversation with him. Jana fidgeted beside me for a while, then abruptly went out. I thought she was going back to catch up on her sleep.

The next day in math class Jana was glowing. She told us how she had met Sasha in the stolovaya the previous morning. While Sasha ate his kasha, Jana had sipped a hot chocolate. Then they had gone out for a walk along the Volga. It had been cold and Sasha had draped his jacket over Jana. He had bought hot savoury piroshkies from a roadside vendor to eat while walking.

‘Did he kiss you?’ Meena asked.

Anu squealed, ‘She’s blushing.’ Then she whispered, ‘Arun will kill you’.

‘He doesn’t need to know.’

Meena said that they made a smashing couple and Anu agreed. They said the same thing when Jana hitched up with Arun.

‘Congrats,’ I heard myself say in a strange voice.

Jana wouldn’t stop talking about Sasha. I tried to switch off but heard that they were going to the movies that night.

‘You should find somebody and have some fun,’ Jana advised me, while pointedly looking at my limp and useless left hand.

Meena and Anu looked at me and then at each other.

‘She likes Sasha,’ Jana explained. ‘Haven’t you two seen how she turns back in class to look at him every five minutes?’

Then she looked straight at me.

‘Sasha is mine.’

I did not hear anything after that. At the end of the class Jana wanted to talk to me. I ignored her and gathered my books.

‘Are you upset over Sasha?’

My pencil case slipped and landed near Jana’s feet. I thought she would pick it up for me as I was holding books with my right hand.

‘Are you?’ Jana insisted.

I placed my books back on the desk and bent down to get my pencil case.

‘Pathetic. He knows about you.’

I picked up my pencil case and rushed to my hostel.

Pathetic? Sasha knows about me? Am I pathetic? Did everyone think I was pathetic? How could Jana hurt me like that just after copying my math assignment? I decided not to let her do this to me anymore.

I remember coming into my room and wishing there was somewhere I could go, for Jana was sure to come and see me as she always did on her date nights. She would chassé into my room ostensibly to check her make up in my mirror but in fact to show off and to hear my compliments. After she left, her perfume would linger and torture me well into the night.

I threw my books on my bed and went out. I walked on Tatisheva Street, turning my back on the direction to the cinema and Volga. I pictured Jana and Sasha walking: Jana on Sasha’s arm, the way Russian couples walked. Jana would be leaning on Sasha. He would bend his blond head and kiss her glossy lipsticked mouth.

A sudden rush of warm air threw me backwards and I landed on my useless left hand. A goods train thundered past me. My heart pounded. Two more steps and that train would have killed me.

Tears came unbidden as I lay there. I cried until I was spent. Then I got up and looked around. I knew that the station was only a half an hour walk from my hostel, but I did not know which way the station was. The railway line disappeared into birch trees in both directions. If I walked the wrong way I would be lost and frozen to death.

It was getting dark and the cold was seeping right into my bones. My wristwatch had stopped at 2.30, the time the math class had finished. I guessed it was around six by then.

I started walking along the railway, making sure to keep a few feet distance. If I didn’t see any lights in about half an hour, I would turn back and walk the opposite way. I was thinking whether to go further or to turn back when I heard a bird flapping its wings above me. I shivered as a huge dark shape disappeared into the night. It’s only a bat, I told myself. A sliver of a pale moon peeked from behind grey clouds calming me a little. I kept walking. Under my boots and gloves my feet and my fingers were numb from cold.

A dog howled from somewhere far away. It was a mournful howl. My teeth chattered when I spotted two yellow eyes in the distance. The eyes belonged to an animal much bigger than a dog. It advanced, keeping its gleaming yellow eyes trained on me. It was a wolf. Quickly, I hid behind the closest tree. The wolf came closer but stopped about ten yards away from me.

It bent its head and sniffed at something on the ground which looked like one of my gloves. I looked at my hands and saw that the left glove was missing.

Take it and go. But it left my glove and continued to come towards me. Could it hear my teeth chattering and my heart thumping? I closed my eyes and clamped my teeth together and stayed rigid despite the shivering. The wolf padded around my tree and stopped right behind me. Prey in sight, it was waiting for me to make the first move.

