From Slipstream, Kylie Nealon

 

The two men stared at the screen in front of them, disbelieving.

‘It worked,’ the older of the two whispered.

His companion’s eyes glittered under the lab’s eerie artificial lights. ‘This changes everything,’ he said. ‘Everything.’

The older man shook his head. ‘It makes no difference at all. We still can’t guarantee the subject’s safety, or the reliability of the transfer. I don’t want to take this to the committee yet.’

The younger man stood up, his athletic frame rigid with fury. ‘Your overcautious mentality is absurd, Richard. We’ve tested and retested, and we get the same result. Every. Single. Time.’ His voice rose to a half-shout on the last word.

Richard fixed his stare on his colleague of more than a decade. ‘Harry, do you understand the implications in saying something if we’re wrong?’

His voice was flat; he was weary of having the same argument they’d had dozens of times before. In the past, they’d always managed to resolve it, at least for the sake of appearances in front of the lab staff. Not this time, Richard thought. Something seemed to have shifted irrevocably in Harry. 

The latter strode to the security door as if unable to speak, clearly unwilling to break the impasse.

Don’t don’t do this, Harry!’ Richard attempted to appeal to the only thing he knew would reach him – a slim shard of morality that remained within an otherwise corrupted conscience. ‘You can’t inflict this on them. They aren’t ready. You’ll regret it, I promise!’

The younger man turned, his face hard. ‘The only thing I’ll regret, Richard, is that I wasted so many years listening to you.’

Harry slammed the ‘exit’ button, leaving Richard alone. His exhalation echoed around the room, save only for the beeping coming from the panel in front of him. He knew there was no longer any point in delaying. Touching the console in front of him, he waited. A woman’s face appeared in front of him, her concern evident. ‘Cerys? We have a problem.’

 

‘Miss Hambleton?’

The assertive query came amidst the shrieks of joy and garbled announcements over the loudspeakers. Even at 7:00am, Heathrow was mental. Sixteen-year-old Scarlett pushed her overloaded trolley towards a small man holding a ‘D’Orsay Academy’ sign with her name on it.

‘Hi, that’s me,’ she managed, holding her wayward trolley with one hand.

He smiled, and took hold of the trolley as it threatened to mow down a group of old aged pensioners who’d also come off her flight.

‘Welcome to London, Miss. Come with me – you’re the last one to come through.’ He began weaving through the throngs of waiting relatives and friends with an ease that spoke of many such previous trips.

Scarlett followed, tripping over feet and earning a few scowling looks in the process. As she drew closer to the exit door, the air shimmered and she felt a familiar wave of nausea rooting her to the spot.

Multi-hued auras began appearing around people who were eyeballing her with wary expressions. Please, not here, she pleaded with the universe. She closed her eyes and took a few breaths, hoping it might disappear. These weird episodes, which appeared out of nowhere, had become more frequent over the last six months. Scarlett had no idea what was causing them, but she was pretty sure that the last thing she wanted was another one in the middle of the world’s busiest airport. The deep breathing was making her hyperventilate, and a cold sweat broke out between her shoulder blades, sticking her already grubby t-shirt to her back. Behind her, someone let out a harsh string of curses under his breath.

‘What is it with you tourists? Want to take a few pictures? Move, already!’ The sarcasm was unmistakable, made more prominent with an American twang. A tall, lean boy of about her own age, sidestepped Scarlett, his bright blue eyes glaring down at her. His movie star looks were spoiled by a scowl that tore up his face.

‘Geez, okay,’ Scarlett said. She wiped her sweaty palms on her jeans and straightened up.

The boy huffed. ‘Spare me your redundant apologies.’ His eyes flicked over her. Scarlett pushed her slightly damp hair back and looked up at him, nausea forgotten.

‘I don’t think I did apologise,’ she replied, stung by his rudeness. ‘I’m so sorry that I stopped you getting your,’ she glanced at the solitary bag slung over his shoulder, ‘duffel bag out of here. I can imagine how inconvenient it must be for you having to get all of that luggage out of here.’

The duffel bag was definitely a step down, for someone who looked like he wasn’t short of a bob or two, as her granny would say. She noticed that the boy’s knuckles were turning white as she spoke, an unexpected anxiety that was at odds with the arrogant attitude.

‘Whatever.’ He hoisted the bag closer to his body and brushed past her, leaving a whiff of leather and something metallic hanging in the air. Scarlett watched him climb into a car that must have cost more than her parents made in a year.

‘Uh, Miss?’ her driver’s voice called out to her from the kerb. ‘Gotta go, love, the traffic’ll be a nightmare if we wait any longer.’

Scarlett nodded and walked over. The boy’s car melted into the traffic and she realised that her ‘episode’ had been cut short by his unexpected intervention.  Cheered by the thought, she boarded her bus and put him completely out of mind.

 

On the D’Orsay bus, Scarlett met three other new students who’d arrived around the same time she had. They seemed nice, though she couldn’t imagine that she’d find a friend like Sass, who’d been her best friend since they were five. Determined to soak in as much detail for her first missive home, Scarlett studied the landscape, fascinated by how different everything looked here. It was so green and tidy, compared to the desiccated wild dryness of home.

‘First time away from home?’ Mike, a student from the States, leaned over as if able to read her thoughts.

‘Yep,’ she said. ‘You?’

‘Nah.’ He scooted closer. ‘Parents are diplomats, so I’m used to it.’

‘Wow. I’m from Melbourne. The closest I’ve gotten to diplomacy in action was a school trip to the capital in Year 8.’

He laughed. ‘Yeah, I’ve done a few of those.’ Mike had an assured sense of himself and his place in the world, with the kind of skills that suggested that diplomacy as a career might extend into a second generation. He had an unlimited supply of humorous travel stories to tell, and the trip into central London passed in a blur. He was in the middle of a particularly entertaining one, involving insects dipped in chocolate as a snack in a café in Central America, when the bus took a sharp corner, pulling up at what looked like the entrance to a medieval castle planted right in the middle of London’s urban metropolis.

‘Hey, check it out.’ Mike craned his head over the top of the seat as they pulled to a stop. ‘We’re here.’

Passing through D’Orsay’s ancient doors, the building looked like a something from a film set: all weathered stone and stained-glass windows, with an enormous, modern glass tower that shot skyward from the inside of the building. There was a particular kind of energy that seemed to reverberate from its stones, but as Scarlett looked around at her travel companions, none of them seemed to be affected by it. It almost felt, she thought, that if she reached out and touched the weathered grey stone, she could feel the pulse of the building underneath her fingers. Mike grinned as he made his way past her off the bus, mistaking Scarlett’s interest in D’Orsay’s surroundings for something touristy.

As she stood in front of the bus, she couldn’t help but wonder how on earth D’Orsay had managed to build such a huge building behind what appeared to be a church, especially in central London. Her musings were interrupted by a gentle Irish accent.

‘Welcome, all of you, to D’Orsay. My name is Maggie.’

A tiny woman with jet-black hair and bright green eyes introduced herself to them, as they craned their necks to see her. Scarlett found that she was thinking of leprechauns, and blushed when Maggie fixed her with a glance that suggested she’d been able to tell what she was thinking about.

Flicking her eyes back to the rest of the group, Maggie continued. ‘Some of you have had quite a long trip, so let’s get you settled in right away. Please, follow me and try not to fall behind.’

Scarlett stepped forward to follow the group inside, but felt herself being held back as if by some weird magnetic pull. Glancing over her shoulder, she came to an abrupt halt in front of Mike, who stumbled into her. Muttering a good-natured complaint under his breath, he stopped when he saw the look on Scarlett’s face, and he followed the direction of her glance.

You have got to be kidding, she thought. The boy from the airport unfolded himself from the back of his expensive car, and stood up. Scarlett felt his gaze fix on her from behind his dark Wayfarers.

Escorted by his driver, the boy walked past, turning his head with the barest of movements, one eyebrow raised over the top of his sunglasses. He still had a pretty tight grip on that duffel bag, Scarlett noted.

