…another day/ another hour/another step towards closing my family’s bookstore forever/antsy with a feeling like sadness/antsy with feelings I don’t understand/ attempting to numb myself with work/ biting my lower lip until I taste blood/ blinking back tears as I pull apart the shelves…
This poem is an excerpt from my young adult verse-novel, The Notebook of Teagan Trace, which I am writing in a multitude of poetic forms. An abecedarian poem is an acrostic form that begins each line with successive letters of the alphabet.
The Poet: an Abecedarian Poem
another day
another hour
another step towards closing my family’s bookstore forever
antsy with a feeling like sadness
antsy with feelings I don’t understand
attempting to numb myself with work
biting my lower lip until I taste blood
blinking back tears as I pull apart the shelves
books of biographies
books of play scripts
books of poetry
books that I’ve looked at everyday, familiar as family
boxing away years of memory
caffeinated on too many cappuccinos, Mom bounces round the shop
clearing the rusty filing cabinet
clearing the non-fiction shelves
clearing the textbooks
cloaking the SALE! EVERYTHING 25-75% OFF sign with a new one that says
closing
closing
closing
Dad hiding out in the back office
dazed expression on his face as he stares into his screensaver
Depressed, Mom whispers as she zips past me
dictionary definition: dejected, despairing, despondent, dismal, distressed
door bell jingles, but no one goes to see but me
dressed in sleek black pants and a red v-neck top, a woman a little younger
than Mom enters the shop
each arm adorned with wooden bangles
ebony hair pulled back into a bun
eyes meeting mine, she smiles
Finally found you, she says. I’ve heard you’re one of the few bookshops that
still stocks poetry. But I’m sorry to see you’re closing
fingers fumbling at my sides, I tell her in a
flat-toned voice how all books are 75%, for her to let me know if she needs
any help
folding her hands, she says she’s
foraging for one book in particular
Forgetting: A History, a book of poems by Zara Valentine
Frivolous of me, really, she says. I gave too many away when it first came out,
and now I only have a few left
Funny how you never think of your first book going out of print
goggle-eyed, I stare at her – she’s the author?
goose pimples creeping up my arms because I’ve never met a published
poet before
gradually I get a grip
guide her to the poetry section
hastily, I thumb through what’s left on the shelf – H, I, J, K
head not working, I skip through V straight to Z
heat on my cheeks as I hunt through the stack
Here, I say, handing her the shiny black book, edges bent
hibiscus flowers decorating the front cover
holding the book to her chest, she breathes out. Thank you
How wonderful
I am not able to stand it anymore, and I blurt out, So you’re the poet who
wrote this?
I am, she says, I’m Zara
I am fumbling now, a million questions spluttering out
I ask her how she first got published
I ask her how she started writing
I ask her if she always wanted to be a poet
I ask her if she keeps a notebook
I ask her where her books sell, since big chains don’t stock much poetry,
and independents like ours are closing down
I ask her why, when, how she got published when poetry’s considered dead,
dead, dead
I even start telling her about my own notebook, how I’m always scribbling
poems and poem-like words and things like cinquains and acrostics
I say I’m sure my poems aren’t as good as hers
in the background, Mom flits around the shop, giving me eyes to come help,
but I ignore her
Inexpressible reasons why I started to write, Zara says, telling me about the
influence of English teachers, her insatiable appetite for books, her mother dying
when she was eight, giving her the constant itch to create
initially working as a secretary, writing poems in the hours after work
innate feeling that poetry is what she should do, money or no money, sent her
first manuscript to fifty-one publishers before she got a yes from a
small publishing house, Metaphor
inner strengthening when Metaphor filed for bankruptcy just months after they
published Forgetting
inspired by her dad to keep writing, who told her not to listen to people who
said writing poetry was useless
involved in writing a sixth book now
It’s great to hear you write, Zara says, Do you have any poetry here I could
read? And tell me, what was your name?
jack-in-the-box in my chest, I tell her Teagan, Teagan Trace
jittery legs
jumpy
knowing my notebook’s on the floor beside me
lapse of time before I reach down and pick it up
leaking sweat as I hand it to her
letting Zara leaf through my notebook
letting Zara – someone I just met – read poems I haven’t even shown my best friend
or my parents
looking at her face as she reads
looking hard at every blink and lip twitch, wondering what it means
lunacy
millions of moments march by before Zara looks up
mouth moving slow motion, she says, Your poems are strong, Teagan.
They’ve got great energy.
Must say, I think your cinquain sequence is my favourite
nervously, I start to say that my poems aren’t that good, they’re just silly things
I write to pass the time
neurons neurotically flittering, I realize I sound just like my grandma
now she locks her gaze on me
now Zara asks, Have you ever thought of making poetry your career?
o yes I’ve thought of it
of getting books published
of spending every day writing at a desk
only I have always thought I had to be something else – a lawyer, a stockbroker,
a dentist
only I think of Grandma saying poetry’s dead
only I’m packing away books in my family’s shop that’s closing down
ooh but my heart sings yes, yes, yes
outlandish to think of doing anything else
palimpsest of my heart
palpable
pervasive
poetry
quaky-legged, I ask Zara, But how do you make money?
Quite a few people still read poetry, you know, she says with a wink
really honestly, though, Zara admits that she
receives little recompense for her work
rectified her finances for awhile by waitressing part-time
reduced her spending
resolved her situation by starting a small online business, so now
she can write all day and fiddle with her business at night
Risky? she says. Perhaps. But I know I wouldn’t be happy if I couldn’t write
she tells me I can do this, too
she tells me I should follow my gut
she tells me not to listen to people who say poetry’s dead
somewhere behind us, Mom shouts my name
Think you better go, Zara says
throat closing up, I nod
together Zara and I wander towards the door
tongue-tied
topple-toed
tripping over my words, I tell her not to worry about paying for her book
unexpectedly, she says, I’d actually like you to have it. And here…
unfastening her purse, she digs out her card
urging it into my hands with the book
verbal functions no longer working
verging (stupidly) on the point of tears
Very nice of you, I splutter, thank you
Where are you, Teagan? Mom calls
whirling around to go, Zara says, Keep writing!
writing
writing
writing
writing already in my head
writing poems
writing poems
writing Zara an email: I can’t say how much I loved meeting you
xoxo
yelling to Mom that I’m coming
Zara’s words
zigzagging
zipping
zooming as I go
EC Alberts
Elizabeth Claire Alberts (aka Claire Buchel) is a PhD candidate in creative writing at Macquarie University, where she also teaches creative writing. In 2012, she spent three months as a research fellow at the International Youth Library in Munich, Germany, working on her thesis on young adult verse-novels. Her published work includes poetry, children’s fiction, creative non-fiction and journalism. When she isn’t writing, she’s preparing raw vegan cuisine, scuba diving, and working in any way she can to protect the environment.