SEASONS OF TERROR, Jannavi Rao

WHEN THE WORLD BEGAN

I think that the world was born from terror.

She wore a seraphic smile to please the gaze of others.

She found her many faces in the lakes, the oceans, the streams,

that caress her supple skin.

The same way that I find myself,

not in the mirror across from me – that figure is

limp.

Devoid of life.

Not in the mirror across from me,

but the crescent moons

etched into my palms.


And so, we are the same – the world & I.

A vengeful vulture.

Far below us, night envelopes the lands.

Chaos.

Pale blue filmy eyes carefully unravelling

Fractured curious souls.

A startling silence settles the void,

as the people await first broken light.


MARCH 2003

I) I think that I was born from terror.

A distant child who did not dare cry or yowl.

I often questioned myself why I was so afraid,

to speak. To be heard.

‘Melt my scorched flesh.

And bury me beneath your skin.’

I begged.

Only then will I be whisked away into the smoke-adorned clouds to

witness the Mirages: familiar gifts.

And I wail for I know my prayers will go unanswered.


II) A solitary life was death to some.

To me it was a boon. A blessing.

Beginning and end. That is our sole purpose.

We are a cycle.

Of seasons – green, grey, pale yellow and burnt amber.

We are a cycle.

Of memories – tainted with the soft colours of a child’s kaleidoscopic mind.


Are we also, perhaps,

a cycle

of tortured nostalgia and

self-inflicted wounds?


And so, one day I will disappear, but for now I lay in the earth’s palms –

and for just one moment she and I are infinite.

Untouched and Whole.

‘Oh, silent little lamb,’ she says to me,

‘How I pray that fear never consumes you in

the same manner which Saturn once devoured his sons.’

‘The same manner in which

I must soon devour you.’

And she wails for she knows her prayers will go unanswered.


PRESENT

We are people made up of words.

Written, unspoken, fleeting words.

We are monsters made of half-told lies

and impending nightmares.

We love and we ruin.

We hate and we create.

We are everywhere all at once,

devouring, inhaling, perceiving

and yet,

We are all so utterly alone.

Perhaps,

this is what makes us such awful arrogant creatures

who consume what is not meant to be ingested

and bestow what is not ours to grant.

We all have such an insatiable hunger to be known.

To be desired.

To be remembered.

Yet, we choose to devour.

Hungry beasts litter the street floors

as we speak.


FUTURE

But I am now free.

My mind no longer

controlled

by the limitations of my body.

My soul has been captured and locked away by

the village people.

And as the ardent fire licks away salty tears,

the crescent moon, he witnesses such

naive and hollow Man: a familiar sight.

Man comes together to watch the flames lick at the wretched beast’s heels.

And my heart – bloody and pure; yearns for another chance.

One final chance, not for myself, but for her.

I am no longer a silent child – a shepherd’s little lamb.

And I will find myself grappling with my purgatory state.

Narcotic murmurs threaten to spill from my petal lips

unto the waves of heat and humiliation.

Shouts of fury and rage.

Crack.

          Crack.

                    Crack.

Once more

trapped…

Am I truly her child?

Or simply:

A bird of prey.


Jannavi Rao is a dedicated writer with a hunger for romantic fiction and gothic suburbia. Her writings are an exploration of nostalgia infused with a brief yearning to understand the complexities of life. Her piece “Colours of the World” was shortlisted in the Whitlam Institute’s “What Matters Now?” writing competition in 2020.

