Mama, Alix Rochaix

Mama, Mama,
oh Mama.
These are the words I will use
to begin your eulogy.

No longer forbidden to utter
the M-word.
Call me Cole, you decreed.
Like everybody else.

Nicole Elodie Lemaire.
That was you. And I was just one
of everybody else.

Only my lover could tell me
that when I writhed in the shadows of a dream one night,
I squeaked out the question,
Mama?
Then louder, as if escaping a great
and weighty grief–

Mama!

This ICU isn’t blinding white.
Someone has thought to paste a mural
of a cheerful coastal panorama
across the rear wall.
And there
is your smashed and intubated face,
superimposed upon it.

That once exquisite face.
One of your eyes gone, I’ve been told.
Sea-green iris
and all.
All of your perfect teeth
taken.
Apart from a jagged white fragment
a vestige, still visible
in the black blood cavern
of that once lovely mouth.

All this a swathe of bandage,
splash of disinfectant brown,
scramble of tubes,
pipes with square junctures.

Your spiralling hair shorn up
from the temple, a bolt
driven in…

Oh, Mama.

Monitors on your vital signs.
Just a reedy bip bip,
tiny beads of expanding,
then dying light.

I have been told again today,
to expect the worst.

You would have thought
this is the worst.

You often assured me,
sought to inform me, saying,
You don’t want that.
About whatever it was your street-smarts,
your wisdom,
would thrust aside.

I know
you would not want this.

Your much younger lover,
uninjured driver,
the last to ride with you, still so alive.
Still the livewire.

The last to hear your laughter.
He sits across from me, beyond the white cases over
your broken bones.

Stares at his phone and the ceiling.
He doesn’t say much.
I hadn’t heard his name before.
Later,
I won’t remember it.

After two days, when the questions are over,
he vanishes.

When they said that there were still signs
of brain life, I surprised them
by blurting out,
That’d be right!
A raised eyebrow.
A note scrawled.

While this brain life rails against the dimming of its light,
I know.
With my fingertips on your thready pulse,
this is no option for you,
as you were,
in the fullness and flush of your senses.
For me to be talking about teaching you,
perhaps,
to talk again.

I lean towards your unbandaged ear
and whisper,
Go.
Who could witness that?
Apart from the panorama and all
that keeps you hovering,
tethered by a fluorescent
filament of a heartbeat.
Or you, or what’s called your soul
maybe,
as it levitates above me.

So I speak it,
into your still warm
so soft ear.

Let go.
In this rare lull in the bustle,
I look to the ceiling with a level eye, and tell you

with calm conviction,
that your best path does not begin
down here in this ICU.
Stitched, wired, plated together–
perhaps.

No.
Not you,
Nicole Elodie Lemaire.

Go.

I am your daughter. And I am given
to flippant comments, emotional detachment.
Capable of commanding a fractured spectre of a mother
to let go of her life.
Not pretend
that your physical presence
is more valuable in near death, than it was to me
in your big bold life.

And if a hidden camera
and your hovering soul,
record all this,

So be it.

Download PDF

Border Crossing, Pooja Biswas

I set out on a pilgrimage

over the northern plains

     of ice-steeped grass

and stones round as knuckles,

breezes sharp as kite strings.

 

so far from the sea

     was I & yet

so near to the sky, the clouds

    hovering

like small parachutes,

      descending bodies

invisible in the glare. reduced

to threads, mere threads

     of light, oh sun. why

do you hide death.

 

birds solitary as footless

     minstrels, singing heat

down upon the curling curves

    of snow-dust, evaporating

as softly as love-sighs, spirit-whispers

      from pale mouths. the earth a

gently rolling corpse.

 

I left in order to put in order

     a great many things, wings,

notes left unwritten, unfurled. dangling

participles. shoes & the feet in them

          seemed ludicrous here,

raw-bone ache and callused blisters

making of the body a pulsing knot,

         centered on two points

                hot needles.