‘Friend of yours?’ Mike asked her from behind. They watched the boy disappear inside, and Scarlett felt the pull begin to dissipate.

‘Uh, no. I mean, not really.’

She explained what had happened at the airport. Mike chuckled.

‘Well, whoever he is, he must be someone pretty important. Us plebs are stuck doing the group tour. Which we’re about to lose if we don’t get a move on,’ he said, grabbing her arm.

They were led on a tour that was both swift and confusing. Corridors snaked off into a vast research laboratory section, as well as to other buildings that were used for the day-to-day running of the company. Scarlett wondered how anyone found his or her way to the right place. The term ‘rabbit-warren’ didn’t even begin to cover it.

‘The student wing is through here,’ Maggie said.

Going through the massive doors, Scarlett caught her breath.

No expense had been spared in furnishing the academic wing. A large circular living area with plush furniture was arranged around a vast array of high-end technological equipment, some recognisable, some she’d never seen before. Even Mike looked impressed.

‘Your personal rooms, dining hall, and classrooms are located off this central area,’ Maggie said. ‘Please, have a seat.’ Forty or so other students were already seated in the middle of the meeting area. A relaxed conversation was coming from the young staff gathered around the edges of the room. They were all dressed in identical blue uniforms, and appeared to have an alternative career option as high fashion models.

Scarlett slipped in near the back of the room, near a girl with platinum-blonde hair and a boy who was more interested in his cuticles than making eye contact with anyone. The girl smiled over at Scarlett as she sat down.

‘Welcome.’

Scarlett’s attention was drawn to the front of the room before she could strike up a conversation with either of them.

‘It’s lovely to have you all here, finally.’ This time, Maggie was standing on some kind of platform, so they could all see her, but instead of making her more imposing, it served to emphasise her diminutive stature even further.

‘As Head Mentor at D’Orsay, I’ll be overseeing your academic progress and psychological wellbeing during your time here with us. The mentors,’ she gestured over to the blue-clad staff, ‘are also here to provide support. Each of you has been matched to a suitable mentor, based on the psychological profile carried out prior to your departure.’ Maggie’s gaze swept the room. ‘We’ll have more time to chat later, but for now, we’ll get the initiation process underway and meet back here later this afternoon. If you’ll all make your way over to the Dispensarium, please follow the instructions once you’re inside.’ She indicated a large doorway set into the wall with misted glass doors.

One by one, the students lined up, with Scarlett, the blonde girl and Cuticle Boy bringing up the rear.

When her turn came, Scarlett stepped through the sliding doors into a booth, from which a large cylinder dropped down over the top half of her body.

‘Please look straight ahead,’ a voice said. It was a dry, hollow-sounding voice of indeterminate gender that pulsed inside the capsule as it spoke. Scarlett waited, a little unsure. Was this like those eye tests you got at the optometrist, when you weren’t supposed to blink? She wondered.

A blue strand of light streamed into her eyes, not hurting her, but not comfortable either. It felt like a tickle deep inside her brain that she couldn’t itch. The light disappeared, and she was left standing in a blue glow.

‘Please place your hand on the scanner,’ the voice prompted. Scarlett was rewarded with a stinging sensation in her forefinger as she did so.

‘Ow,’ she hissed, nursing the finger. Peering at it closely, she could see that something tiny had been embedded under the skin. What was that? And how did they do that without drawing any blood?

‘Thank you,’ the voice told her. ‘Data collection is complete. Your assigned mentor is Gil.’ A picture of a young man, no more than twenty years old, flashed on the cylinder’s surface in front of her. ‘Please leave to the left, where you will find him waiting.’

Scarlett stepped out of the room, eyes a little tender under the bright, overhead lights. She walked up to Gil, her fingertip curled up in her palm.

‘Uh, hi,’ she said.

‘Scarlett, it’s very nice to meet you.’

Gil’s upper class BBC accent was gentle. Note to self, Scarlett mentally added to her list of things to tell Sass. Those accents actually existed in real life. Gil smiled as though he knew what she’d been thinking. Damn, that was twice today already! What was going on?

‘Let’s get you organised, shall we?’ He nodded to the other mentor he’d been chatting to, and he and Scarlett set off through one of the exits. ‘I hope your trip was uneventful? You’ll notice quite quickly that we aren’t like other schools here. There are lessons here, shall we say, that your normal school won’t have offered,’ he said as they made their way out of the meeting hall. ‘But I promise, you’ll find them quite interesting.’ He was moving quite fast, and Scarlett was struggling to keep up, trying not to miss anything he was saying. ‘How’s your finger?’ he asked.

Scarlett looked at her finger, which was bright pink and a little swollen. ‘Kind of sore,’ she admitted.

Gil picked up her hand and examined the fingertip. His hands were calloused, an unexpected contrast in someone who looked like he’d never done a hard day’s work in his life.

‘It looks fine. It’s D’Orsay’s way of ID-ing you.’ He let go of her hand. ‘We don’t carry cards or tags here. It might seem a bit extreme, but actually it’s a great idea. We’ve got your DNA profile, with some other odds and ends.’

‘Odds and ends?’ she asked. ‘Like what?’

‘You know, family history, genetic predispositions, other abilities.’

Other abilities? Scarlett opened her mouth to ask, but he cut her off.

‘Naturally, all of that is encoded, so if anything should happen to you, the information won’t fall into the wrong hands. If you’ll pardon the pun.’ He smiled at her, and gestured to a doorway that looked identical to the other dozen or so lined up in the corridor. ‘You just need to wave your finger over the sensor at the entrance to each room you’re in,’ he said. ‘It’s a bit retro, but we rather like keeping the past alive here at D’Orsay.’ Gil smiled to himself, as if enjoying a private joke. ‘If you have any questions, let me know. There’s a console in your room that you can contact me through. You’re in Room B5, which means that you’re the second tier out from the main meeting area. I’ll leave you to settle in. We’ll be meeting back in the main area in an hour. Your bags will already be inside. If you have any problems, use the console.’

‘Thanks. I guess I’ll see you in a little while.’ Scarlett hesitated before waving her finger over the sensor set into the wall next to her dorm room door. The panel lit up with her photo and DNA sequence. She looked at Gil, who smiled, and left.

That was pretty impressive, if a little freaky, she thought; a bit like D’Orsay.

 

Download a pdf of Slipstream Ch1

 

 

 

Angel, Jamie Derkenne

 

Lots of people had theories on how to catch those silver perch swimming in the water holes where the Nambucca snaked round Bowraville, but not many people ever seen any theory work.

Ray Glossip freely gave advice to any passing tourist or local, whether asked to or not. He’d swear a small hook with a tiny pinch of mullet was the only way. The time of day was crucial, had to be just before dawn, or just after sunset, and cool but not frosty. Neglected to mention been fishing for years, no luck. Percy Callinan, who caught one about thirty years previous, but had to throw it back because it was too small, reckoned silver perch were slippery bastards related to eels. His head cocked to one side, he’d show you a small, faded photo showing nothing, and opine you had to use a swivelled hook, and you needed a net. Andy Murray from the South Arm reckoned he caught them all the time, no big deal. ‘Just need the right ‘quipment,’’ he’d say, but never said what he had in mind. Also reckoned they weren’t good eating unless made into fish cakes.

Kev Shillingsworth, who was as close as most in town ever got to talking to someone traditional, often got asked questions like, ‘What you fellas do to catch perch in them olden days?’ To which he would reply, mysteriously tapping his nose with his forefinger, ‘We had our ways.’ But if Kev had ever known of the ways, he’d long had most of them whipped out of him, and suspected the ones he did know weren’t so traditional anyway. Once lifting up some lino with Percy, he’d come across some old yellow pages from the Bowraville Guardian, including a small story concerning the court appearance of two long-gone great uncles from the 1930s. The paper said they’d been caught fishing for silver perch near Lane’s Bridge, which wasn’t so much a crime even for them, although there would’ve been people who would have liked to make it one. The crime – fined five pounds each – was they were fishing with dynamite. Which explained why Andy Murray, who was into blowing things up, thought they were an easy catch.