I don’t know how long I had stayed that way when I felt a tingle on my nape and heard a familiar voice say, ‘Priviet.’ (Hello.)

I spun around.


‘Vsio normalna?’ (Everything okay?) he asked.

I whimpered, ‘There’s a wolf.’

‘Mmm?’ Sasha looked around. ‘I don’t see a wolf.’

‘Pashli,’ (Let’s go) he extended his hand.

He picked up my glove from the ground and put it on gently. Then he placed my left hand on the crook of his right elbow and covered my hand with his other one. We started walking and Sasha suggested crossing Swan Lake.

He wanted to know what I was doing back there. I asked him where Jana was.

‘You must answer me first.’

As I struggled to compose myself, Sasha looked into my eyes with such tenderness I burst into tears. He let me cry on his shoulder. When I became quiet, he asked again.

‘To watch trains.’

‘Very funny. That’s a decommissioned line.’

I shivered uncontrollably and Sasha removed his winter coat and draped it over me. He would take me to his Babushka’s house to warm me up.

It was then I told Sasha about Jana’s hurtful remarks. I said that she had just finished copying my math assignment when she said those things.

‘Forget Jana. You are very sweet and very intelligent.’

Swan Lake was gleaming white right in front of us. Sasha glided around the lake holding me tightly to his warm body. The moon was out and stars twinkled in the dark purple sky. He sang a Russian folk song, Moscow Nights, in a beautiful baritone.

The wind picked up as we approached his Babushka’s house. It was an old weatherboard and stood among a few bare trees. There were no other houses near it. From the moonlight that fell on it I saw that the windows were boarded up. We climbed some wooden steps and Sasha opened the front door with his key. He then scooped me up and carried me into the lounge, while floorboards creaked all the way. He placed me gently on a sofa in front of an old log fire place and adjusted his coat over me. I saw cobwebs hanging from the ceiling and from framed portraits on the walls. In no time Sasha built a roaring fire. I felt deliciously warm and drowsy.

‘Ona budet v poryadke,’ I heard somebody saying from far away. I wanted to ask who was going to be fine but I could not talk. I could not even see who was talking. I knew I was sleeping, but had no idea where I was.

They said I was found lying on a bench near my hostel on a very cold morning. The temperature had been five degrees below zero during the night. I was barely breathing and they had rushed me to the hospital. I had been very ill for over two weeks.

‘I don’t know what happened,’ I told everyone who asked me, although I clearly remembered the night with Sasha. Anu and Meena came one morning to take me back to the hostel. I didn’t ask after Jana.

I was not allowed to go to classes for another two weeks and I mostly slept. A nurse from the campus Medpunkt visited me daily. She massaged my left hand which was coming to life. One afternoon the Faculty Dean came to see me. He questioned me about the night I was found on a bench.

‘I went for a walk up to the station and got lost. I don’t know how I ended up on a bench.’

‘Jana was with you that night?’


Then he said that Jana hadn’t been seen since the day I was found on the bench. I lifted my eyebrows and kept quiet. But when he said that Jana had been sighted near Swan Lake an audible gasp escaped from me. He looked straight at me as he continued talking in his measured tone.

‘On that night, the ice on the lake would have cracked even if a small child were to step on it.’
He stayed a few more minutes, telling me how to catch up with the lessons.

‘Don’t worry. We’ll find her.’


The next day my nurse had found me in a delirium. This time I stayed much longer in another hospital. More than a year had passed by the time I could attend classes.

The first thing I did was walk to Swan Lake. The morning was bright and crisp, the sun reflecting off the pure white snow. My boots made soft crunch … crunch …noises as they made imprints in the snow. The lake was a flat white sheet. Swans had already migrated to the other side of the world as they did each year. For a while I watched people skating on the lake. It was snowing when I walked back and my footprints disappeared under the falling snow.

I decided to immigrate. I would go wherever and do whatever. I applied to UK, Canada and Australia. Australia replied and within six months I was in Melbourne. Once in Melbourne I could not find a research position and ended up becoming a cleaner. I cleaned up other people’s messes. I learned to clean mine.

Now that I have all the time in the world to think, conflicting thoughts swirl in my mind. I know that I was very ill in Astrakhan all those years ago. I also know that severe hypothermia can cause hallucinations and confusion. But I would like to assure you that my night with Sasha, the most beautiful night I have ever had, was real.