 

     & still the sun sketched

perfectly geometrical shapes.

the wind rolled back & took

the black shrubs with it, bent them until

they touched their sturdy heads

          to the soil.

 

the terrible tides

the perilous undertows of love

   their impossible depths

& the heart within them,

desperately toothless

   swallowing loss.

The Extra/CynthIA, Sam Moon

The Extra

The work is continual,

to fill the spaces around you like air,

the backdrop influence of the wind,

the tide. Lifeblood of the day-to-day

flowing downstage through streets,

stores, out of mind the way sea

evades the hand. I slip through

the set, through memory,

and construct an ambiance

—The coffeeshop businessman too crisp

for his slouch, for the casualness stretched

in his chair, failing to smother a grin—

With careful randomness,

I populate every set-piece,

blending conversation dotting

the scene like wallpaper

flowers behind a portrait of you

—The kids at the mall, uniforms pressed

against the stairway handrails, singing

to the height disparities of adolescence—

Surrounding you, I deliver

the background heartbeats;

footsteps of the world-builders

echoing across the stage,

your stage, breaking

like waves on the shore

of your soliloquy

—The matching smiles between a father

and the toddler who hangs on his arm

like hope, laughing like a wish—

I weave between spotlights

that know you like a lover, love you

like a savior, starring in my landscape

of the brushed shoulder;

the lullaby that fills a city,

that settles in a story

—The single exposed head in a blooming

field of umbrellas, hunched over

pinstripes grey as the falling sky—

A reassuring movement

suspended on the coast of your eye,

I sing familiarity on a stage

that never ends. The quiet solace

passing like savored time, purrs

the way a hearth-warmed quilt

adores the shoulder, all-encompassing

in the warmth of ovation

—The girl whose shoes glittered like the idea

of summer as she bounced by your window

on your last lazy Thursday—

Safe in realism, confidence,

the triumph of the quest

that calls you like the curtain

calls encore, you march

a finale in monologue.

My silent role in union

of the stage, in the bowing

cut to black, we live.

 

CynthIA

Count 1 1 2

Listen

Through the filters

And hear the air

In your mouth

Counting stiff

seven

The message

That slithers in skulls

And states

The air in your lungs

Is not yours

nine

The skywave intercepted

By flesh

Frozen tongue

Across your skin

Whispers to the nerves

two

Not alone

You have never

Breathed alone

Always borrowed air

Always gasping

Wavelengths of voice

Without you

Instructions beyond you

Saying always

Nothing except

three

To the one

Who knows

zero

Download a PDF of ‘The Extra, CynthIA’

Do NOT Read This, Alexander Lafazanis

Totally like

 

The thing is like

people in the 90’s like

literally laughed at like

the idea of bottled water.

Who would actually pay

for something you can totally like

get for free

out of a tap?

Would you pay for petrol

if you had a pump in the kitchen?

I mean

a plastic bottle of water is basically pure EVIL.

When empty and crushed like a shackled lung

its shriek is sour

wincing and tart

When left forgotten

chosen and rotten

the water runs down like stale saliva.

Not to like

totally mention

the plastic ocean is

strangling the whales

creating one big watery grave…

And like

call me a hypocrite

but I could totally set sail on

a raft made from the plastic bottles

I’ve consumed in my life.

But I only buy them when I’m not at home

on the road

on the go.

It’s convenient

cold water from any corner

and it’s only a coupla dollars.

And as cars grow motors

bigger than their bonnet

and trees bow down to quick copy printers

publishing: ‘a million and one ways

to get a minute back.’

I swear that like

I can hear my time clock ticking

at a pace I just can’t catch.

 

The Dog Days

 

-1-

A young woman reaches up

freckles light brown as coffee grains

hanging sodden laundry

along a backyard clothesline.

On the woodshed windowsill

the radio melts amongst the ancient chattering

of cicadas tree to tree.