Kev could understand this, because with dynamite, you could catch a lot of fish, and fish was good. ‘He was a fisher of men,’ old Father Finbarr Ewels would say from the pulpit of St Mary’s, pointing his bony finger to those up the back. He would growl about the heathens, because that’s what they were, their faces dark with sin. Women were the worst, sometimes wearing those white Jesus dresses like old mish girls, so poor, Finbarr would get confused bout what decade he was in. Some of them probably started thinking that if they ate a lot of fish then maybe they wouldn’t have to stand in the stalls any more at that Bowraville Theatre. Kev had been a Kinchela boy, so would eat anything so long as it wasn’t hay. He’d have fish on Fridays, and many other days besides.

Kev had taken his son Saucepan, river fishing a couple of times, but on each occasion they had soon given up, preferring to eat the cobra worms hiding in the sunken logs. Tastier, and a lot less hassle than if they had caught a fish, which would have meant building a fire, and scaling and gutting the catch.

Not that Saucepan ever gave up on the idea on catching some of the perch. You could see them glide just below the surface. Mostly small fish, but occasionally one of the big ones would rise up from the depths of the water hole. You could make a proper meal out of one of those, if only you knew how.

Which is how Saucepan stumbled on a secret. It’s not like he invented anything or the like, being Saucepan, it’s just that once, by the river, with his Marley music and earplugs, he built himself a small fire out of some wattle twigs, in the hope of making just the right amount of smoke to keep mozzies away. The wood burnt keenly, so to make a bit more smoke, he grabbed some smartweed and making a small tight bundle, put that on the fire as well. Sat watching the river, nodding his head to the music, not hearing or seeing the pale pink Martins on the other side of the bridge yelling at him. After a while, he put the fire out by throwing the burning sticks and bundle of weed, one by one, into the water. Watched them fizzle as the water soaked up the small yellow flames, got up and started walking back home. Was almost halfway back over the paddock to the road before realising he’d left a Burnin’ cover on the bank. So he walked all the way back, and as he was picking up the cassette cover, looked over the water and saw about twelve small fish on the surface, gulping air, which was doing them no good at all.

Saucepan stood staring for a minute or two, trying to work out what was going on. The fish hadn’t been dying when he’d left the first time. Had someone come along and poisoned them? He waded in and without any difficulty picked up the biggest. It rested limply in his hands. He smelt it; but he couldn’t smell any chemical. He tossed it back into the water. He scooped up some water in his palm and tasted it. River water has its own particular taste, and this didn’t taste any different, just faintly of the ashes from his fire. Shrugging, he picked up his belongings and went home.

It took Saucepan, being Saucepan, nearly a month to work it out. One day Kev was showing him old photos, including one of his Grandma, called Aunty Rose by everyone, the one who was Grandpa Jacko’s wife. The photo was a bit bigger than the small four-by-two jobs, so you could see some of the details of her face. An old woman when the photo was taken, but shy of the camera. Was giggling, and had her left hand over her face to hide a smile. Most of her little finger was missing.

‘How come she got no finger?’

‘In them olden days if you were a girl who wanted some lucky fishing you’d get most of your little finger chopped off. Women’s business. Tradition. Dunno why.’

‘Any good at fishing?’

Kev laughed. ‘Was she any good at fishing? My mum said she was the best. She knew some lingo she’d call out to the fish. She’d call them softly so they would come to the surface just hoping she’d pick them up, and when they floated up within reach, she’d just wade out there and pick up them grateful fish.’ Kev made it sound like his history, but being Kinchela, most of it was history he scraped together long afterwards.

Saucepan got to thinking. Maybe it was the wattle, maybe the smartweed. Maybe he’d accidentally poisoned the fish. One way of finding out.

He got himself back down to Lane’s Bridge early one morning, cool but not frosty, plucked up some smart weed, chucked it in the water, sat down, lit a bong, and waited. Waited a long time, staring at the water, sometimes thinking he could see ripples, though on the kind of Ganja Saucepan was toking, you could end up seeing anything. Saucepan had bought it at the mish, but like almost everyone else, believed it had been grown by those Thumb Creek boys, who, legend had it, would rather shoot than let you stumble across one of the crops. Sat and toked for twenty minutes, waiting, then gave up.

Saucepan was halfway up the bank thinking nothing ever worked, when he heard a loud smack on the water. He paused, thinking should he check it out or not? Finally figured he had nothing to lose, and carefully, being toked up, went back to the river bank.

In the middle of the pond weren’t any silver perch. They had probably figured someone was messing big time with their pond and had gone away. Nope, no silver perch, but the biggest freshwater bass he’d ever seen. A granddaddy of a beast, more than two foot long, lying on its side, and sucking air the same way Angus Noble sucked schooners at the Royal.

Saucepan waded out and picked it up. As soon as it was out of the water, the silvery rainbows of its scales became dull grey. The fish looked at him, its mouth opening and shutting like someone trying to get you to understand what they are saying in a mosh pit.

‘Bless you, bless you,’ the fish seemed to say, over and over, carefully, yet silently articulating each word.

‘Fuck that,’ Saucepan thought, and taking it to the bank, gutted it on the spot.

Now you might think that Saucepan’s dad, Kev, being the closest most in town got to talking to someone traditional, lived down the mish, but he and Saucepan lived on the Macksville Road, several miles past the races. Kev owned a hundred long there, and even had a job working as a lollipop for the Shire road crew. How he scored that caused a lot of scalp scratching. Someone reckoned it was because he had a degree in sociology which some people, Andy Murray included, said just proved learning wasn’t worth a rat’s arse these days if they were learning the likes of Kev Shillingsworth.

So this Saucepan, with a bong hidden in his red, yellow, and green beanie in one hand, and a great big dead bass in the other, found himself walking the long walk back to his house. Was daydreaming as he walked along, a dopey sort of dream, that his dad might be mazed with him catching a whopper with  bare hands and all. Saucepan had an uneasy time with his dad. Saucepan thought Kev was maybe coconut like most of the mish said. Hundred acres, job and all, maybe he was in with the Thumb Creek boys. It did Saucepan’s head in trying to work out his dad. Kev thought Saucepan was growing up to be a waste of space.

So lost was he in his little dream about him and his dad sharing a fish meal, that he jerked in fright when he heard Billy Wells’ voice softly in his ear. Billy Wells was in the habit of unintentionally sneaking up on people along the roadside, so much so that come dusk, or dawn, most drivers kept a sharp look out for roos, stray cattle, and that Billy Wells.

‘You shouldna oughta done that,’ Billy song sang, walking  beside him, his hessian bag slung casually over one shoulder. Saucepan exhaled slowly, relaxing himself, and muttering something bout the weeping Christ.

‘Shouldna oughta done what?’

Billy nodded towards the fish tucked under Saucepan’s arm. Saucepan swapped the fish and the beanie. The fish was getting to be a bit of a burden. It had stiffened up quite a bit in the sun, but seemed like it was made of lead. Was a big fish, after all.

‘That there is an old man fish. Probably thirty years to grow like that. And you come long and caught it. Shouldna oughta.’ As he walked, Billy shifted the sack from shoulder to shoulder. There was something solid in it, like a rock.

Saucepan opened his mouth to say something, that if Mrs Ringland heard, would have had him expelled from school, again, but instead said, ‘Me and my dad we’re gonna eat this fish. This is good eating, this fish, so don’t you go telling me what I can and can’t eat. Free country innit.’

Billy held up his palm in apology, and the two walked some distance in silence. A few bush flies also joined the procession.

‘Jesus this fish. I swear he’s getting heavier,’ Saucepan said. ‘I gotta stop a minute, give the arms a rest.’ Saucepan sat down, and placed the fish carefully on a tussock of grass. Saucepan sat down, rubbing his arms. Billy sat beside him.