I left Astrakhan and went to Moscow to forget Jana and Sasha. Then I came here to Melbourne for the same reason. I wanted to forget the past. But the mind is a tricky thing. It keeps all the memories I have wanted to forget. And I am glad to have those memories intact. That’s all I have now.

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Night Market, Ry Feder

Photo by Julie on Unsplash


The markets glimmer in the dark like firelight.

It’s the fairy lights draped over each booth, Jamie thinks, and the lanterns that criss-cross the paths between them. Individually, each bulb is small. They don’t produce much light. But together… massed together, they’re breathtaking.

It’s a nice metaphor. Jamie mentally notes it down to use later in a story.

‘Okay, we got a bunch to do. Where first?’ Jack asks the group, his arm slung over Callum’s shoulder. Jamie glances sidelong at them, then away.

It’s not jealousy, exactly. It’s not like they miss being with Jack specifically, and he and Callum really do make a good match (hell, Jamie had been the one to suggest that Callum ask Jack out in the first place). But of their circle of friends, Jamie is the only one who doesn’t have someone and sometimes that loss feels like lead in their stomach.

It had been their choice, they have to keep reminding themself of that. It had been Jamie who had told Jack it wasn’t working, and they have no one else to blame.

And they’re at the markets, and they’re big and bright and bursting with life and maybe, maybe they can find someone here, find a connection. Somewhere amidst the lights and the lanterns, the arts and crafts, music and sound, amidst the swell and push of humanity, maybe there is someone here who they can connect with.

Coffee in one hand, and they won’t sleep well tonight. But Jamie’s wandering feet have led them to a stall bursting with music and movement, a keyboardist spinning songs from their fingertips. Jamie stops and watches, lets the music sink into their bones, and the song comes to an end and the keyboardist looks up and meets their gaze.

There’s warmth, there. Curiosity, fascination. The potential for a connection, maybe, if they dare. They hold Jamie’s gaze for a moment, then a smile crosses their lips.

Jamie smiles back.

The Artists

Danica hands over the sketch, accepts the ten dollars, and gives a sunshine-bright saleswoman smile.

‘Pleasure doing business with you!’ she beams, tucking the note in the tin. She’s already planning out the groceries – eighty cents for a half-kilo tin of lentils, two bucks forty for peanut butter, a dollar sixty for the no-name supermarket bread…

There’s a gap in the music; she glances up from her list. ‘Hey, Lucc? White, wholegrain, or multigrain?’

The pianist runs a hand through eir hair with one hand and reaches for the water bottle with the other. ‘Uh, dunno. We already get rice?’

‘Yeah, two pictures ago.’


Danica nods and jots it down. ‘Cool. We almost have enough for bananas.’

‘Bitchin’.’ Lucc grins and launches into a cover of The Banana Boat Song; a few of the market-goers pause to sing along to the old standard. Smiling back, Danica drums against her little table to provide some accompaniment, a few red curls escaping their clips to bounce around her face as she sways to the song.

The movement helps. Movement means catching people’s eye, catching people’s eye means they’re more likely to look at the paintings she has for sale or, more likely, the ten-dollar sketches she does (‘While you wait!’). It works out well, sharing a booth with Lucc. They split the vendor fee, eir music attracts people who might buy Danica’s art; those browsing her art will inevitably listen to Lucc’s music and maybe contribute a few dollars to the tip jar, maybe buy an EP.

Rent does not come cheap.

Lucc has wrapped up the cover and gone into one of eir own compositions. A few stick around to listen, including a cutie with freckles splattered over their face like paint and a jacket adorned with a riot of colourful badges. They (there’s a nonbinary flag amongst the badges) have one hand on their cocked hip, a smile on their lips. Danica is about eighty percent sure they’re flirting.

‘This next one,’ Lucc says as ey finishes up, ‘Is dedicated to all the beautiful people out here tonight.’ Ey winks at the one in the jacket, Danica laughs at the blush it produces and turns back to set up her sketchpad for the next portrait.

It’s on the ground, along with her pencils and eraser, stool overturned. The kneaded eraser is half buried, and there’s the imprint of a boot in its soft surface.