A female broadcaster announces:

‘Total fire ban on the hottest day of the year.’

 

-2-

New day spreads a baby

blue sky like an oil painting,

shining on crocodile grasslands

that simmer below.

Even the summer flies are resting in the shade

she smiles

pressing her face against the

shirt, cool and damp.

 

-3-

The danger signs have been red

no water, nor rain

commemorative minds

drift along to the torrid hum of Christmas holidays.

Hark! Hark! Murders siren strong winds

of fermenting dog days.

White iris above white flame

perched on dead wood.

 

-4-

Heat rising and night falling fast,

firefighters drenched in sweat

sail towards the sun.

The flames fleet marching up the frontline

halts in the machine gun fire of a pumper’s

spray, momentarily.

 

-5-

Red alert, pumps engaged

flames turning with the wind.

The Guv’s dashboard dispatch

inhabiting the blurred chaos of yells and groans.

No candles are held in a firestorm

fear smoulders inside bunker suits.

One fighter

face ashen as a tablespoon

sent to the sea

drops a knee to the whimsical chimes

of Nero’s lyre, off in the distance.

 

-6-

A wildfire in a torrent of flames

razes a forest flat into a charcoal graveyard.

At the heart of its heat

stubborn trunks explode like a gut punch

waves of embers washing over

a town of dreadful thirst.

 

-7-

Down by the billabong

far from bloody gums

a sandy kangaroo sits hidden underneath

a glowing whisper.

The trees breathe a charcoal breath.

Below, her joey dangles over the pouch

its thin skin ethereal

translucent grey.

 

Download PDF of Two Poems

The constant, Masumi Atul Parmar

In science we learnt about
white noise.
How it is several noises at different frequencies.
How it drowns out sound because your brain can’t decipher it all simultaneously.
How it’s loud and meaningless.

My head, dense and heavy
saturated beyond comprehension.
I can’t take in anymore noise.
I cannot understand anymore noise.

But outside it is quiet,
my mother cannot comprehend what I mean,
when I say it’s too loud,
in my head.

Because all she hears is
the cars driving past our
red mini cooper;
the only car parked at the side of the road.

All my mother understands is that her daughter
does not remember how to use
her hands.
I can’t lower them from my ears.

They’re still soft to touch but stubborn,
they’re begging whoever has snuck into my head
to stop,
to stop the constant buzzing so I can remember again.
I hear my heart beat loudly in my ears,
my cupped hands only making the thuds
echo.

That’s always one of the first signs other than
the constant
roaring.

The chattering,

the whirlwind of

a few hundred frequencies

in a red room.

Too many aspects of life trying to be the most prominent.

Only to be drowned out by another.

The spotlight shifts from

the lights of cars driving past,

to the sound of my mother’s voice

to the shape of my hands,

to the feel of my hair tickling my neck,

to the smell of the new leather seats

I can’t focus on anything.

And that
is how you end up on the floor of a parking lot.

A version of myself
stares back at me
from the chrome in the tyre–

I can’t comprehend who that girl is,

my mind is fighting to slow down.
My tears start to drown me,
I just can’t understand.

Then almost like it never happened,
my mind is clear
like a pearl being washed
by the gentle waves of the shore;
surface clean and shining-

The switch clicked back into its spot

“Was it because I focused on my breathing?

Was is it because I self-medicated?

Was is it because I’m thinking of the woman I love?

Was it because I found the knob in the dark?

All by myself?”

I can hear
the cars softly driving past ours;
the red mini cooper parked at the side of the road.

It’s like the noise never existed.

Download a PDF of ‘The constant’

Gaymergate, James Renshaw

 

Get triggered by my bara-tiddy worship,

a can’t-unsee in your rule34 search –

the SFM McHanzo ship too stronk

for a bronze-tier tinder dudebro. Yeah

I’ll find someone like you raging on

a dell fit for CS:GO.

