Being: Mark Four, Melanie Adams

I.

 

The winter of ’92 had infected my mother with its frosty failure

It clutched her womb with barren hands

She haemorrhaged a me, mark three.

 

With a grievous contraction, she expelled

The coagulated nothing

Spurned by her body.

 

The stab was familiar.

 

In 1980, first blood seeped from her young form

Rippling tides of relief.

 

Summer of ’92, it had gripped her viscera

The day after the miniature cardiac throb caressed her ears

And the surge of maternal love sparkled in her chest.

Her arid figure cracked and crumpled.

 

My father’s shirt had promised them a daughter.

Draped in the vivid spirits of the Violent Femmes

His mind incanted: Let me go on.

 

My father bought a bounding ball of puppy fuzz

For my mother, as consolation.

 

Later, I heard ‘constellation’

Picturing all my selves that never were

Coalescing into celestial objects.

 

Doctors told my mother

Her anatomy was the great antagonist

Bellicose, designed to obliterate.

And yet, this determined speck

Clambered out of the mire of non-existence

A scatter of atoms, at first

Uniting into lungs, a brain

And a heartbeat.

 

And so I was.

Born all aperture, drinking my surroundings

With large brown spheres

Gleaming. Winking.

Slung from stellar oblivion.

 

II.

 

I was fourteen years, crushed up

A thousand tiny shells spat out by the sea

With its wringing tide.

 

Sinking in its mouth

Until my bones lodged in the back of its throat.

Life coughed up my skeleton.

 

The Violent Femmes and their jagged colours hung about my ribs

Fluttering, gored into strips by a decade of spin cycles.

 

I had grown from a clot of cells

To this, a self-immolating bush

Destined to blacken and burn out.

 

They said God’s hands had

Plucked me from the astral plane

Of their empty bodies

Flinging me through incandescence

To this dimension.

 

Why would God waste his divine fingers

Stitching something to squander?

 

My bled-out siblings called

From the belly of the earth.

I ruptured and burst like a tired star.

 

I was the sprout that had struggled

Through the concrete fissures of the footpath

Poking its fecund face

Into suburban spring.

 

I wanted to crawl back down.

 

To slide back down the spiral at the centre of the world

To slink back into

The hull of my mother

To sleep within her dormant walls

Secreted for a century

Before my renaissance.

 

Instead I was an unblinking eye

Inhaling weltschmerz

Without slumber.

 

Eating the city’s grime and feasting

On its acrid disappointment.

 

The shirt’s prophecy unravelled

Me, a violent woman

Dreaming of gunshot wounds

 

Pockets groaning with stones

Weighed down in the river

Hoping to sink.

 

Diffuse like light pollution

Lying limp on the floor.

Atomised. Paralysed.

Shredded to a joyless confetti.

Floating away.

 

III.

 

The moon mirrors my mother’s love

Luna urges me as she does the ocean

To lift its arms. To rouse itself from its bed.

To swell and embrace the salty shoreline.

 

My fragments, like iron filings

Magnetised back together.

 

I raise myself as a filament

Conducting light. Throwing it back

To my family, who so loved me

That they shovelled the soil of debt on their own shoulders

Just to hold me. Just to see my newborn face

And hear my infant giggle —

The mellifluous tinkle of chimes

Thirteen years in the making.

The shirt sacrificed itself to us.

Its vibrant creatures stretched and ripped

Beyond recognition.

I still feel the noble ghost of its ribbons

Stroking the crevices of my back.

 

Existential guilt still hums

A covert wasp’s nest crafted in my skull.

I will spray it away someday

But for now, I will cradle this tender glow

Cupping my hands

Over the blazing candle

Of being.

 

 

Works Cited

Violent Femmes, “Blister in the Sun.”1983. By Gordon Gano. Violent Femmes. Slash Records, 1983, Cassette.

 

 

Download a PDF of Being: Mark Four.

Melanie Adams

Melanie Adams is a poet, singer, and Arts/Law student at Macquarie University. Her first poem, written at age four, pondered the deep existential mysteries of traffic lights. She is particularly interested in exploring medical themes in her poetry, including the experience of chronic illness. She writes at plasticevergreens.tumblr.com.

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