Billy looked at the fish thoughtfully. It had quite a few flies on it now, and its river water smell was getting just a little bit stronger.

‘Fish like that, you should eat it right away. You live next door to Jesus and Mary right? That’s a long long way to walk a dead fish.’

Saucepan knew, rightly, Billy wasn’t talking about Father Finbarr’s Jesus, but Mexican Jesus, who was a neighbour to his dad and him, who would never eat fish if there was some muck called frijoles in the offing.

Saucepan looked at the fish and thought. Few banana leaves, a small fire, he could have nice steamed fish in next to no time. And he was hungry. Tokin all the morning does that. But what about having a nice meal with his dad? He could tell his dad all about how he sussed out how Aunty Rose had done it. Would make his dad proud, that.

‘Yeah, okay. Let’s cook the fish. You go get some leaves,’ Saucepan said, standing up, and looking around for some sticks.

Billy grinned so his whole face crinkled, and pushed a lank strand of hair  out of his eyes. ‘You’re boss.’

Saucepan built a small fire, scaled the fish, and carefully wrapped it in several layers of leaves. He put the parcel to one side, waiting for the fire to go down to hot embers.

Saucepan watched Billy as he squatted on the ground, observing the fish on the embers. The old man was still agile, and had no trouble sitting on his haunches. Billy brushed a strand of hair from his face again, and using a stick, poked the embers. Saucepan reasoned maybe the hair was long that way to hide a patch of thinness in the middle of the scalp. As Saucepan watched, he couldn’t help but feel he’d seen a younger, more curly-haired version of Billy, something from an old painting. Not that he’d ever seen an old painting, only the small black and white prints of heavenly consorts, saints and philosophers in Miss Ringland’s well-thumbed History of Art. Well-thumbed not because of any artistic appreciation amongst the class, but because Jesse Owen, who had an eye for such things, found several pictures by some bro called Corbet that were real interesting.

Billy kept staring at the fire and as he was staring idly, reached under his coat and gave his back a good scratch. He half-closed his eyes as he was scratching, like a dog does when scratched behind the ears. Although his hand was hidden under the threadbare coat, it seemed he was concentrating on scratching the space between the shoulder blades. He scratched delicately in the one spot, the sort of scratch that is needed to remove a pimple or small wart. Eventually, his black-nailed hand came out again, holding a small white feather that was decidedly worse for wear, its vanes tangled with grit, and the shaft bent at an odd angle. Billy adjusted his haunches and stared intently at the feather in his hand for a few seconds, before holding it over the embers and dropping it. But instead of falling, the feather soared upward from the heat, see-sawing ever higher. Both Saucepan and Billy watched it disappear gently into the sky, becoming one with the blue.

‘I’ll be damned,’ Billy said.

Soon Saucepan had the fish steaming in the embers. It takes just two or three minutes for a fish to cook that way, and using banana leaves as plates, the two of them made a good meal out of the bass. Saucepan ate in silence, listening to Billy prattle on. Billy was good at prattling on, especially when he had scored a free meal or a free drink. He called it philosophising.

‘Have always liked fish. A noble meal. The kind of meal even Jesus would approve of,’ Billy said, while delicately sucking on the bones. He licked his fingers and wiped then carefully on his jeans. He burped, and lay down on his back, looking at the scuttling clouds.

‘A blessed meal, a blessed meal,’ he said, letting out a fart and started softly humming to himself. After only half a minute, he started snoring.

Saucepan thought for a while that this might be a good time to see what was in Billy’s hessian bag. A lot of people had theories, but no-one had ever gotten to the truth. The sack was in a heap in front of Billy, and definitely had something small in it. He started to stretch his arm over to grab it, but he checked Billy first and stopped, because Billy was sleeping, there was no doubt bout that, but sleeping with one eye open, looking at Saucepan. Saucepan raised a hand and waved it in front of the half closed eye. The pupil sluggishly followed the hand.

Saucepan sighed, grabbed a stick, and sat on his haunches, flicking dirt onto what was left of the fire to put it out. He felt cheated. Having just caught the biggest fish he’d ever seen from the upriver Nambucca, he had nought to show but old Billy Wells’ farting and snoring on the side of the road. Saucepan always thought his luck turned bad in the end. It was like everyone else was living under the Grace of God, but all he had for a guardian angel was the likes of Billy Wells. What was he going to say to the old man about the fish now? ‘I caught a big fish, but Billy ate it.’ He had been so close to making an impression, and now all he had was a story. Two stories, because he had also accidentally discovered Auntie Rose’s secret method of fishing. Maybe he could tell that to Kev, being traditional stuff and all.

 

Glossary

Frijoles                                    a traditional Mexican dish of cooked and mashed beans

 

Download a pdf of Angel

 

Backyard Ink, Ramona Hester

Your naval medals commemorate

 

twenty years of undetected crime

that’s the salty term

your sun wrecked mates throw ‘round

inked like youngsters.

 

Caught on the web between your thumb and forefinger

a butterfly

in Hong Kong backyard ink

a coloured Emperor

a sailor’s papillon

seafaring homage to the wing.

In the 70’s it flew for your children

with a father’s magic

barely resting and so hard to catch.

 

The rest –

the full seascape – began with Keith

as his health sank

you began to court the blue needle

in an effort to feel your own pain

and perhaps

through the barrel

to suck some away from him

 

You taught your willing flesh Greek

four lines across the heart:

greater love

has no man but this

that one should lay down his life

for his friends

the truth sits warmly beneath your gulf medals

 

There will be no mistaking you at the morgue

 

how blue those pictures will be

against porcelain skin

when quiet flesh rests on a bed

of stainless steel, you take a breath

Jesus rises on the cross, chest expanding

nightmare ending

 

just about where I would place an ECG lead

ancient serpent disappears beneath Greek

burrows into your ribcage

slips between pericardium and chest wall

comes up for air at the fifth rib then,

snaking hipwards

is crudely arrested

by a sword through the head

unnatural iconographic end! – the promise was to crush

swords not preferred ‘til mediaeval rush

of tangled crusade push

and tempered steel

subvert the real

the naked heel of God deemed

insufficient.

surely man’s own implement

could not bring about this promised Word

and yet

every pirate needs a sword.

you told me

gold ring wobbling

on mature cartilage your

earring was commemorative

every sailor who rounds the Cape

has his ear pierced I believed you

then called you a bastard call me

anything you like you said after

twenty full years in the navy I’ve

heard every swearword going

so I asked you to elaborate

and it was true

you  h

a

v

e

 

you have below your navel

an ellipsis of un-inked flesh

from flank to flank

carrying a different

skillful mark where

,

tattoo postponed —-

a doctor reworked your insides

hid art’s Dacron mesh secret

 

Download a pdf of Backyard Ink

Pervasive Poetry, Amanda Midlam

 

Memory Poem, Watching Life Go By On Twofold Bay, and a Suite of Three Poems: Quondola, Flotsam, and Community Soup

 
 

 QUONDOLA

 

It begins for me with the news

of a body found floating off Quondola

an ending for someone else.

The police say there are no suspicious circumstances

which means an accident

or suicide.

The body is unidentified

and uninhabited

dressed in jeans, belt and boots.

It waits for someone to claim it

not the rightful owner of course

but someone else.

In rough seas fishermen are swept off rocks

and drown

but the sea has been calm.

Uneasiness flows through the streets of our small town

was it a stranger, or one of our own?

No-one knows.

It is several days before

identification is made

and waves of grief drench the town.

 

FLOTSAM 

 

He drifted into Eden down the highway

and floated out of town

five years later on the tide

if Reece looking for humpback whales

hadn’t found him

would we have ever known

he hadn’t hitch-hiked off again

to try his luck elsewhere?

No-one knows why

speculation rises and ebbs

like the sea and waves

of rumours water the community garden

where he worked

and where he ran the monthly market

where people sold goods

and swapped gossip.