 

You’ve programmed me to be a lurkr,

an NPC following custom Dank Souls

rules, forever fucked in the faget spam –

teabags with the hacker’s headshot

(git gud) (deal with it), and

crackles of your e-peen playback

from a booth-babe Razer headset.

 

Are you in a monochrome cult classic

closed convention for the nerds who

grew up gains, and for those devolved

into fedora goblins – pimple neckbeards –

double-teaming G.I.R.Ls just so long

as you can common ground the cleavage

of Lara Croft’s supple poly prisms?

 

(I’ll bet you’d find them moist)

 

I can just feel your hands now: sticky –

bad handling of the pre-cream n’ tissues –

glossed over with the dirt of Doritos

and a fine Mountain Dew finish,

ready for some low-key ERP

STR8 hero fapfests in a hetero World

of Warcraft –

 

your fantasy; you know we’re living

a testosterone conundrum:

dat male blood-elf ass barrage,

all deez beefs and swole, and waves

after endless waves of orc cock

capping your daily quest logs.

 

But you’re salty. You can’t even

reality; butthurt that Bioware bitches

can warp the conversation wheels

and mod a man from your head

canon into the nope-depths

of the online dark side.

 

Welcome. Login

to the Grindr app crossover –

your sacred mancave backdoor’d

by the furfags and double rainbows;

you know what it means. ParTy up

and protect your fragile masculinity

from my emoji raids, encrypted:

1. SMiley2. Eggplant3. point4. OK

inb4 the Tumblrina cries, inb4

the Reddit downvote karma-fire,

before the 4chan trolls swarm,

doxx and DDoS with unsolicited

rootkit dick pics. GTFO

or get rekt.

 

 

Westfall, James Renshaw

1.

At Saldean’s Farm was where I first met you rustling in the silverleaves,

in briarthorns, between the haystacks and broken-down harvest watchers.

Your low-poly green hair mismatched Westfall’s orange oversaturation,

and the ambient loops were far too calm, too quiet, for the way you ran

along the ash-brown stick fences, to the herbalism nodes and back again.

I yelled out to you (I meant to whisper)   /yell lol hey what r u doin

And everyone knew.   Swiftthistle      you wanted them for alchemy.

/yell whats alchemy    You /laugh      I traded you bread and water.

You gave me back the water.

 

2.

On the long stretch of Westfall’s coast was where we fished for treasure.

The wreckage spawns, spread thin beside the schools of oily blackmouths,

had linen, wool, and lockboxes. You could pick lockboxes. You could fend

off the packs of gurgling murlocs as I fumbled B for my 6-slot newbie bags,

looking for space. I had offered to help you when you stealthed and sneaked

up close to them for mageroyal and chests. (I could sheep) (I could nova)

(would dampen you) but you told me     /p dw i got it     /p roll on malachite

and     /p run away if i die                   I didn’t.     I died with you, chasing

your wisp form as a ghost, running to our lifeless bodies on the sand.

 

3.

When it rained over Westfall, the grass fields rendered in a sombre lime hue.

I was gathering your swiftthistles while you queued for Warsong Gulch, and

up on the Dagger Hills, I could see the flicks of low-res raindrops falling down

on the water by the lighthouse. You loved the thrill of PvP: running to and from

between the desert and the forest, capturing red flags, defending your own

Alliance blue. In there you chugged through speed-pots faster than we could

make them. The gold we could have made on the AH, we’d have epic mounts

ready for 60.    (You wouldn’t ever be 60)      /w its fun playing with you

you whispered me as you flew back to Sentinel Hill on a griffon taxi.

 

4.

At the Dead Acre was where I last saw you farming on the old tilled soil,

between the derelict mill and the wagon sunken in the ochre overgrowth.

You were killing off the harvest watchers, the strongest in the zone, but the

loot was glittering, and greyed-out names dotted my FOV. (I ran to see you)

(sprinted out from Duskwood)   I   /wave /wave /wave   and you /yell stop

(you meant to whisper). You partied up with me and said     /p im gonna quit

You traded me swiftthistles. You gave me back the bread. Then I watched you

in the Westfall night counting down from 20 to the exit.       You whispered me

/w you were a good friend             And I hearthed away when you logged off.