‘What the hell?’ she mutters, straightening up the stool, trying to work the mud out of the eraser. It’s well and truly ground in, unusable without leaving streaks of dirt over the paper, and she bites her lip savagely.

Kneaded eraser, four dollars ten. Broken 4B pencil, eighty cents for one or two bucks for the three-pack for the cheap ones…

The thing is, she’s starting to realise, is that the stool had been tucked away in the middle of their little stall. It’s not somewhere where people might randomly bump into it, where they might accidentally knock her supplies to the ground. To get the imprint of a boot like that (and Danica’s boots have a different print, and Lucc has not left the keyboard since she last saw her sketchbook), it would have to be deliberate.

The cash box hasn’t been touched yet. Danica hesitates, then slips the money out and into her jacket pocket, buttoning it shut.

She hates not trusting people. Hates it. Danica likes to think herself an extrovert, that the people she surrounds herself with are good at heart. She likes to think that the people at the night market are people who care, who are seeking homemade food and handcrafted art, to hear live music and to exist within humanity’s heartbeat.

Vandalism doesn’t come under that category.

There’s a break in the music and, just on the edge of her hearing, a few whispers. Some muffled laughter. The sound of something tearing. She turns just in time to see one of her earlier sketches drift to the ground like a feather.

Her jaw sets. ‘I need to check something out,’ she murmurs to Lucc, and then she darts around the side of the stall just in time to see someone disappearing into the darkness.
The fairy lights and lanterns might be atmospheric, but the light they give is dim. Danica wavers, bites her lip.

Trying to catch them would be futile at best. She’s not dressed for running through the dark, over uneven ground. She would be better off brushing her things off and getting back to drawing, let market security deal with the issue.

But it’s left a stain on the evening. A sharp reminder (in the form of a trodden-on eraser) that she has to fight for every scrap of independence. That it’s not enough to be able to survive in the city with her art, with Lucc’s music, with friendship and the markets at the hub of it all. That there are forces actively working against her.

She doesn’t even know who they are. Wouldn’t even be able to pick them out in a line-up. She doesn’t know if they’re vandals on a mission, or just reckless kids acting up.

Slowly, she picks up the sketch from where it had fallen, brushing off some of the dirt. Slowly, she pins it back up, rightens the stool, sets her things up again.

She has work to do.

Torn Paper

Miri’s fingers are stained grey.

She has her hand shoved in her jeans pocket, tight around the cash and feeling hideously conspicuous. Matt’s advice (‘Don’t look guilty, don’t run, just walk around like you own the place’) feels utterly inadequate; she’s sure that everyone can see the handful of fives and tens she took from the noodle stall through the fabric as she weaves through the stalls.

Apparently that damn artist had been using some kind of super-pencil. When she had ripped the drawing off the wall, it had covered her skin in glossy charcoal grey.

Stupid Matt. Stupid, charismatic, charming Matt and his stupid, charismatic, charming friends.

None of them are in sight, of course. They all scattered the instant the artist had nearly caught them in the act, leaving Miri with stained fingers and the sensation of being dangled over a cliff in her stomach.

She needs to wash her hands. Then she needs to find the others. Then she needs to… she needs to…

One clenched finger at a time, she lets go of the money in her pocket and wipes the tips of her fingers against her thigh. No one will notice the dark streaks on dark denim, and it gets most of the surface stuff off, at least; she doesn’t look too immediately guilty.

Doesn’t look it, anyway.

What the hell is she doing? Stealing and breaking things, causing trouble, hurting people, just to win approval? Matt might rule the school, he might be funny and clever and have really nice blue eyes, he might throw the best parties and have the best car, but…


Her older sister Sarah is a genius. Her older brother Jack, he’s an actor and everyone loves him. Her parents are wildly successful and always telling them what they need to do to be great in life, and here is Miri, resorting to vandalism to earn the friendship of the coolest people in school.

No, not even friendship, because Matt had made it very clear that she was still only part of the group on a trial basis. She still isn’t being invited to the parties; she still hasn’t been given a lift in Matt’s car. She’s doing this to become their lackey, with friendship a distant hope.

They’ve ditched her, probably. Knows that if they’re caught, it’ll be her with the pencil marks on her fingers and a pocket full of stolen money who’ll be the liability.