But no-one knew his story

and as speculation eddies

 his face floats haunting behind my eyes.

 

COMMUNITY SOUP

 

The market is cancelled this month

and all work has stopped in the garden.

But the community lunch must go on.

Some people, like June and Phil, rely on it

and others may not have heard the word

            Now that Greg has gone.

Peter and Pam can’t be there

and Glenda has gone to ground

Community service has been suspended

so there are no workers to oversee

until there is time to think what to do

            Now that Greg has gone.

But Monday lunch must go on,

the door needs to be open, says Pam.

Old Kenny may need a feed.

And others may turn up

We don’t know what to do.

            Now that Greg has gone.

I offer to open the door and make community soup

In the hall Pam has left a loaf of homemade bread.

Alan brings apple crumble, Shannon makes pasta

and Suz brings fruit

Nine adults and two children arrive for a feed

            Janice washes up now that Greg is gone.

 

 

MEMORY POEM 

 

Mud and mire as I patter down the path

the more the mud, the more the mire,

the more my hopes go soaring higher

then I awake

and ponder how mud can hold so much pleasure

when honestly I hate the stuff

and why my waking spirits stay so high

but the answer flees as my muddled mind awakes

and shakes off the memory of this dream place.

 

But on another night I find that other world

and my feet skip and slip happily down that muddy track

There’s a road nearby but the mud is quicker

and I am in a hurry and my feet slither-slather

in mud, anticipation, joy and hope.

Then I awake.  Where was I going?

 

I try to remember details but they flee my waking mind

sleep images crumble into cornflakes

muddy path into highway as I drive my car to work

but feelings work their way into my city-cluttered day

I can’t help feeling concrete constructions block my way

 

Shreds of dream shroud my pillows and lie in wait

taking me back at night to the twists and turns

and the descent of the narrow muddy path,

the ragged edge of my long dress drags in the mire

but I don’t care about mud on my clothes

because I am going to see them all again!

Then I awake.

 

During the day I dream of this other realm

the smell of mud and horse manure and salt from a not distant sea

the feel of my rough dress, the leafy greenery along the path

at night my feet fly faster trying to reach the end before I awake.

And one night I make it.

I am there in the open glen and it is market day and everyone is there.

Then I awake.

 

I have discovered how to take myself there, to find myself on the path,

the mud and the mire, sweet harbingers of home,

I come to the glen where the market is held,

where people come from far and wide

and I look and remember and recognise each face.

Then one night they see me too and clamour in surprise

Sarah! When did you get back?  We didn’t think we’d see you again.

 

Then I awake.

 

I remember the horses and carts and old market stalls.

My name is not Sarah, not in my waking world

but I search the family tree and find seven generations past

Sarah, aged sixteen, stealer of silver spoons, sent to Sydney in 1792,

She survived as a washer woman purging clothes of their past.

And never went home.  Not in the flesh.

But at night Sarah and I go down the muddy path.

We come to the open glen in glee, it is market day and everyone is here.

 

 

WATCHING LIFE GO BY ON TWOFOLD BAY

 

Sleepy-headed, coffee-handed

on Cat Balou as mooring slips

and catamaran slides

on glassy sea

fur seals on end of breakwater wall

fat-bodied, flat-flippered, sleek-headed,

slumbering cumbersome clumsy on land

then one slides silkily into the sea and

sylph-like glides away

while another, face like a wet dog, pops up

beside us and beckons us to play.

 

We chug on towards the further shore

dolphins hear the chug, chug, chug

and answer the catamaran’s call

the game is on

I lean down and see through the sea

dolphins racing in the boat’s bows

three, four, five, six, seven

shining silver bodies thrilling me

we hear a shout, we see a splash,

a white explosion in the blue

a whale is breaching, belly to the sun

splashing back down

in a crash of water

then a smaller one hurtles from the sea

and reaches for the sky

mum and baby humpbacks

on the humpback highway heading south

to Antarctica.

 

Gordon cuts the engine

he’s not allowed to get too close

but whales don’t know the rules

and surround the boat and spy hop

standing upright

behemoth heads rear from the sea

whale eyes regard us

as we hold our breath

then pahhhh the blow from a spout

casts a rainbow

as water from whale lungs

shimmers in the sun.

 

A black ribbon of mutton birds

threads through the sky

migrating from Siberia to Tasmania,

an albatross soars

there’s a bait ball ahead

dolphins circling

seals sharing and whales wallowing

as gannets rain like  arrows

from a mackerel sky

diving for fish.

 

At Snug Cove passengers go ashore,

to lunch on fish and chips

assisted by sea gulls

while pelicans glide overhead

with pterodactyl beaks

feathered bodies full of air,

light enough to float,

graceful in flight, clumsy on ground,

best of all coming in to land

webbed feet tucked behind

then pushed out suddenly in front

aquaplaning with a swoosh

nearby more pelicans squat on lamp posts

growling deep-throated at my yapping dogs

flapping their wings in warning

others jostle with gulls in shallow water

below the tables where fish are cleaned

and scraps are thrown

but a seal decides he wants the scraps

and birds flap and scatter.

 

A pied cormorant and a shag on a rock,

feathers-in-law,

hang out their wings to dry

the winners of bird world

able to fly, dive and swim

watch as a snake bird swims by,

with such skinny head and neck,

I once mistook one for the snorkel

of a friend

and swam after it out to sea.

 

Time to go home up the hill where

pink and grey galahs crop the nature strip,

a slow way to get the mowing done

but they eat the weed seeds

(then redistribute them)

while most birds hop, galahs prefer to walk

waddling like ducks left, right, left

while they graze, tiny feathered cows

and overhead crested pigeons

coo on the power lines

and one pair have a budgerigar friend,

a feather-bed menage-a-trois

and beyond the front fence the bird life changes

but the border doesn’t stop the immigrants

and a fat-bodied cuckoo from New Guinea

perches in the mulberry tree

watching the wattle birds

watching and waiting,

waiting to lay an egg in their nest

as mud larks lark in the bird bath

minding their own business.

 

Time to take the dogs for a walk,

they missed their morning stroll

and we amble across the road

and down  the track to the cliff

a white-bellied sea eagle soars

in thermals, corkscrewing in the sky

a masked lapwing, one tenth its size,

follows its flight and nips with beak

a sea eagle feather floats from the sky

another lapwing squawks as we walk by

because they lay their eggs in scrapes

on the ground then panic

and dive bomb anyone walking near,

the yellow spurs on their wings

inflicting pain and fear

I realise the sea eagle must have spied

eggs or chicks and the assailant lapwing

screams another feather falls

the sea eagle soars off as

we walk on to the pine trees

where yellow-tailed black cockatoos feed

their tough beaks tearing pine cones apart

hungrier now their forests in Victoria

have burned to ash.

 

Home again and time for evening wine

I raise a glass in the sunroom

lorikeets with tongues like brushes

lick nectar from the bottle brushes

on the other side of the pane

soon as pissed as parrots

on nectar that has fermented

hanging upside down

from branches flying low chattering

laughing as a cacophony of cockatoos

scream through the sky

sulphur-crested sulphur-tempered

destruction-tempted big white cockies

bosses of the birds or they think they are

but the lorikeets don’t care.

 

Darkness falls, dogs and I fall into dreams

and possums fall from trees onto the roof.

Ready for the night shift.

 

Download of pdf of Pervasive Poetry

Trophies, Scars and Confusion, Angelica Wright

 Trophies, Scars and Confusion: a four part retrospective of events and effects some decades on

 

Zipped

Moving down floating

Towards the drift

Of oblivion

Sleepless

Honing

Creating infinite parallels between this world and next

Continuing to be battered

By pressures plundered by a thousand souls

Hopeful of perfection

Ever striving for absolution in a place where

Absolution is obsolete

Defeated by minds that hum and drum and strum their static forever

Winding up and down, down and up forever the staircase to the void

Avoid mess caress, be less by being more

Hopeful of feeling less tired of it all,

I’m not really this small.