 

Discord, James Renshaw

 

Cmd:   enigmatic apparition.

Animator images, processing rhythmic

words queued first as tacit-tactile,

synesthetic modes on mechanical [WASD]

– transmitting –       01100011 01101111

01101110 01110110 01100101 01110010

01110011 01100001 01110100 01101001

01101111 01101110   – transmitted –

as the left thumb beats [SPACEBAR].

Smash [ENTER] / Electric ultimatum.

Run:        the VOIP chill. Replica clutch, nail bites,

metronomic mouse-click hesitations –

FWD TO: peripherals

>press down [NUM](push-to-talk);

>push up (release)[NUM];

{Identify Connection?}             >input:

navigate my spine;                 >rasp:

the cerebellum; >pulse:           inhale;

>spiral: ears,                       exchange,

ASMR secrets;                     express

{YES} to me between the GPU fan-force

{NO}               white-noise-background

muffling the timbre in your mic.

Cmd:   troubleshoot me.          [CTRL] +

Interaction error 502               [SHIFT] +

bad gateway. You can              [ESC]

{X} to end human.exe(not responding)

if: high memory use;

if: unknown program;

if: first time connection;

if: unsecure;

Ghosting, James Renshaw

 

Ghosting                                             Ghost

 

Hey                                                                                 Hey

    . . .                   . . .

 

I thought we could make it                  I couldn’t bear the thought

an idea formed from intimate               this idea made from vague

stop-motion pictures, brief initiatives would unravel me,

snaps of the blind flash                       would lace us in the blind

fiction, a coming of age                       flash fiction, reeling films

text-to-speech in motion, then out of speechless emotions,

coffee with conversations,                   coffee stains painting us

eyes; we’re parting our lips exchanging breaths; eyes

     opened, closed, opened, closed, opened, closed,

and the world can be real –                 and the world can’t be real –

 

our sudden escalations                       this I know will escalate

to nowhere. Or if that                           to nowhere. Or if that

     somewhere was a place I’d be sure that I’d be

for pixel parks – hidden                       safe from myself – hidden

in the flood of Wi-Fi signals                 in a tangle of Wi-Fi signals,

to the sent histories, lingering              bogged down in the cache,

with scents dug into my bed ruminating over fragments

sheets, and memoirs of a spoon          left indented on the outskirts

      indented on the right – of your physical life.

you were melding with me                   How could we materialise

in the middle of it all.                           in the middle of it all,

 

I was morphing our existence,             complacent in this existence –

now knowing you after knowing me knowing after you knowing now

you as hexadecimal. Maybe               of these consequential infinities?

it’s me who’s locked within                 I don’t want to barricade you

the handset infinite regress, within my firewalls and 4G

        here where we shift out fortresses of cybernetics

the bones of our conscience – connected to the white skins

I didn’t know we could                        and shuffling flesh. I can’t

when we siphon fluid words                bleed the veins of my words –

from our thumbs and risk it                 I’ll pour until our voices turn

   in some level of purgatory dust in purgatory drought,

decay in digital permanence.              rotting under our fleeting guise.

 

But deletion is permanence, or            But deletion is fleeting, and

a paradox when a ghost                      freedom when a human

kisses me, holds me,                         holds me, kisses me, takes

leaves a spoon indented                      my soul and indents it

on the right edge of the bed, in the outskirts of his life,

and any further traces                         and any further traces

         found in ideas formed of lost ideas made shared

from these cold stop-motion                from warm, vague initiatives

pictures and brief snaps from              unravelled in these films from

the blind flash fiction is                       the blind flash fiction, is

           framed for a profile, framed for a memory,

empty and without a name.                 locked away without a body.

 

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