KILLING THE MONSTERS, Emily Duff





I wish I knew before

That revealing my pride

Was more than wading

Past dresses and swimwear


I’ve got a slippery grip

On a blood-stained knife

It flirts with gravity

Still angled at the corpse on the floor


I didn’t know of these guards

Protecting the door

Nor of their hollow eyes or claws

Nor of the fight they would cause


My spiking adrenaline aborts

Leaving shivers in my veins

They form a hunting party

From doubt and regret

Pounding in my head


My desire to know

What it’s like to be out—

Side, under the sun subsides

The price: too high

My freedoms: undefined


There is no relief in murder


Inside is safe

Inside doesn’t leave

Bloody footprints

Trailing over the threshold

Inside leaves

No bodies to dispose of


*


Inside is also a coffin

Cotton shirts that once embraced

Me, now a source of strangulation,

Fabrications force-fed like

They’re evocations of my life


Those lies become

Ten-tonne plates pressed

Against my chest

Sinking to the floor

All I want

Is to float to the surface


Breathe





Breathe





I have already served my audience

Meals of diluted truths

To make the light brighter

The change from darkness

More moderated

Less shock shinning back

When I step out—


Breathe





Their death is a price too expensive

But it’s what you demand

Hoping I can’t pay

Hoping I’ll stay

Exactly where I am

Hidden


Not telling

Not asking

Swept under the rug

While you pray me away

Praying I’ll go extinct

A species scared to death

Explains all the skeletons in closets


Breathe





Past mistakes awake

Only fools wield knives into battle

My armoury is stocked

A battle-axe drops and lands

Perfectly weighted in my hand


There is no relief in murder

But it turns slaughter into freedom

And creates comfort from carnage


And in the end

I’m out

Standing under the sun

Quickly crusting blood

Stains my nail beds, but


 A rain shower relieves

Other bloody remnants

And throws a rainbow

Across the sky


Emily Duff is a budding writer from Sydney who finds her inspiration in new experiences and travel. She is a writer of poetry and short stories with a focus on romance and social-political themes. Her poem Killing the Monsters was long-listed for the Macquarie University Future Leaders Prize in 2022.

PAPA.RAZZI.DOOM.DAY (ZEITGEIST ZOO)

ALEC JAMES WRIGHT

Anarchistic aphids abound

               aroused and awkward

                             asking artists about

                                           alimony Billions—

              BUT be brave

bustling before busted bulging

broad big brained benevolent

bent broken CARNIVORES.

                                           Cursed cracked creaking

                             Columbian coffee cradlers

               causing commotion censoring

calculated corrupt Devotion.

deMoralised dangling destitute

dew drop drinkers

drip      delivering        dread

down doomed dark Eventides.

Entrenched entitled entities

engorging effervescent excess,

evil-entwining-ego

exterminating each exploited Fawn.

Fallacious flawed foundations

forging faithfully flagrant

free falling frightened

fecund fame Generations.

Glutinous grave grabbers grope

groomed gallant glamour gods,

grip grasping genuinely gifted

glory gene Humans.

Harm harbingers harvest

hoodwinked honest heroes;

how hope has housed

hungry haunted Insects.

Insidious internal interests,

imbibe indignant ichor,

immobilise I d e al s,

illuminate Junk.

Joyless-jargon-jousters

jeer jagged Judas jewels

juxtaposing justified

jam jacketed Kickbacks.

Kaleidoscopic Kodak Killers

Kidnapping kindness.

Kiss knuckling knowledge.

Knife knocking Life.

Lie loving liars lacerate

lovers like ly-canthropes,

looming lying lunging leeching

lust laden Machinations.

Meagre mould merchants

monopolise meaty monstrous

mechanical melodramas—machining

MOREMOREMORE: NEWS.

Nefarious neo-n narcissists

nuzzle nose numbing

nuclear nasal needs

neglecting noxious nauseous Omens.

Oily oxygen orphans ordain

oppressive orange oligarchs,

omitting obscene opinions,

orienting oblivious Patriotism.

Pernicious pallid poltergeists

parade petrified plagued photos,

purporting powerless pitiful people

pacifying painful pertinent Questions.

Quasi quality query quests

quantify quaking-quarrels²

quashing quintessential quiet

quenching quavering quelled Resolutions.

Ruinous riotous ruffians rouse

rough rising raucous reticent;

revivifying recycled,

rust ravaged Sabotage.

Stifle stench scented

slogged salacious smut stacks,

sifting serendipitous—

summer sucking Termites.

Tell the truth

Truth tells

The truth tells the truth

Tell the truth trhtu.

                                           Upholstered Undergrowth ‘Underdogs’

                            1. Unearthed, u-n-s-t-i-t-c-h-e-d, unravelled

                            2. Unfastened, u.n.b.u.t.t.o.n.e.d, unfolded

                            3. ‘un’|domesticated|, ‘unadulterated, ‘unviolated

Vice varnished villains vilify                                                                                    Want.

voiceless vanquished victims                                                                                      Worth.

venerating vulgar vile                                                                                                Wealth.

VOGUE virtue value w—                                                                                           Warfare.

xXxXxXxx xXxxXxxx xXxxxXxX xXxXXxxX

xXxxxXxx xXxxXXXX xXxxXXXx xXxXxXxx

xXxxxXXx xXxxxXxX xXxxxXxX xXxxXXxx

xXxXxxXX xXxxXxxx xXxxxxxX xXxxXXxX xXxxxXxX

xXxXxXxx xXxxXxxx xXxxXXXX xXxXxxXX xXxxxXxX

Yesteryear yolk yielders yanking,

youth yabbering yes yappers yerking,

yawling yardstick yawners yelping,

yammering yuppie zealots zoutching—

Zeitgeist Zoo!

Tell the truth.


Alec James Wright is a Sydney based poet and screenwriter who lives on Darug land. He writes about themes of unity, uprising, modernity, and catharsis, finding inspiration for his work through ekphrasis and connecting with the natural world. In 2022, he was longlisted for the Future Leaders Writing Prize.