I am forever exponential, and Zipped

 

 

The Teacup

I wish I had not taken that drink

I remember only some things,

In the middle of the night I felt invincible and worldly

But I was a teacup and you drank me in slow sips

 

I wish I had not followed you

I remember their faces

And my friend’s desperation like a sheepdog herding wolves

In the middle of the night I can still hear him crying outside my window

 

I wish I could forget but

I remember

In the middle of the night that strange pulling, as if I a canvas bag were unstitched by strange hands

 

I wish I had not carried the shame

I remember feeling guilty, like a whore paid in ashes

In the middle of the night

I remember the unforgiving morning and your precious cushions stripped red upon the lawn

 

I wish I could forget but

I remember

In the middle of my night, the surgery of my ego.

 

 

Tattoo Ink

I wrote HIM on my heart in tattoo ink.

Now unrequited love glues my lips and eyelids shut,

taught barbs to squeeze within sinews of dreams.

 

How did you stay close in a deliberate mediation of thoughts and warmth,

dreamed away and forever unyearning?

 

Oh I wish I could smite that hysterical ravenous gloat,

for the path stolen by ignorance disappears in golden milk.

 

I am hopeful you will fade away but you linger on,

screaming in that red satin dress.

 

My undying love,

My broken heart,

My therapy conversation,

My recurring dream.

 

Finally now, a heart impairment stained in tattoo ink.

 

 

Little Boxes

Memories of childhood

More vivid now

I’ve binned the little boxes

Of youthful collections

Even those seashells gathered

From the shore

Have seen better days

Their light lost the moment

You took them away.

 

Download a pdf of A.Wright

 

Black and White, Tianqi Li

 

In my grandma’s eyes, the world is clearly divided into black and white. Life should follow one right and light trail, beyond which there are only dark, cold forests. Every day, we should follow a scientific and healthy daily schedule; for every stage of life, we should do what is supposed to be done, and do it right. Study hard, get in a good university, find a great job, work diligently, contribute to society, get married and have children, and live happily ever after. Even now, at 26 years of age, when I go back to our home in Beijing, I have to stick to her 6 p.m. curfew. Even now, married for 54 years and 81 years of age, my grandpa still has to get up before 8:30, because otherwise it’d be too late. Five minutes late, my grandma would be sitting on the sofa worried and mad at me, or starting a racket with spoons and plates in the kitchen to serve as an alarm clock. ‘Everybody else is doing it.’ That’s her reason for doing anything, in a tone declaring that the Earth is round.

In my grandma’s eyes, if something is printed in black and white, it must be true. ‘Why else would they print it? It’s the newspaper!’ she exclaims when I try to point out that the self-contradicting ‘health tips’ might as well be misleading or purely made-up. Of the seven children in her family, she was the only one that went to university and thus lived in a big and modern city, so it is only natural that she follows the religion of knowledge. Knowledge comes from printed words compiled by scholars and experts, who are as powerful as Chairman Mao in his Little Red Book.

In my grandma’s eyes, any derailing from the normal and right course is inexcusable, unreasonable, and just outright inexplicable. There was a saying in the Cultural Revolution: walk in the middle, not in front nor behind; follow the crowd, not left nor right. In the chaotic ten years that destroyed people’s trust in human goodness and brought out the darkest side of humanity, the Chinese ‘Doctrine of the Mean’ was testified to be the only way to survive, and my grandma has no doubt taken it as the motto for living. ‘I want you to be normal just like other kids,’ she told me of her parenting principle, as she was the one that brought me up. ‘I don’t want you to be different. If you were, that’d be my fault.’

And that is why I will never tell her I have a same-sex partner, not until her death.

In a lot of ways, the Cultural Revolution to China’s modern history was very similar to my dad’s divorce to my family; no one saw it coming, and no one would talk about it in the following decades. Yet they were always there, the bloody elephant in the room, silent and staring. The Cultural Revolution is never mentioned in history textbooks and is often filtered out or banned in online forums, just as the word ‘mother’ is thoroughly avoided in my presence. I have always been curious of both events, because they are so confusing and mysterious, refusing to be reconstructed and disclosed in full, as if they hold the ultimate answers to humanity and the universe.

Like any other family, our personal history is intertwined with and wrapped by the history of modern China, like a wave in the sea, a gust in a tornado, a raindrop in a storm: on the exact day of my grandpa’s fifth birthday, the Sino-Japanese war broke out on the Marco Polo Bridge west of Beijing. My dad was born in 1959, the start of the three-year Great China Famine, while the Cultural Revolution started right after my uncle’s birth. In the aftermath of the Tiananmen Square Massacre, my dad came to Australia.

My family tree is short and concise, as my great-grandfather was an orphan, and there are only four generations to comb. If there is anything that can be said to be a family trait, that’d be the tendency to go on long journeys. My great-grandfather was a ship engineer, and he went on a seven-year-long voyage as early as 1938. My grandpa must have been deeply impressed by his father’s adventure, since he always encouraged the rest of us to dive into the outside world. And we all did.

My grandpa’s own overseas trip happened in 1981, when he went to Iraq to improve his English. He and my grandma were Russian teachers, and when China had a falling-out with the Soviet Union, the Russian department transformed into the English faculty. ‘Iraq was still peaceful then,’ my grandpa said and smiled, ‘and I ate too much chicken, since it was the cheapest.’ He never talked too much about his own experiences, as it was all ‘boring’ and ‘not worth mentioning’. No matter how hard or unbelievable it sounds – learning a new language at the age of 50, or selling ice on the street at the age of six to support the family while his dad was at sea – he sounds like it was nothing, adding even more flavour to the heroic father figure in my eyes.

In comparison, my dad feels like a distant relative. No matter how hard he tried, he was absent in the major part of my life, and it is not something that you can ever make up for. Because of the irretrievable distance, and because I don’t really care what he thinks, I didn’t hesitate in telling him about my same-sex relationship. He was calm and accepting at first, but later became more and more doubtful and opposing as he had time to reflect. ‘Fortunately you are a girl,’ he said, ‘otherwise I’d never allow this.’

I did not know him enough. I did not know that he would blame himself for my choice, or that he had such strong opinions on gender roles. Ever since my partner has come to Australia with me and lived together with my dad, I have been discovering new things about him, and he has been saying things that amaze me. ‘I wanted a wife, not a female doctor,’ he complained of my step-mum, who has a doctorate and was too busy to do house chores. He sent me links to articles titled ‘Women should look fantastic, otherwise men would leave’, to encourage me to lose weight. ‘What’s so good about her that turned you into a lesbian? Is it because she can cook?’ he asked of my partner, a little sarcastically. ‘So you’re playing the boy role,’ he concluded after seeing me consoling her. I did not bother to explain how wrong that idea was.

If there is a need to blame somebody, then I am just as guilty for his marriage breakdown as it is responsible for who I am. If I were a boy, everything would be different, at least temporarily.

The winter of Beijing in 1990 was smoky and grey, but the night sky was still dark blue filled with stars, not the foggy blanket tinted by lights as yellow as a smoker’s teeth. The temperature was still low enough to have snow thick enough to bury one’s foot, and people stored piles of cabbages for their daily dishes. It was the end of a golden era, when most people were still simple-minded and trustworthy, and the streets were still safe and quiet. Beijing was the ancient city full of cultural treasures, not the faceless metropolis buried under shining skyscrapers.

In 1990, divorce was as rare as a panda, and was seen as a huge embarrassment to the whole family. It did not help that my mum sued my dad in court, and the reason she used was that my dad masturbated while watching porn. Nobody told me this­ – of course they wouldn’t. It was in 2010 when I finally saw their divorce papers, when my dad went back to Beijing for the spring festival. He was sitting on the bed, reading a novel. I sat down at the desk, and caught a glimpse of the suspicious faded papers. Like the daily newspaper that my grandma never forgot to read, the typewriter font was black and white. My dad must have known I was reading, but he did not say anything, continuing to read the book in his hand. I did not know if it was put there intentionally for me to see, nor did I ask him if it was true.