Is it worth it, after all?

Miri slips her hand back in her pocket, wraps her hand around the notes, and decides, no.


Between customers, Rupert rests her leaden arms against the counter and sighs.

She likes cooking, truly. Wouldn’t be a cook if she didn’t. But working the markets is wearying, and towards the end of the evening she feels weighed down, the ache deep in her shoulders and biceps from flipping, folding, and filling gozleme.

It’s good money, though. Makes Jess happy, and making her wife happy is one of Rupert’s favourite things to do (along with cooking, lounging, and naps). And that, there, is the source of her current discontent.

A customer. Minced lamb for this one, with a scoop of mint yoghurt; she accepts the payment and serves it with a smile.

‘Thanks, man.’

Beneath the beard, Rupert’s smile turns a little pained.

What is she going to do? She’s not sure how much longer she can stand being like this, a woman stuck in a man’s skin. She wants to be herself. Wants to hear ‘ma’am’, not ‘man’. Ditch the beard. Grow her hair out. Try heels. (Fall over in heels. Twist ankle in heels. Go back to sneakers. Rupert is nothing if not a realist.)

But Jess married a husband, not a wife. If Rupert spills her heart to her, she could lose her forever.

There’s another customer waiting, a girl glancing between Rupert’s gozleme and the Hokkein noodle stall one over before settling on her. ‘Spinach and feta, please’ she says, a soft little thing, gaze fixed at the stall counter.

Poor kiddo. Must be tired.

Rupert musters a smile for her and starts heating one up. ‘Long evening?’ she asks sympathetically, and the girl glances up in sharp surprise before looking away again.

‘Uh, yeah. I guess so.’ She scratches at her temple, leaving a dirty smudge there; silently, Rupert offers her a wet wipe. ‘Oh. Uh, thanks.’

‘Well,’ Rupert says conspiratorially, ‘You know the coffee stall a few down? They do a really good Turkish coffee, if you need to stay up. Tell ’em Rupert sent you and you’ll get a discount.’

The girl doesn’t reply, just stares at her hands, at the counter. ‘Okay.’ She worries at her lip, scratches the back of her hand; Rupert keeps cooking and watches her with a concerned eye. When she finally speaks again, her voice cracks. ‘I don’t think coffee will solve my problem.’

There’s something small and vulnerable and afraid about her; Rupert’s heart twinges. ‘Do you want to talk about it?’ she offers gently, far too aware of the incongruity of her appearance; not a maternal, gentle older woman, but the very appearance of a middle-aged man with a beard, paying attention to a teenage girl. She can’t get too involved, can’t help too much just by how she looks. Hates it.

Silently, the girl shakes her head. ‘Just –‘ she starts, stops again. ‘Just… I’m trying to be someone I’m not. I’m doing stupid, shitty things to try and be, like, acceptable, and it’s… stupid.’ She repeats the word, softly this time. ‘It’s stupid, not being myself.’

Something in Rupert’s chest twists. ‘Do you want to be yourself?’


‘Then you should. You should be yourself. Don’t try to be someone else just to please others, that only breaks you up inside.’

She has to take the chance. Has to risk telling Jess, even if it breaks her heart. Has to be herself, because the only life she has is her own.

‘Yeah. Yeah.’ The girl gives Rupert a watery smile, then pays for her gozleme and picks up the paper plate. For a moment, she hesitates, then pulls out another small wad of cash, fives and tens, half-crumpled. ‘I took this from the noodle people next to you,’ she says, and her voice is steady now. ‘Can you give it back to them and tell them I say sorry?’

And she turns, runs before Rupert can speak a word, runs and leaves a grubby handful of stolen notes behind.

Rupert gives the noodle people their money and the girl’s apologies. Cooks food for people, good food to nourish them. Packs up as the markets slow down like it’s falling asleep.

The artist from the stall across from her wanders by with her sketches and gear, an expression of grim determination on her face. Behind is her musician friend struggling by with their keyboard, a freckly-faced young person in a badge-covered jacket helping wrangle it down the path before stealing a kiss. Rupert thinks of bravery and authenticity and a fistful of money left with an apology.

She’s going to go home. Talk to Jess, no matter what may come of it.

Around her, the market goes to sleep, and the lights flicker out like embers.

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