2020 rollercoasters
on twos and zeros insolent with power.
It frets in graphs of lives and deaths,
of fear
in curves that must be flattened,
in figments of plans delayed
to a future hollow with maybes,
betrayed by frozen hours
pulsating with religious or pagan zeal
with gods surprised
by sudden altars
by noise of curse or prayers
by faith unearthed
in spears of anguish or of certainties.
Face shields sometimes do not protect
from the smell of desire,
corners of inertia,
collective phantoms,
public or private headlines.
The silence of the streets
broadcasts fake news of learning and resilience.
Sunless shutters disguise Morlock eyes
on the hunt for plagues suffered and defeated,
playing hide-and-seek between the footnotes
of history lessons never learned.
The bible laughs off parables of bread
shared by hands that will not touch,
hold
or embrace.
The fourth commandment guffaws on the sign
demanding 1.5 between the bodies
and the souls,
it snorts on hostile eyes
fighting for the right to live or die a life
chosen or accepted.
Pink hearts hand-stitched on a mask
come to the rescue of fashions (always absurd—today more so)
drowning and proclaiming urges of strobe lights
nostalgia for present moments
fidgeting inside
a tomorrow that lies in wait
in reticent test tubes
in hopeful phoenix ashes
in wishes riding roguish shooting stars.
Judith Mendoza-White
Graduated from Master of Research, Faculty of Arts, 2015. Currently Mts of Creative Writing candidate at Oxford University, UK. Award winning novel published by Grupo Planeta for Spain and Latin America. Second novel signed with the same publishing group, to be published in early 2021.