It is not hard to imagine how shocked, betrayed and infuriated my family must have felt. My grandparents, my dad and my uncle; they all had different reasons to hate that pretty woman, the evil bitch, because she refused to breastfeed me in order to keep her body shape, because she did not want me after the divorce, because she took money and valuable things, because she cheated, because she lied. Because my dad really loved her, and nobody ever imagined the happy marriage would not last.

Therefore, in our family tree, I do not have the maternal side to track. I do not know if her family had any history of disease, what her blood type is, or how many times she remarried. Nor do I know if she loved my dad or me. But I do know that part of the reason was that I wasn’t a boy, and the Chinese government had published the one-child policy. My mum is the youngest of three sisters, who all had daughters. I was her family’s last shot at having a boy, a ‘real’ descendant to inherit the family name.

‘It’s time to find someone now,’ my grandma said in our weekly phone call, and then added, half jokingly; ‘Don’t become a ‘left-over woman’.’

I wasn’t surprised that she would bring up this topic, but I was surprised at her use of ‘left-over woman’. I was even more surprised when I found out that this phrase was actually coined by the central TV station, a representative of the Chinese government, who also said that the male/female ratio has become severely disproportioned in many cities as a result of valuing boys over girls for decades.

Another piece of news followed up a week later. In a campaign for the drama The Vagina Monologues, a group of female university students published a series of photos, in which each held a sign declaring sexual freedom and their ownership of their own body. The public’s response was outrageous, calling them cheap whores and ugly bitches. Finally, I have realised that China has not even started a real feminist movement, let alone achieved certain results. I could have so many things to say from the things I’ve learned in the feminist class, but I had no idea how to make my grandma understand. ‘Left-over woman’ was from the central TV station, the majority, the mainstream, and the authority. As always, the world in her eyes is black and white, and I do not have the courage nor the patience to tell her that’s not the case.

I could only change the topic and lie. I could only hide the truth in protection of myself and of them: I am happy. I am happy being myself, being in a same-sex relationship, and being in a grey zone without a clear identity. I am happy to be the last one in my family – Li is the biggest family name in China, so there is no danger of extinction – and I am happy to be out of the torrent of Chinese history.

After all, this is my life and my happiness, and ultimately that’s what they would wish me to be.

In A Grove (Two Parts), Rashōmon, Vanessa Ryan

 

The Woodcutter

 

In a mountain

hollow, woodcutter

sees a body

wrinkled and

worn in a

smooth silk

kimono

 

splayed like

a spray

of bamboo

leaves fallen

upon the ground

 

blossoms of blood bloom

around the corpse

A gad-fly buzzes

languidly, the lone

witness.

 

 

The Samurai

 

in the cool and green

bamboo forest

a samurai lies.

 

footsteps

somewhere

near here

 

razor edge

flash of

silent sword.

 

pain slices

like sunlight

through chest walls.

 

life ebbing,

with

each

receding

breath.

 

a killer

exits

like clouds

over the sky.


 

Rashōmon

 

The servant waits

at Rashōmon gate

where thieves

commune and corpses

lie abandoned.

 

The servant

discharged

from service

contemplates

 

a life of

crime, or

submit to

the grime.

 

Foxes scavenge

the ruins, crows

circle a murder

 

above the gate

like grains

tossed by a

violent wind.

 

A fat black

cloud plops

itself over

Rashōmon

like a curse.

 

Stone steps

crumbling,

rank grass

growing

dotted with

crow droppings

 

A gloaming

flickers from

within, an unknown

 

evil shudders like

an invisible hand

down the servant’s

hunched back, he

 

crouches like a

lizard, slowly

crawls into

Rashōmon.

 

Download a pdf of V.Ryan

Another Day Above the Ground, Anatomy Dichotomy, Minarets, & Cotton Fences, Susan Lewington

Another Day Above the Ground

Shrouded sleek secret burqas

 billowing mesmerising

                                    kohl – lined bullet eyes

                                                glinting.

Gilded clicking Arabic

                                  magical kinetics click

                                                             connect lyrical

                                                                             voices.

  Delicate dynamic

              melodic prosaic verse

quelled   rhyming

             Arabic chants.

 

Alien identity

        Diminished hidden beneath

                                         Layers of bold cold –

Otherness.

Dwarfed in context time and place

                   I slide between   imbedded

                                         cracks of tortured tiles

                                                           –  a puddle.

I am

the only

Outsider

Here.

 

Anatomy Dichotomy

 

Steep Bundeena bush tramping

Indigenous rock carvings

sacred caves burial site

vigilant vines lumpy track

intractable cliff climbers

shrouded sylphs slipping stepping

support gnarled knotty trunks

another leads ant-like lines

we form a narrow sprite shrine

– I am at the back.

 

Sudden shrill sharp screech shocks screams

shouts shatter crystal salt air

birds fly off flapping horror

clustered hallowed girls

huddled with bedraggled scarves

pointing to salt soaked shallows

below catching breath, look see

what has wrought this commotion

thank goodness – noted muted

mirthful murmurs giggle.

Hushed voices some have bolted

Anatomy Dichotomy image, Lewington

others stopped to peer and gawk

like heaven’s messengers lost

in their holy veils and smocked

pocket uniforms hidden

‘Move on Amanie, Sabah,

Madeeha’ I chide relief

alive, no cataclysm happened

on this auspicious cliff-top

ledge we slide and climb.

 

‘We haven’t got all day girls’

‘Ms Look, see? He’s got no clothes

on’ whispers Zainab pointing

through trees in contemplative

awe – gaze pursues her slender

hennaed finger pointed – where

I see a swimmer naked

 

standing in the joyful waves

oblivious of audience –

– invisible voyeurs.

 

Peek through acacia curtains

squinting in sun’s bedazzled

beams, covered in layer upon

layer hot cotton rigid rules

on this burning scorching day.

Poor souls. His perfect handsome

surfer’s body lashed by licking

waves, droplets, riverlets down

haunches bronzed by noble sun –

flaxen surfer boy

 

With bulging pecs body-surfs

God-given glory alone

with foam and flotsam

standing majestic splendid

white bubbles kiss naked skin,

blue eyes calm and free he can’t

 

hear muffled whispers breathlessly

admitting interest, he reaches

shallows, water runs in ripples

off Coke can abs

 

I sigh at this dichotomy

of physical anatomy –

a shrouded teacher standing

glancing back with black burqa

being blown across her mouth

 

by a gust of carefree wind

–      It clings on hollow bones

she freezes on the crest it flaps

the image burns my soul somehow

woman – veiled black mask.

 

Viewer, viewed, free, chosen, all

bewitched with emboldened eyes

brazen flushed faces heated

vermillion   blushes, wide eyed

 

pursed lips numinous- I tell

flock to ‘Move along’ but then

cannot resist quick furtive

glances to their right – why not?

Must keep going forward.

They might

– Slip.

 

Cotton Fences

Classroom brimming desks end to end text books in piles on unkind tiles – Rows, chairs, stepping over more stuff – Clutter, mutter,  tick here  tick there ‘Put it down. Mirror away Nadine, listen, pick up a pen. Do Some Work.’

‘But Ms I’m different,

I’m going

     to be a Star.

Spray water in  bathroom splash splish splash endlessly shake out  hair, laughter mirrors basins  hidden secret girls stuff  re-appear dampened chastened modest  covered chagrined pinned buttoned huddle frown chatter whisper mutter utter weep frown  shout   look in the mirror they smooth the edges of their scarves around their faces – Again

I don’t need to learn this,

I don’t like it.

I’m going to be on TV.

An actress.

Or a model’

Slides her fingers under chin, loosens constrictive hijab, adjusts sharp pins that keep scarf, rules, codes in place.

‘I can sing Ms

do you want

– to Hear Me?’

 Peep from cotton fences faces bound by tradition cannot escape, their bodies – fenced in, captives tied up bound -hidden by religious fervour without encouragement shriek belly dance at the drop of a kebab. Leap up out of their chairs onto desktops challenging demanding trouble forgivable they are Allah’s beautiful prisoners.

 

Minarets

Monday morning walking talking,

striped abandoned kittens

milling round nylon ankles forlorn.

Ignore plaintive mews, massive gates

black metallic spires

 spiked minarets, huge rovers glide ride.

Hurry across road dodging wheels

sad voices reluctance

hostile faces nod or not.

Oh congested suburban day

drive by shootings headlines

treeless friendless aliens surround.

Feeling spaced out I remember

something I forgot

 heart thumping faster sense bleak panic.

I gasp for the memory

of what it is, I have

forgotten.

 

Download a pdf of Lewington-Poems

Life As We Know It, Elsa Lilienfeld

 Life As We Know It, a collection of poems

 

7 September 2013

 

Forgive us children

for we know not what we do.

It has been three years

since our last confession.

 

Snaking across cracks in the tarmac,

up three steps, past the bag hooks

lining brick walls outside classrooms,

past high windows barring the world.

 

Past the first double door

into the assembly room.

A door guard, bespectacled and

graciously condescending,

grants access to the long table.

A name is checked and

papers handed over.

 

Democracy, first-world style:

This is the farce

to bring the nation out to play.

Compelled participation, pointless

if on one day in a thousand.

The real players not on the ballot.

 

We’ve seen democracy elsewhere

and fear the barbarism;

opposition candidates and

sealed ballot boxes

sequestered in shallow graves.

Dawn raids and road blocks

keep the living from voting,

whilst legions rise

from the dead like Lazarus.

 

We park on clipped verges,

queue in safe corridors,

to cast our empty votes,

then meet up for a latte.

 

Back home, the back pat done,

we rid ourselves of public germs

in matching basins, his and hers,

and rinse away

the crimson stain of apathy.

 

The lives we end,

we do not see on tally boards.

The deaths we sanction

are not real to us; the blood not red.
The anguish not visible,

broadcast in tunnel vision

on our expansive plasma screens.

 

Don’t look!

We warn our children

when another revolution

flickers unannounced

across a tennis-white wall.

We plan their future,

their reactions.

Predictably,

they braille their way

to the cartoon channel.

 

 

Bridge

 

Silver-webbed suspension bridge

spans plenty of nothing and plenty of me.

 

My father worked here – a road builder to this day.

A bright young engineer in wide trouser legs,

drawing complex arches.

Planning for the future.

 

When we were little he told us:

The man who designed this killed himself right here.

Since then all bridges spill

silent tumbling bodies

free-falling in stop motion.

 

Here’s my father as a student, as I never knew him.

1945, yet more than safe, from the horror abroad.

Carefree and smiling on the steps of the residence.

Young men in rugby shorts squint and smoke and laugh.

 

The one on the left died in 1980.

His second wife locked him out;

phoned his children: Come get your dad.

No joke, my dad said – we didn’t laugh.

 

My father’s best friend, carefree. That’s him,

sprawled on his back blowing smoke rings.

He windsurfed, travelled the world.

The last time I saw him, in his eighties,

he still laughed just like that.

 

My father became serious, did well for himself.

He never came to concerts. My winning song:

Tu m’echappes toujours. You always escape me.

No joke – I didn’t laugh.

 

Yesterday I gave him

a picture book on bridges.

Silver-haired body tumbles,

free-falling in stop motion –

leaves nothing for me.

 

 

Emptiness

 

Turned myself inside out

searched the seams for

loose threads of

sympathy

empathy

telepathy

psychopathy

 

no ticket stubs to

Beethoven’s ninth

no waxy gum wrappers

peddling humour

no man-size tissues

for tears of joy

not even a paper clip

to bend into a heart

 

no scraps of paper

boasting conquests

no Lotto ticket

bearing hope

no tubes of chapstick

oozing promise

no safety pins

as this is all but safe

 

just emptiness

 

a pushchair

without infant

not even a lamb

to offer in your place.

 

Download a pdf of Life As We Know It: A Collection of Poems

A Matter of Style, Christine Ireland

 

These poems, one light

and the others not, explore

                                                                                       different types of conformity.

 

 

Out of Style

I’ve clicked my selections on websites of fashion

but have often been tricked by the fit,

so I’m lugging a dozen garments on hangers,

their hooks biting into my flesh –

I’ve collected them all throughout my favourite store

and now I’m fitting-room bound for the test.

 

The first outfit clings to display perfectly

every roll, every blimp, every bag

from there it’s downhill: I struggle to fill the hips and the rear

while the waist just won’t meet in the middle.

 

Even the t-shirts this season are all so wide-necked

(for some reason) that my décolletage is as vast as a ship

just not what is needed to slim or to flatter

or neaten the middle aged figure.

 

I abandon the cause, head back to the shop floor

in search of shoes, way less affected by fat

but here, while there’s all sorts of shapes,

heels come only two ways: skyscraper or flat.

 

After years of the former, my back is now buggered

– so stilettos are out, as are paper thin flatties

which provide no support. And I’m left wondering

about the so-called choices we’re spoilt for,

and all the discretionary cash in my middle-aged purse,

trying so hard to get spent.

 

 

At The Gallery

Grey day

spots

start

falling to frizz my hair

then pellets are making me and my mascara run I nip

inside behind others asking for directions and all there is

is walls

tall white

over head

their bright lips are telling stories all at once

and loud and the noise grows

round and swollen

there are faces in the ochre dust

on ground that feels the evil

beating

hearts were taken from this place

‘black velvet’

daughters being led away

a man is trussed and beaten in a cell its 1962

‘and they just pissed on him’

they               just               pissed               on               him

my stomach hunches with the taste of blood and sand-grit, salt

I’m reaching for my tissues, pretend I have a cold

try to sidle slow and knowingly like arty people, not

racing through loud rooms of stories along white walls all tall

rodent scrabble-running out of here

past that name-tagged man

to exit

sunny

sky now strangely blue

 

 

Music-phrasis

The following are ‘music-phrasis’ poems, written to and inspired by two pieces of music, respectively:

 

Piano Concerto No. 2 in B major by Brahms, and

 

‘Can’t Take That Away From Me’ by George and Ira Gershwin.

 

 

Dreaming Young

You thought you’d keep my edges tucked

teach me how to move,

a lifetime’s repetition perfecting scales in g and b

now everyone again, again

and we’ll all be glad about it in the end

but none looked up to see me

stepping staircase climbing grandly sweeping up and up

and out and flying over roofs and roads and rivers

merging with the seasons suns and continents

 

can you keep up?

better cling or be thrown off

just try! you cannot meet me where I am

this skin slips free and I may march on over

you I repeat I do not care how often

I repeat I chime I sing across civilisations

I pianissimo to breeze, to delicate partnered dance

 

yes, try to keep me skipping in your palm

do not let me trickle up the keyboard

or I’ll merge with other music irascible, untamped

 

I will get to where I am, I will

greet me, pause

selectively

for birds and

yellow flowers

then subside to glide to water, rest in ripples

 

before climbing once again

moving always moving past the roadside forests’

shade then light, striped shade of dizzy light

in restless swallowing of landscapes up to skies

see, I have finally flung you over

no more tucking

nothing holds.

 

 

Can’t Take That Away

Eighty years ago

 

my mother took me to Manhattan

a sweeping suite on Central Park

white on white with floor to ceiling windows

deco plush and gleaming chrome.

On milky curves of Gershwin’s grand piano

she taught me how to tap:

 

lily-slim she shimmers

sheathed in elongated satin snow

creamy feathers bobbing in her hair

that smooth-curled cap of platinum,

her eyes of quick warm chocolate

the only colour I can see.

 

Download a pdf of A Matter of Style